Green Arabian Peninsula Project Continues to Uncover Insights into Ancient Human Settlements in Saudi Arabia

The project’s results yielded valuable discoveries on the presence of humans in the region for thousands of years (SPA).
The project’s results yielded valuable discoveries on the presence of humans in the region for thousands of years (SPA).
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Green Arabian Peninsula Project Continues to Uncover Insights into Ancient Human Settlements in Saudi Arabia

The project’s results yielded valuable discoveries on the presence of humans in the region for thousands of years (SPA).
The project’s results yielded valuable discoveries on the presence of humans in the region for thousands of years (SPA).

The Green Arabian Peninsula Project, which was launched in 2010, continues its efforts to study the impact of successive climatic changes on the Arabian Peninsula over the ages. This research has led to significant discoveries about human presence in the region over thousands of years.
Dr. Ajab Al-Otaibi, Director of Archaeological Research and Documentation at the Saudi Heritage Authority, reported that the project has completed 12 seasons, with the latest finding being evidence of 170 stone structures in northern Saudi Arabia.
Al-Otaibi highlighted that the project successfully documents numerous archaeological sites each season, shedding light on the study of environmental and biological diversity and human origins in Saudi Arabia.
In a press conference held by the Heritage Authority in Riyadh, he explained that the project examines the climatic changes that have affected the Arabian Peninsula and involves collaborative scientific efforts between the Heritage Authority, local and international universities, as well as volunteers and graduate students who contribute to fieldwork.
Al-Otaibi noted that the project is focused on studying environmental changes in the Arabian Peninsula, including ancient paleontology, past climates, early human behavior, and animal species. It aims to establish a documented chronological sequence for the region, which helps in understanding the evolution of life and culture over hundreds of thousands of years.
In parallel with fieldwork, the project also emphasizes scientific publication through international peer-reviewed journals and local scientific outlets, he stated.

The Director of Archaeological Research and Documentation at the Authority revealed that the project has successfully discovered fossils of various animal species, as well as the remains of the oldest human known to have lived in the Arabian Peninsula around 85,000 years ago. The findings provide multiple evidence of human presence in the region over millennia, enhancing the understanding of human migrations and how societies adapted to climatic changes. The discoveries also indicate that the Arabian Peninsula was green during several periods in history, challenging the conventional view of the area as a barren and dry desert.
Dr. Abdullah Al-Sharekh, the supervisor of the Green Arabian Peninsula Project, stated that the project seeks to document early human presence in the Arabian Peninsula across different historical periods.
He pointed to the ability of human communities in this region to adapt to their surrounding conditions, explaining that they constructed structures to meet their daily needs.
Al-Sharekh added that recent focus on rectangular stone structures, with around 170 such sites studied in northern Saudi Arabia, indicates that these communities were in a phase of exploration and movement. However, due to environmental and climatic conditions, permanent settlement was not feasible, especially in the later periods, he remarked.

 

 



A Rare First Edition of ‘Wuthering Heights’ Complete with Spelling Mistakes Is up for Auction

 A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)
A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)
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A Rare First Edition of ‘Wuthering Heights’ Complete with Spelling Mistakes Is up for Auction

 A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)
A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)

A rare first-edition copy of “Wuthering Heights,” complete with spelling mistakes, is up for auction for the first time in more than a century, as Emily Brontë’s tragic, tempestuous romance gains new fans through a big-screen adaptation.

Christie’s auction house said Monday that it's the first copy of the novel in the publisher’s original cloth binding to be auctioned since 1908. Only about 250 copies of the first edition were printed, and this one has been in a private library since shortly after its publication in 1847.

“The vast majority of surviving copies were rebound for collectors or libraries, meaning original cloth examples are now extremely scarce,” said Christie’s books and manuscripts specialist Mark Wiltshire.

Being sold along with a copy of sister Anne Brontë’s “Agnes Grey,” it’s expected to sell for between 400,000 pounds and 600,000 pounds ($540,000 and $800,000) at a June 30 auction in London. Both books carry the male pen names the sisters adopted to get published: Ellis Bell for Emily and Acton Bell for Anne.

“Wuthering Heights” was rushed to publication after the success of Charlotte Brontë’s “Jane Eyre,” and the first edition is notorious for its typographical errors including, Wiltshire noted, the occasional misspelling of the word “heights.”

Emerald Fennell ’s recent movie with Margot Robbie and Jacob Elordi as mismatched pair Cathy and Heathcliff is the latest work to be inspired by — and take liberties with — Brontë’s brooding, Gothic tale.

The novel shocked some critics when it was published, with one in 1848 decrying its “vulgar depravity and unnatural horrors.”

Since then, Wiltshire said, it has “moved beyond literature to become a cultural touchstone,” inspiring art, music — notably Kate Bush’s pop-operatic 1978 song — and multiple film adaptations.

“It remains a work that artists return to again and again because of its emotional force, its atmosphere, and its psychological intensity, ensuring its place not only in literary history but in wider cultural imagination,” Wiltshire said.


Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4

Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4
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Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4

Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4

The Red Sea Film Foundation has extended the application deadline for the sixth edition of the 48-Hour Film Challenge to July 4, 2026, allowing more young Saudi citizens and residents the opportunity to take part in the initiative aimed at discovering and supporting emerging filmmakers, SPA reported.

Organized in partnership with the Red Sea International Film Festival, the French Consulate General in Jeddah, and Alliance Française, the challenge is open to aspiring filmmakers aged 18 to 25, SPA reported.

Participants will form creative teams and compete to produce a short film within 48 hours after completing specialized mentorship workshops.

The two winning teams will receive awards, while their team leaders will earn an artistic residency in France in 2027. The winning films will also be screened at the next edition of the Red Sea International Film Festival.


The 91-Year-Old Weaving Venezuelan Ancestral Tradition into Art

 Venezuelan weaver Margarita Mora. (The New York Times)
Venezuelan weaver Margarita Mora. (The New York Times)
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The 91-Year-Old Weaving Venezuelan Ancestral Tradition into Art

 Venezuelan weaver Margarita Mora. (The New York Times)
Venezuelan weaver Margarita Mora. (The New York Times)

Though electric machines are now standard, the Venezuelan weaver Margarita Mora has clung to a mix of ancestral Indigenous and Spanish practices to create surprisingly modern work, reported the New York Times.

As she sat at her loom on the rooftop of her home in Mucuchies, a town high in the Venezuelan Andes, Margarita Mora, recalled the morning when, at 5, she delivered some wool her mother had spun to a local weaver in nearby Mitivivó. It was her first encounter with the very loom she would use for decades to come.

“This loom has made me very happy,” she said during an interview at her home in 2024. “When I learned to weave, I was able to buy my own clothes and shoes.”

It was also how she discovered the craft that she has dedicated her life to. All those decades ago, Mitivivó was a remote settlement with just a few families, set where the mountains met the sky. It was here that she began selling her weavings.

In most parts of the world, electric machines have replaced ancient weaving techniques, but Mora, who is 91 and tiny, wearing head scarves around her weathered face, has clung to a mix of ancestral Indigenous and Spanish traditions.

Her weavings have gained her a modest level of fame in Venezuela. For years, she was an instructor at the Moconoque School of Trade, Arts and Crafts, a nonprofit with the mission of preserving and promoting traditional crafts.

In 2008, her face adorned a huge billboard on the facade of a convention center hosting an art exposition in the city of Mérida, southwest of Mucuchies, along with two other weavers and former president Hugo Chávez. She has also received multiple honorary degrees.

*Silvia Benedetti for the New York Times