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Saudi Arabia, UK Sign MoU to Enhance Cooperation in Cultural and Architectural Design

The Saudi Architecture and Design Commission logo
The Saudi Architecture and Design Commission logo
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Saudi Arabia, UK Sign MoU to Enhance Cooperation in Cultural and Architectural Design

The Saudi Architecture and Design Commission logo
The Saudi Architecture and Design Commission logo

The Saudi Architecture and Design Commission has said that it signed a Memorandum of Understanding with the Royal College of Art in the United Kingdom.

The signing ceremony took place on Tuesday at the King Abdullah Financial District during the "Great Futures" Initiative conference. The Architecture and Design Commission was represented by the CEO, Dr. Sumayah Al-Solaiman, while the Royal College of Art in the UK was represented by the College President and Vice-Chancellor, Professor Christoph Lindner.

The memorandum aims to enhance cooperation between the two countries in the cultural and architectural design fields and to implement best practices through various areas of collaboration. These include offering short courses and workshops in architecture and design, implementing specialized educational programs, and supporting entrepreneurship programs in the sector.

Solaiman emphasized that this step reflects the commission's commitment to enhancing international cooperation and knowledge exchange in various fields of architecture and design, contributing to the development and growth of this sector to achieve the highest standards of excellence.

She also noted that this memorandum is part of the commission's strategic plans, highlighting the importance of building international strategic partnerships to foster innovation and development in the architecture and design sectors overseen by the commission. The MoU aligns with the commission's approach to building international strategic partnerships with leading global organizations to attract and apply best practices and international expertise.

This initiative is part of efforts to strengthen the strategic partnership between the two countries across various sectors. It encourages and supports cultural and educational exchange between the United Kingdom and Saudi Arabia.

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Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
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Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."