Brick by Brick, Morocco Rebuilds 12th-Century Mosque Destroyed by 2023 Earthquake

 A construction worker unveils recovered pieces from the Great Mosque of Tinmel, which dates back to the 12th century and suffered significant damage during a 2023 earthquake, in the Atlas mountain village of Tinmel, outside of Marrakech, Morocco, Thursday, Sept. 5, 2024. (AP)
A construction worker unveils recovered pieces from the Great Mosque of Tinmel, which dates back to the 12th century and suffered significant damage during a 2023 earthquake, in the Atlas mountain village of Tinmel, outside of Marrakech, Morocco, Thursday, Sept. 5, 2024. (AP)
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Brick by Brick, Morocco Rebuilds 12th-Century Mosque Destroyed by 2023 Earthquake

 A construction worker unveils recovered pieces from the Great Mosque of Tinmel, which dates back to the 12th century and suffered significant damage during a 2023 earthquake, in the Atlas mountain village of Tinmel, outside of Marrakech, Morocco, Thursday, Sept. 5, 2024. (AP)
A construction worker unveils recovered pieces from the Great Mosque of Tinmel, which dates back to the 12th century and suffered significant damage during a 2023 earthquake, in the Atlas mountain village of Tinmel, outside of Marrakech, Morocco, Thursday, Sept. 5, 2024. (AP)

The hand-carved domes and brick-laid arches had almost all been put back together when an earthquake shook Morocco so violently that they caved in on themselves and crashed to the earth.

After nearly 900 years, the Great Mosque of Tinmel lay in pieces — its minaret toppled, its prayer hall full of rubble, its outer walls knocked over.

But even in ruins, it remained holy ground for the residents of Tinmel. Villagers carried the sheet-laden bodies of the 15 community members killed in the quake down the hillside and placed them in front of the decimated mosque.

Among the mourners was Mohamed Hartatouch, who helped carry the remains of his son Abdelkrim. A 33-year-old substitute teacher, he died under bricks and collapsed walls while the village waited a day and a half for rescue crews to arrive.

“It looked like a storm. I wasn’t able to feel anything,” the grieving father said, remembering the day after the quake.

One year later, the rubble near Hartatouch’s half-standing home has been swept aside and Tinmel residents are eager to rebuild their homes and the mosque. They say the sacred site is a point of pride and source of income in a region where infrastructure and jobs were lacking long before the earthquake hit.

“It’s our past,” Redwan Aitsalah, a 32-year-old construction worker, said the week before the earthquake’s anniversary as he reconstructed his home overlooking the mosque.

The September 2023 quake left a path of destruction that will take Morocco years to recover from. It killed nearly 3,000 people, knocked down almost 60,000 homes and leveled at least 585 schools. The damage will cost about $12.3 billion to rebuild, according to government estimates.

Stretches of road were left unnavigable, including Tizi N’Test, the steep mountain pass that weaves from Marrakech to Tinmel and some of the hardest-hit villages near the earthquake’s epicenter.

Workers are now sifting through the rubble searching for the mosque's puzzle pieces. They are stacking useable bricks and sorting the fragments of remaining decorative elements arch by arch and dome by dome, preparing to rebuild the mosque using as much of the remains as possible.

Hassan Ait Ali Ouhamous, a religious scholar from the region of Al-Haouz, inspects restoration works at the Great Mosque of Tinmel, which dates back to the 12th century and suffered significant damage during a 2023 earthquake, in the Atlas mountain village of Tinmel, outside of Marrakech, Morocco, Thursday, Sept. 5, 2024. (AP)

Though incomparable to the human loss and suffering, the restoration effort is among Morocco’s priorities as it attempts to rebuild.

The country’s Ministry of Islamic Affairs and Ministry of Culture have recruited Moroccan architects, archaeologists and engineers to oversee the project. To assist, the Italian government has sent Moroccan-born architect Aldo Giorgio Pezzi, who had also consulted on Casablanca’s Hassan II Mosque, one of Africa's largest.

“We will rebuild it based on the evidence and remains that we have so it returns to how it was,” Morocco’s Minister of Islamic Affairs Ahmed Toufiq told The Associated Press.

The Great Mosque was a marvel of North African architecture with lobed arches, hand-carved moldings and the adobe-style bricks made of rammed earth used to construct most the area’s structures.

It was undergoing an 18-month-long restoration project when the quake struck, causing its ornate domes and pillars to cave in. Its clay-colored remnants lay in pieces beneath scaffolding erected by restoration workers from villages throughout the region, five of whom also died.

“The mosque withstood centuries. It’s the will of God,” Nadia El Bourakkadi, the site’s conservationist, told local media. The temblor leveled it months before repairs and renovations were to be completed.

Like in many of the area’s villages, residents of Tinmel today live in plastic tents brought in as temporary shelter post-earthquake. Some are there because it feels safer than their half-ruined homes, others because they have nowhere else to go.

Officials have issued more than 55,000 reconstruction permits for villagers to build new homes, including for most of the homes in Tinmel. The government has distributed financial aid in phases. Most households with destroyed homes have received an initial $2,000 installment of rebuilding aid, but not more.

Despite the extent of their personal losses, Moroccans are also mourning the loss of revered cultural heritage. Centuries-old mosques, shrines, fortresses and lodges are scattered throughout the mountains.

The country sees Tinmel as the cradle of one of its most storied civilizations. The mosque served as a source of inspiration for widely visited sacred sites in Marrakech and Seville. Pilgrims once trekked through the High Atlas to pay their respects and visit. Yet centuries ago, it fell into disrepair as political power shifted to Morocco’s larger cities and coastline.

“It was abandoned by the state, but materials were never taken from it,” said Mouhcine El Idrissi, an archaeologist working with Morocco’s Ministry of Culture. “People here have long respected it as a witness to their glorious and spiritual past.”



Red Sea Museum Hosts Contemporary Art Exhibition to Showcase Marine Biodiversity

The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA
The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA
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Red Sea Museum Hosts Contemporary Art Exhibition to Showcase Marine Biodiversity

The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA
The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA

The Red Sea Museum in Historic Jeddah is hosting a contemporary artistic exhibition that explores the Red Sea’s marine richness by connecting its geological origins, dating back to the Eocene epoch, with natural history and artistic expression.

Through a series of sculptures and installations, the exhibition showcases the region's vast biodiversity, from microorganisms to large mammals, SPA reported.

The works emphasize the Red Sea’s resilient coral reefs, thriving in warm, high-salinity waters, while delivering powerful environmental messages on the urgency of reef protection and ecological sustainability.

The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures.

These pieces complement the museum’s permanent collection of over 1,000 artifacts, reinforcing the Kingdom’s commitment to preserving its cultural and environmental heritage through modern, immersive displays.


Saudi Pavilion Highlights Cultural Exchange at Sarajevo Book Fair

The fair is held under the theme "Book Path" and features 200 exhibitors. SPA
The fair is held under the theme "Book Path" and features 200 exhibitors. SPA
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Saudi Pavilion Highlights Cultural Exchange at Sarajevo Book Fair

The fair is held under the theme "Book Path" and features 200 exhibitors. SPA
The fair is held under the theme "Book Path" and features 200 exhibitors. SPA

The Ministry of Islamic Affairs, Dawah and Guidance, represented by the King Fahd Cultural Center in Bosnia and Herzegovina, is participating in Saudi Arabia’s pavilion at the 37th Sarajevo International Book Fair held from April 22 to 27 at the Skenderija Center.

The fair is held under the theme "Book Path" and features 200 exhibitors from Bosnia and Herzegovina and around the world presenting their publications across an exhibition area of more than 10,000 square meters.

The pavilion, inaugurated in the presence of Saudi Ambassador to Bosnia and Herzegovina Anas Al-Wusaidi, showcases the center’s cultural programs, publications, and activities.

It includes a documentary highlighting the Kingdom’s civilizational progress and the achievements of Saudi Vision 2030, as well as films introducing Saudi cities and tourist landmarks.

The pavilion also features educational and training programs, a Saudi culture corner, a workshop on Saudi coffee preparation, an Arabic calligraphy corner, and a children’s area.

The ministry’s participation in the fair reflects Saudi Arabia’s leading role in serving Islam and Muslims inside and outside the Kingdom, its message of moderation and tolerance, and its commitment to strengthening cultural exchange.


Ithra Showcases Ithra Design Week at Milan Design Week 2026

Ithra Showcases Ithra Design Week at Milan Design Week 2026
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Ithra Showcases Ithra Design Week at Milan Design Week 2026

Ithra Showcases Ithra Design Week at Milan Design Week 2026

The King Abdulaziz Center for World Culture (Ithra), an initiative of Aramco, is participating in Milan Design Week, one of the world’s most prominent annual design events, taking place during April 20-26, 2026. This participation reflects the center’s aspirations to strengthen the role of design within the cultural landscape. As part of its presence, Ithra is presenting key features of Ithra Design Week (IDW)—announced last year as a dedicated platform supporting the design sector and designers, aimed at fostering collaboration, nurturing creativity, and advancing design content from the Arab world on the global stage.

As part of its participation, Ithra is presenting the exhibition “Default is Not Universal” at the Isola Design Festival, within the framework of Milan Design Week 2026. The exhibition represents the first tangible realization of Ithra Design Week as a regional platform for designers, showcasing their creativity and cultural narratives to international audiences while opening channels for global dialogue on the future of design, SPA reported.

Manager of Programs at Ithra Nourh Al-Zamil said: “Ithra’s participation in Milan Design Week; one of the most important global events in the field of design, reflects the Center’s mission to empower creative talent, strengthen cultural exchange, and support the growth of the creative economy at both regional and international levels. It also highlights Ithra Design Week 2026, that announced last year as a platform dedicated to supporting and advancing the future of Arab design.”

Al-Zamil added that Ithra’s international participation in leading design and creativity forums serves as an important platform for attracting designers from across the Middle East. She noted that the “Default is Not Universal” exhibition, presented in collaboration with Isola Design; a partnership spanning four years; aims to empower creativity and connect designers from around the world. She emphasized that the exhibition reflects Ithra’s continued efforts to build a year-round integrated ecosystem enabling designers to collaborate, grow, and thrive.

The “Default is Not Universal” exhibition features works by eight designers from across the Middle East and North Africa (MENA) region and includes seven interactive stations. Through the use of artificial intelligence, the exhibition collects visitor interaction data and transforms it into a dynamic map illustrating how cognitive patterns are shaped by diverse cultural influences. In an innovative step, this data will later be used to commission a designer to produce an entirely new piece reflecting the exhibition’s insights and outcomes.

The exhibition represents a collaborative experience between Ithra and Isola Design and is the outcome of a four-year partnership. Following its debut, the exhibition will be expanded and travel to Saudi Arabia, where it will serve as the anchor international exhibition of the main Ithra Design Week event scheduled to take place later this year.

The exhibition’s seven interactive stations include “The Collective Sofa,” a white seating installation by Studio Oblique (UAE) that transforms through visitor interaction into a shared archive reflecting their contributions; “Moments of Absence,” a sculptural installation featuring miniature ceramic chairs by Fajr Al-Basri (Bahrain) that invites visitors to select and sketch the chair they most identify with; and “Body Blocks,” an interactive game by Davina Atteya (Lebanon) inspired by Mesopotamian figurative forms, enabling users to assemble hybrid characters through modular components.

Additional stations include “Attar Al-Balad,” a sensory installation composed of sculptural blocks formed from traditional Saudi herbs and spices that re-evokes memory through scent; “Reflections,” a collection of mirrors by designers from Egypt, the UAE, and Morocco exploring visitors’ perceptions of color, form, and identity; “Majma,” an interactive musical instrument by digital artist Samit Rohila enabling visitors to collaboratively compose spontaneous collective soundscapes; and finally “Daughters of Berythus,” an installation embedding traces of craft traditions and everyday life that invites visitors to explore material memory through touch.