Egypt Parliament Acts to Confront Online Sale of Antiquities

An artifact that was displayed at foreign auctions. (Dr. Abdul Rahim Rayhan)
An artifact that was displayed at foreign auctions. (Dr. Abdul Rahim Rayhan)
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Egypt Parliament Acts to Confront Online Sale of Antiquities

An artifact that was displayed at foreign auctions. (Dr. Abdul Rahim Rayhan)
An artifact that was displayed at foreign auctions. (Dr. Abdul Rahim Rayhan)

The Egyptian parliament has taken new measures to confront the online sale of antiquities through social networking sites, based on a request submitted by a deputy who called for “decisive steps” to confront this phenomenon.

In his request, MP Hisham Hussein renewed warnings about the spread of websites selling antiquities on the Internet, saying that while some of these accounts offered fake items, others displayed genuine artifacts, including royal tombstones and coins.

Antiquities expert Dr. Abdel Rahim Rayhan, member of the Supreme Council of Culture, History and Antiquities Committee and head of the Campaign to Defend Egyptian Civilization, confirmed that the pieces offered for sale in public auctions or online sites have spread greatly since the January 2011 uprising, as a result of illegal excavation.

In remarks to Asharq Al-Awsat, he said: “Due to the huge amount of antiquities that have been secretly removed from excavations, websites that openly sell antiquities have spread.”

Rayhan stressed the need for an immediate intervention by the security authorities to monitor and track down the suspicious networks, who he said were linked to external gangs run by archaeologists, legal experts and marketing specialists and promote the sale and smuggling of antiquities.

Meanwhile, the Ministry of Interior announced the seizure of several artifacts from individuals, as well as the arrest of a number of people selling archeological items through online platforms.

Antiquities Protection Law No. 117 of 1983 and its amendments regulate the work of archaeological excavations above ground, underground, and in Egyptian internal and territorial waters, under the Supreme Council of Antiquities.

Rayhan stressed the need to take decisive measures to tighten control over online sales and track down the illegal merchants, including individuals collaborating with foreign networks, and to amend the Antiquities Protection Law to consider the crime of secret excavation as high treason.

UNESCO issued a report in 2020 saying that the antiquities trade is valued at about USD 10 billion every year, while art and antiquities are the third largest black market in the world after drugs and weapons.



Ithra Showcases Art Collection for the First Time at Art Week Riyadh

Ithra showcases art collection for the first time at Art Week Riyadh. (SPA)
Ithra showcases art collection for the first time at Art Week Riyadh. (SPA)
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Ithra Showcases Art Collection for the First Time at Art Week Riyadh

Ithra showcases art collection for the first time at Art Week Riyadh. (SPA)
Ithra showcases art collection for the first time at Art Week Riyadh. (SPA)

The King Abdulaziz Center for World Culture (Ithra) announced in a press release Monday its participation as an Exhibition Partner at the inaugural edition of Art Week Riyadh.

This initiative of the Ministry of Culture’s Visual Arts Commission is being held from April 6 –13, 2025, across key cultural sites in Riyadh, including JAX District and Al Mousa Center, the Saudi Press Agency said.

The event celebrates the nation’s dynamic art scene, bringing together leading local and international galleries, cultural institutions, artists, patrons, collectors, and arts enthusiasts, under the theme "At The Edge".

The release stated that during Art Week Riyadh, Ithra is presenting a curated selection of 15 significant works from its museum collection, titled "Landscape and Memory," as part of the event’s invited collections exhibition, under the title of "Collections in Dialogue”.

Spanning from the early 1900s to 2022, the display showcases a rich variety of artistic practices and cultural expressions. Featuring both regional and international artists, it includes sculptures, paintings, and installations, providing a captivating overview of Ithra’s prized art collection.

Moreover, the exhibition explores the interplay between material memory, transformation, and the landscapes that shape identity, questioning how history is preserved, reinterpreted, and reimagined through art. The exhibition portrays memory not only as a mark on the world but as a dynamic force that links us to the past while opening new possibilities for the future.

Featured artists and their works include the Saudi Arabian artist and film director Mohammed Alfaraj’s Fossils of Knowledge (2022), Maha Malluh’s Oil Candies (KSA - 2019), and three works by American artist Gregory Mahoney: Sea Land (1991), Five Gallons/Five Oceans (1995), and End of the World (1993).

Also on display are South Korean artist Do Ho Suh’s Screens (2005); three photographs by Saudi photographer Moath Aloufi, The Scene (2019), I Am the One (2019), and The Family (2019); as well as Italian master Michelangelo Pistoletto’s Persone in Comunicazione (2019); Lebanese calligraphy artist Joumana Medlej’s Who Am I? (2015); and Saudi eclectic artist Sultan bin Fahad’s Sultan Bin Fahad 1440 AH (2016). Additionally, Palestinian sculptor Abdul Rahman Katanani’s Tornado (2020); Palestinian artist Hazem Harb’s The Place is Mine, Series #3 (2019); and Egyptian painter and sculptor Moataz Nasr’s Burning (2019) are also part of the exhibition.

The release emphasized that the exhibition provides a glimpse into Ithra’s diverse collection, highlighting its variety and celebrating the vibrancy of contemporary art.

Head of Museum at Ithra Farah Abushullaih said, "Ithra’s participation in Art Week Riyadh is an opportunity to celebrate creative expression and embrace diverse artistic and cultural perspectives. It is an opportunity to share a glimpse of the Ithra Museum and its rich collection of works."