Archeologists Find Musket Balls Fired during 1 of the First Battles in US Revolutionary War

Five Revolutionary War musket balls, which are believed to be fired at the British by colonial militia men, are displayed at Minute Man National Historical Park, Monday, July 15, 2024, in Concord, Mass. (AP)
Five Revolutionary War musket balls, which are believed to be fired at the British by colonial militia men, are displayed at Minute Man National Historical Park, Monday, July 15, 2024, in Concord, Mass. (AP)
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Archeologists Find Musket Balls Fired during 1 of the First Battles in US Revolutionary War

Five Revolutionary War musket balls, which are believed to be fired at the British by colonial militia men, are displayed at Minute Man National Historical Park, Monday, July 15, 2024, in Concord, Mass. (AP)
Five Revolutionary War musket balls, which are believed to be fired at the British by colonial militia men, are displayed at Minute Man National Historical Park, Monday, July 15, 2024, in Concord, Mass. (AP)

Nearly 250 years ago, hundreds of militiamen lined a hillside in Massachusetts and started firing a barrage of musket balls toward retreating British troops, marking the first major battle in the Revolutionary War.

The latest evidence of that firefight is five musket balls dug up last year near the North Bridge site in the Minute Man National Historical Park in Concord. Early analysis of the balls — gray with sizes ranging from a pea to a marble — indicates colonial militia members fired them at British forces on April 19, 1775.

“As soon as they pulled one of them out of the ground, there was kind of a ‘look what I have,’” said Minute Man park ranger and historic weapons specialist Jarrad Fuoss, who was there the day the musket balls were discovered.

“And of course, everybody goes flocking to them like, ‘Oh, my gosh.’ We’re looking at them, and then the excitement continued to grow because it wasn’t just one,” he continued. “And the fact that we found five of them, which is incredible all these years later.”

Musket balls were previously found in the historic park of about a thousand acres outside Boston, which marks a series of opening battles of the American Revolution. About a decade ago, about 30 musket balls were found at the site known as Parker's Revenge, where the Lexington militia company led by Capt. John Parker ambushed British troops. In the early 19th century, Henry David Thoreau was walking in the area and found a few musket balls from what is believed to be the North Bridge fight.

The latest discoveries are the most ever found from that fight when militia leaders ordered their men to fire on government troops. The event led to the conflict escalating and was later dubbed the “shot heard round the world” by Ralph Waldo Emerson in his 1837 “Concord Hymn.”

About 800 British soldiers had started the day marching from Boston to Concord to destroy military supplies they believed that colony rebels had gathered. It ended with an eight-hour battle that stretched to the Charlestown neighborhood of Boston — covering 16 miles (26 kilometers) and leaving 273 British troops and 96 militiamen dead and wounded.

It prompted the militia to create an 11-month siege of Boston, leading to the Battle of Bunker Hill in June 1775, one of the bloodiest battles of the American Revolution.

“This is where everything kind of changes in an instant because that moment is treason. There is no turning back,” Fuoss said. “To be able to pull that out of the ground and know that we’re the first ones to touch that since somebody else was ramming it down the muzzle of their gun 250 years ago is one of those things that sends shivers all over your body.”

Joel Bohy, who was also on the dig site and is researching bullet strikes and bullet-struck objects from that day for a book, said the discovery helps “validate the historical record, as well as the types of arms that the provincial minute and militia companies carried that day.”

“Based upon the caliber of the balls and studying them, the general location, as well as the context of the site, it made the hair stand up on the back of my neck,” Bohy said, adding that he had “been fascinated with April 19 and the material culture since I was a 7-year-old — 51 years ago. So for me, it was a great day.”

The war continued for seven years after those first shots were fired, even past the July 4, 1776, adoption of the Declaration of Independence.

Nikki Walsh, the museum curator at the park, also said there was plenty to learn from the lead-cast musket balls that ranged in size from .40-caliber to .70-caliber. Given their various sizes, Walsh said, archeologists concluded they were from the militia. Those men brought their own weapons and ammunition to the fight, with some being imported, and others captured or purchased by the town or province from British or Dutch merchants, according to the National Park Service. On the other hand, the British had standardized all their ammunition.

And the fact that the musket balls were intact indicates fighters likely missed their mark.

“Since that lead is so malleable, you can see marks on them that indicate whether they’ve been fired, whether they were unfired and dropped,” she said. “If they had been fired and hit something, they would have likely smushed like a pancake.”

The musket balls have attracted intense interest from history buffs and tourists, with about 800 journeying to the park's visitor center over the weekend to get a first glimpse. The interest has also prompted the National Park Service to keep the exact location of the find under wraps, hoping to dissuade treasure hunters with metal detectors from showing up in search of more artifacts.

They are willing to disclose the general area of the find, a field just over a wooden bridge of the Concord River and just beyond two monuments — a 25-foot stone obelisk marking the 50th anniversary of the North Bridge fight and the Minute Man statue built to commemorate its 100th anniversary. Nearby, a smaller marker with British flags indicates where the first two British soldiers died in that battle.

Among those recently checking out the site was Jennifer Ayvaz, who came to the park with her husband, Tim, and their two children after her father heard about the discovery of the musket balls. As they passed Walsh, she offered to show the family the musket balls. Opening a tiny box, the family snapped photos and moved closer for a better look at the balls lined up in a row.

“It's incredible,” said Jennifer Ayvaz, who came from Castle Rock, Colorado, adding that her father would love to see the musket balls. “I wish he could be here with us. It's very neat. He is a huge history buff, and he is kind of living vicariously through us.”



Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact
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Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

Cultural Development Fund Reports Strong Q1 2026 Growth and Impact

The Cultural Development Fund has announced its results for the first quarter of 2026, demonstrating significant growth in financial performance and developmental impact. This underscores the fund's role as a key financial enabler and center of excellence in developing a sustainable cultural sector, enhancing Saudi culture as a vital economic and social pillar, SPA reported.

Since its inception, the fund has provided over SAR770 million in financial support to 165 cultural projects across various sub-sectors and regions of the Kingdom. It has also benefited more than 1,630 creative individuals and entrepreneurs through developmental services aimed at building entrepreneurial capabilities.

The fund achieved a 30% increase in financial returns compared to the same period in 2025, contributing an estimated SAR4.1 billion to GDP and creating over 12,540 job opportunities.

Additionally, it has stimulated private sector involvement with approximately SAR1.1 billion in contributions, reflecting growing confidence in developing the cultural sector.

These figures highlight the fund's essential role in empowering the private sector and fostering innovative financial solutions that promote growth and enhance the quality of life, aligned with Saudi Vision 2030.


Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
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Historic Jeddah Showcases Cultural Heritage at Umrah and Ziyarah Forum

The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA
The pavilion highlighted the distinctive architectural features of Historic Jeddah - SPA

Historic Jeddah participated in the Umrah and Ziyarah Forum to highlight its historical role as a key gateway for pilgrims to Makkah, while introducing visitors to its cultural status and the ongoing development projects that reinforce its status as a heritage destination, SPA reported.

The pavilion introduced visitors to the "Historic Hajj Trail" supported by the Ministry of Hajj and Umrah, designed as a sequential narrative that retraces the pilgrim’s journey from arriving at Bab Al-Bunt Port, now the Red Sea Museum, to Makkah Gate, passing through prominent historical sites that reflect Jeddah’s role in serving pilgrims.

The pavilion highlighted the distinctive architectural features of Historic Jeddah and its long-standing role as a major port for pilgrims since the 7th century CE and also featured interactive content showcasing the area’s cultural and social fabric.

This participation forms part of the "Revitalization of Historic Jeddah" project, led by the Ministry of Culture, within the framework of the National Culture Strategy and Saudi Vision 2030.


Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
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Geisha Spectacle in Japan’s Kyoto Celebrates Arrival of Spring

 Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)
Maiko (apprentice geisha) take part in a press interview ahead a rehearsal for the annual "Miyako Odori" -- which means "capital city dance" in Japanese, at the Gion Kobu Kaburenjo in Kyoto on March 31, 2026. (AFP)

Against a backdrop of blooming cherry blossoms, a group of geishas elegantly shuffle onto a stage in Japan's Kyoto city to begin a centuries-old performance celebrating the arrival of spring.

Dressed in sky blue kimonos emblazoned with flowers, the dancers twist and twirl in unison in front of hundreds of spectators eager to see the annual "Miyako Odori" in the nation's spectacular ancient capital.

Geishas, known as geikos in Kyoto, and apprentices called maikos have been donning elaborate costumes and fluttering fans since the Miyako Odori -- or "capital city dance" -- first started in 1872.

"Just as cherry blossoms bloom when spring approaches, the Miyako Odori is a spring tradition in Kyoto," Kyoko Sugiura, head of the Yasaka Nyokoba Gakuen, a school for geishas in Kyoto's Gion district, told AFP.

In Japanese, the word geisha means "person of the arts", and can refer to a woman or man trained in traditional Japanese performing arts.

In the popular imagination geishas are often confused with courtesans but their work as trained masters of refined old artforms does not involve selling sex.

Their performances are usually small and private, and take place at high-class establishments which operate a no first-time customer policy.

"That's why it is often thought of as a very exclusive world," Sugiura said.

"But the Miyako Odori is a one-hour show in which geisha and maiko have the opportunity to showcase the arts they practise daily," she said.

"Anyone and everyone with a ticket can enjoy the show."

The Miyako Odori began soon after Kyoto hosted Japan's first national expo -- an effort to revitalize the western city following the relocation of the capital to Tokyo in 1869.

The format of the performance has not changed much, Sugiura explained, although the music and dance moves are sometimes switched up.

Maria Superata, a geisha expert who has worked with them as an interpreter, explained that the show "combines all of the traditional performing arts that you can see in Japan".

"For example, elements from kabuki (classical Japanese theatre), elements from traditional dance. So they have to act, they have to sing, they have to play the instruments, everything all in one," she said.

"That's why it's so special."

But the number of geishas, who once made a living through performing for Japan's wealthy elite, is in decline.

Superata said that fewer young Japanese want a life that demands huge discipline and comes with a strict practice schedule.

"Nowadays, young Japanese people... are not very interested that much in traditional art and in kimono."