Claw Machine Games Are Rio de Janeiro’s New Public Enemy 

A claw machine stands at a toy store in Rio de Janeiro, Wednesday, Aug. 28, 2024. (AP)
A claw machine stands at a toy store in Rio de Janeiro, Wednesday, Aug. 28, 2024. (AP)
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Claw Machine Games Are Rio de Janeiro’s New Public Enemy 

A claw machine stands at a toy store in Rio de Janeiro, Wednesday, Aug. 28, 2024. (AP)
A claw machine stands at a toy store in Rio de Janeiro, Wednesday, Aug. 28, 2024. (AP)

Rio de Janeiro — already notorious for street muggings, corrupt politicians, ruthless militias and Kalashnikov-toting drug traffickers — has a new public enemy: plushies. Or, more specifically, the joystick-controlled claw machines that dispense them.

On Wednesday, Rio police carried out 16 search warrants targeting the machines that elicit exhilaration among children and adults alike. But police said the claw machines defraud users who believe scoring stuffed animals to be a test of skill. In fact, they are games of chance — just like slot machines — and therefore illegal, according to their press office.

Officers seized claw machines, laptops, tablets, cell phones, a firearm and — yes — furry friends. They are investigating whether organized crime groups may be the invisible hand behind the claw because they already run slot machines and a popular lottery known as “Animal Game” across the city. Police in Brazil’s southern Santa Catarina state carried out an additional three search warrants Wednesday as part of the same operation.

It marked the second such police crackdown, following another in May during which officers apprehended 80 machines. Not only were those machines stocked with counterfeit plushies, but subsequent analysis of their programming found winning pulls were permitted only after a set number of attempts, police said in their statement Wednesday. Facilitating such sporadic, successful snags is an electrical current to the otherwise enfeebled claw so it holds fast to its prize, the statement said.

That programming isn’t disclosed to naive users, including children liable to blow their pocket money on what’s effectively a crap shoot. Claw machines can be found in Rio’s shopping malls, subway stations, supermarkets, arcades and toy stores.

Among Rio’s claw aficionados is Alessandra Libonatti, 41, who has played for nearly three decades. She remembers the machines causing a stir when they first appeared in the city; she had only seen them before in movies. These days she tends to play once a week, whether alone or at the mall with friends who share her “peculiar” hobby.

She likes the low-investment adrenaline rush and, by her own account, she’s a talented clawmaster who has honed her techniques to maximize success, from scouting the stuffed animal landscape to precise positioning of the claw. She treasures a manatee with jaguar spots that she pulled in on a trip to the nation’s capital with friends.

“When I pass by a machine, I give it a look to see if there’s a stuffed animal that makes it worth it to play,” she told The Associated Press. “Because it’s not always worth it; sometimes it’s clearly a waste of money.”

Claw machines may have been feats of skill in decades past, but most modern machines have built-in programming allowing operators to predetermine their profitability, said Jeremy Hambly, a claw game aficionado from the Milwaukee area. His ClawStruck YouTube channel shows how many different models work, he previously told the AP. He said odds should be posted prominently on machines for users to review.

Most US states consider claw machines games of chance and specifically exempt them from gambling statutes, as long as they comply with certain rules specific to those states. According to industry officials, it’s in arcades’ best interests to have customers win so they’ll keep playing.

But lately it’s tough going for Rio’s claw connoisseurs, Libonatti said. And she chalks that up to changes made to the machines that didn’t escape her exacting eye.

“The current machines are crap. The claws are weaker,” she wrote in a text message to a friend in April, reviewed by the AP.

“Amiga, yessssss!” her friend replied. “I went back to the machines where I always got (stuffed animals) in recent weeks and they’re soooooo weak!”

Local online media outlet G1 dubbed the phenomenon the “weak claw scam.”

The nearly 13,000 stuffed animals police detained in May were initially destined for destruction, but a request from state lawmakers found favor with a judge who spared them. Instead, police donated the plushies to families who lost their homes in the massive floods of southern Rio Grande do Sul state, particularly children in shelters.

The fate of the stuffed animals seized Wednesday was still unclear.



Secrets, Spy Tools and a 110-Year-Old Lemon Are on Show in an Exhibition from Britain’s MI5  

01 April 2025, United Kingdom, Richmond: Guy Burgess' passport and briefcase are displayed during a preview of the MI5: Official Secrets exhibition at the National Archives in Kew. (Jonathan Brady/PA Wire/dpa)
01 April 2025, United Kingdom, Richmond: Guy Burgess' passport and briefcase are displayed during a preview of the MI5: Official Secrets exhibition at the National Archives in Kew. (Jonathan Brady/PA Wire/dpa)
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Secrets, Spy Tools and a 110-Year-Old Lemon Are on Show in an Exhibition from Britain’s MI5  

01 April 2025, United Kingdom, Richmond: Guy Burgess' passport and briefcase are displayed during a preview of the MI5: Official Secrets exhibition at the National Archives in Kew. (Jonathan Brady/PA Wire/dpa)
01 April 2025, United Kingdom, Richmond: Guy Burgess' passport and briefcase are displayed during a preview of the MI5: Official Secrets exhibition at the National Archives in Kew. (Jonathan Brady/PA Wire/dpa)

A desiccated 110-year-old lemon that played a key role in espionage history is one of the star attractions of a London exhibition drawn from the files of MI5, Britain’s domestic intelligence agency.

Compact spy cameras, microdots in a talcum powder tin and a briefcase abandoned by fleeing Soviet spy Guy Burgess are also part of the show at Britain’s National Archives, which charts the history of a secretive agency that is – slowly – becoming more open.

MI5 Director General Ken McCallum told journalists at a preview on Tuesday that the organization’s work “is often different from fiction, whether that fiction is George Smiley or Jackson Lamb” – the brilliant spymaster of John le Carré's novels and the slovenly supervisor of MI5 rejects in Mick Herron’s “Slow Horses” series.

Many stories told in the exhibition, however, would not be out of place in a thriller.

The lemon, now black and shriveled, helped convict Karl Muller, a German spy in Britain during World War I. It was found by police in his bedside table, along with another in his overcoat pocket. Evidence at his secret trial showed their juice had been used to write invisible-ink letters detailing British troop movements.

Muller was executed by firing squad at the Tower of London in 1915.

In a coda that would not be out of place in “Slow Horses,” MI5 pretended Muller was still alive and wrote to his German handlers to ask for more money.

“The Germans duly sent more funds and MI5 used the funds to purchase a car,” exhibition curator Mark Dunton said. “And they christened the car ‘The Muller.’

“They then were reprimanded by the Treasury for unauthorized use of expenditure,” he added.

The show includes declassified records held by the National Archives and items loaned from the secret museum inside Thames House, MI5’s London headquarters.

It charts the changing role of an agency that was founded in 1909 as the Secret Service Bureau with an initial staff of two officers.

There are records of its World War II successes, when the agency used captured Nazi agents to send disinformation back to Germany, deceiving Adolf Hitler about the location of the looming Allied invasion in 1944.

Failures include the years-long betrayal of the upper-crust “Cambridge Spies,” whose members spilled secrets to the Soviet Union from the heart of the UK intelligence establishment. Recently declassified MI5 documents on display include the 1963 confession of Cambridge spy Kim Philby, who denied treachery for years before he was exposed and fled to Moscow.

The exhibition also reveals changing attitudes, not least to women. The exhibition includes a 1945 report by spymaster Maxwell Knight discussing whether women could make good agents.

“It is frequently alleged that women are less discreet than men,” he noted, but declared that it was not so, saying that in “hundreds of cases of ‘loose talk’” most of the offenders were men.

There are admissions of past mistakes. The exhibition notes that MI5 was slow to recognize the threat from fascism in the 1930s, and later spent too much time spying on the small Communist Party of Great Britain. MI5 didn’t need to break into the party’s offices – it had a key, which is on display.

There are only a few items from the past few decades, showing how MI5’s focus has shifted from counterespionage to counterterrorism. Displays include a mortar shell fired by the Irish Republican Army at 10 Downing St. in 1991 while Prime Minister John Major was holding a Cabinet meeting.

MI5 only began releasing records to the UK’s public archives in 1997, generally 50 years after the events have passed. Even now, it controls what to release and what to keep secret.

“It would be a mistake to assume everything is in the exhibition,” said author Ben Macintyre, whose books on the history of intelligence include “Operation Mincemeat” and “Agent Zigzag.” But he said it still marks “a real sea-change in official secrecy.”

“A generation ago, this stuff was totally secret,” he said. “We weren’t even allowed to know that MI5 existed.”