Centuries-old Artworks Saved from Copenhagen's Stock Exchange Blaze

Charred remains stand on the Old Stock Exchange building, following a fire in Copenhagen, Denmark, April 17, 2024. REUTERS/Ali Withers
Charred remains stand on the Old Stock Exchange building, following a fire in Copenhagen, Denmark, April 17, 2024. REUTERS/Ali Withers
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Centuries-old Artworks Saved from Copenhagen's Stock Exchange Blaze

Charred remains stand on the Old Stock Exchange building, following a fire in Copenhagen, Denmark, April 17, 2024. REUTERS/Ali Withers
Charred remains stand on the Old Stock Exchange building, following a fire in Copenhagen, Denmark, April 17, 2024. REUTERS/Ali Withers

Art conservators are assessing the damage to centuries-old paintings recovered from a blaze that destroyed Copenhagen's Old Stock Exchange this week, the National Museum of Denmark said on Thursday.
As the blaze ripped through the 400-year-old Copenhagen landmark on Tuesday, passersby jumped off their bicycles to help firefighters, conservators and soldiers retrieve valuable paintings.
"It had to be fast," Nina Wajman, a curator at the National Museum of Denmark, told Reuters.
Conservators retrieved paintings from the half of the building that had not caught fire, while firefighters in smoke-helmets and soldiers of the Royal Life Guards recovered paintings from the part that was ablaze, hastily loading them on to trucks.
"They might not have done it in the way an art expert would, but that's minor, I think," said Wajman.
She entered the building to recover a portrait in oil of Christian IV, Denmark's 17th-century king who oversaw the construction of the building, which was originally built for trading in commodities.
"I wasn't sure that it had been rescued, so I went in to look for it and it was still there," Wajman said.
Some paintings were severely damaged by water or fire or because they were hastily torn off the walls.
Conservators are still inspecting the paintings, which were brought to a depot of the National Museum, and are trying to get an overview of the damage and what is missing.
"We had great focus on the valuables inside the building. But the problem was that I needed all my firefighters to contain the fire as long as we could," Jakob Vedsted Andersen, head of the fire department in greater Copenhagen, told Reuters.
"So we had to ask people for help to bring out the paintings and the sculptures," he said.
Employees at the nearby Danish Chamber of Commerce, including its CEO, helped to carry paintings as big as 3 meters wide into a section of the nearby Christiansborg palace.
Klavs Lockwood, a local, was at the site early on Tuesday.
"These paintings were very big and heavy, so I quickly offered my help," he said.
He said the painting he helped carry had been torn in several places.
"You could see it was taken off the wall in a hurry."



Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
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Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."