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Restoration for Historic Jeddah's Old Buildings Completed Under Crown Prince's Directives

The project came within the context of the Crown Prince's keenness to preserve and rehabilitate historical sites to achieve the Saudi Vision 2030 goals. SPA
The project came within the context of the Crown Prince's keenness to preserve and rehabilitate historical sites to achieve the Saudi Vision 2030 goals. SPA
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Restoration for Historic Jeddah's Old Buildings Completed Under Crown Prince's Directives

The project came within the context of the Crown Prince's keenness to preserve and rehabilitate historical sites to achieve the Saudi Vision 2030 goals. SPA
The project came within the context of the Crown Prince's keenness to preserve and rehabilitate historical sites to achieve the Saudi Vision 2030 goals. SPA

The Saudi Ministry of Culture, represented by the Jeddah Historic District Program, has announced the completion of work in the project to restore buildings in the Historic Jeddah District under the generous donation of SAR50 million from the Crown Prince.

The restoration project was in implementation of directives from Prince Mohammed bin Salman bin Abdulaziz Al-Saud, Crown Prince and Prime Minister.

The project came within the context of the Crown Prince's keenness to preserve and rehabilitate historical sites to achieve the Saudi Vision 2030 goals, which seek to reflect the Arab and Islamic depth of the Kingdom.

The project aimed to highlight the heritage landmarks that the Historic Jeddah District is abundant in as a location having more than 600 heritage buildings, 36 historical mosques, and five main historical markets, in addition to ancient corridors and squares and sites with important historical connotations, such as the ancient Waterfront, which was a main route for pilgrims, and will be rebuilt to tell visitors the great story of the Hajj since the dawn of Islam.

The Crown Prince has directed the implementation of the project to strengthen and rescue historic Jeddah buildings by five specialized Saudi companies, which carried out the work and conducted studies under the supervision of technicians with experience in historical buildings.

The implementation was carried out according to the unique design and distinctive urban structure of the Historic Jeddah District and its unique architectural elements, as some buildings, which belong to Jeddah families, have archaeological landmarks dating back 500 years.

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Culture

Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
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Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."