Acemoglu, Johnson and Robinson Win 2024 Nobel Economics Prize

 A screen shows the laureates (L-R) Turkish-American Daron Acemoglu and British-Americans Simon Johnson and James Robinson of the 2024 Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel during the announcement by the Royal Swedish Academy of Sciences in Stockholm, Sweden on October 14, 2024. (TT news agency / AFP)
A screen shows the laureates (L-R) Turkish-American Daron Acemoglu and British-Americans Simon Johnson and James Robinson of the 2024 Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel during the announcement by the Royal Swedish Academy of Sciences in Stockholm, Sweden on October 14, 2024. (TT news agency / AFP)
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Acemoglu, Johnson and Robinson Win 2024 Nobel Economics Prize

 A screen shows the laureates (L-R) Turkish-American Daron Acemoglu and British-Americans Simon Johnson and James Robinson of the 2024 Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel during the announcement by the Royal Swedish Academy of Sciences in Stockholm, Sweden on October 14, 2024. (TT news agency / AFP)
A screen shows the laureates (L-R) Turkish-American Daron Acemoglu and British-Americans Simon Johnson and James Robinson of the 2024 Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel during the announcement by the Royal Swedish Academy of Sciences in Stockholm, Sweden on October 14, 2024. (TT news agency / AFP)

Daron Acemoglu, Simon Johnson and James Robinson won the 2024 Nobel economics prize "for studies of how institutions are formed and affect prosperity", the Royal Swedish Academy of Sciences said on Monday.

The prestigious award, formally known as the Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel, is the final prize to be given out this year and is worth 11 million Swedish crowns ($1.1 million).

"Reducing the vast differences in income between countries is one of our time's greatest challenges. The laureates have demonstrated the importance of societal institutions for achieving this," said Jakob Svensson, Chair of the Committee for the Prize in Economic Sciences.

The economics award is not one of the original prizes for science, literature and peace created in the will of dynamite inventor and businessman Alfred Nobel and first awarded in 1901, but a later addition established and funded by Sweden's central bank in 1968.

Past winners include a host of influential thinkers such as Milton Friedman, John Nash - played by actor Russell Crowe in the 2001 film "A Beautiful Mind" - and, more recently, former US Federal Reserve Chairman Ben Bernanke.

Last year, Harvard economic historian Claudia Goldin won the prize for her work highlighting the causes of wage and labor market inequality between men and women.

The economics prize has been dominated by US academics since its inception, while US-based researchers also tend to account for a large portion of winners in the scientific fields for which 2024 laureates were announced last week.

That crop of prizes began with US scientists Victor Ambros and Gary Ruvkun winning the prize for medicine on Monday and concluded with Japan's Nihon Hidankyo, an organization of survivors from Hiroshima and Nagasaki who campaigned for the abolition of nuclear weapons landing the award for peace on Friday.



Indonesia's 1st Giant Panda Cub Growing and Healthy Before Public Debut

Veterinarians treat Satrio Wiratama, nicknamed "Rio," the first giant panda cub born in Indonesia, during a media preview at Indonesia Safari Park in Bogor, West Java, Indonesia, Friday, May 15, 2026. (AP Photo/Achmad Ibrahim)
Veterinarians treat Satrio Wiratama, nicknamed "Rio," the first giant panda cub born in Indonesia, during a media preview at Indonesia Safari Park in Bogor, West Java, Indonesia, Friday, May 15, 2026. (AP Photo/Achmad Ibrahim)
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Indonesia's 1st Giant Panda Cub Growing and Healthy Before Public Debut

Veterinarians treat Satrio Wiratama, nicknamed "Rio," the first giant panda cub born in Indonesia, during a media preview at Indonesia Safari Park in Bogor, West Java, Indonesia, Friday, May 15, 2026. (AP Photo/Achmad Ibrahim)
Veterinarians treat Satrio Wiratama, nicknamed "Rio," the first giant panda cub born in Indonesia, during a media preview at Indonesia Safari Park in Bogor, West Java, Indonesia, Friday, May 15, 2026. (AP Photo/Achmad Ibrahim)

The first giant panda born in Indonesia squirmed as veterinarians checked his hearing and eyesight and confirmed the furry cub was growing and healthy Friday before his public debut later this month.

Satrio Wiratama, nicknamed “Rio,” can walk on his own, climbs on his mother and has started eating bamboo shoots. He has grown to 10 kilograms (22 pounds) at 169 days old, The Associated Press reported.

Veterinarians are monitoring his development to determine how well he might adapt to the crowds when he debuts at Indonesian Safari Park outside the capital, Jakarta.

“What’s important to note is that all of Rio’s senses are active; he has the ability to understand the environment, assess the situation, adapt to more people, and hear sounds, even in certain levels of noise. We will train him gradually,” said Bongot Huaso Mulia, a veterinarian who monitors Rio’s progress.

His growth in some ways is faster than average, especially his teeth, according to Mulia.

Rio was born Nov. 27 to his mother, Hu Chun, and a male panda, Cai Tao, who are both 15 years old. The pair arrived in Indonesia in 2017 on a 10-year conservation partnership with China. They live in an enclosure built for them at the park about 70 kilometers (43 miles) from the capital in Cisarua, West Java province.

The two adult pandas have a large fan base in Indonesia. Rio’s birth has drawn many panda enthusiasts, and his public debut has been eagerly anticipated, with numerous requests on social media to see him soon.

The three of them are living in a three-tier temple known as the Panda Palace on a hill surrounded by about 5,000 square meters of land (1.2 acres) and equipped with an elevator, sleeping area, medical facilities and indoor and outdoor play areas.

Rio's name symbolizes the hope, resilience, and shared commitment of Indonesia and China in protecting endangered species.

Pandas are China’s unofficial mascot and Beijing's loans of the animals to overseas zoos have long been seen as soft-power “panda diplomacy.”

Giant pandas have difficulty breeding and births are particularly welcomed. There are less than 1,900 giant pandas in their only wild habitats in the Chinese provinces of Sichuan, Shaanxi and Gansu.

Rio was born through artificial insemination. Besides having a new individual, Rio also provides new genetic data on giant pandas, which can help research in Indonesia and in China, said Aswin Sumampau, president director of the park.

“This is the moment we’ve all been waiting for, a small victory for us, as we’ve managed to breed a species that is extremely difficult to breed. Just imagine, for the past two years, no pandas were born at any ex-situ conservation facility worldwide. Taman Safari has managed to do that,” Sumampau said.


Film Commission Raises Film Incentives to 60% to Support Film Production in Saudi Arabia

The update includes raising incentive rates to up to 60% of eligible expenditures, alongside enhanced evaluation mechanisms to ensure sustainable value for film projects
The update includes raising incentive rates to up to 60% of eligible expenditures, alongside enhanced evaluation mechanisms to ensure sustainable value for film projects
TT

Film Commission Raises Film Incentives to 60% to Support Film Production in Saudi Arabia

The update includes raising incentive rates to up to 60% of eligible expenditures, alongside enhanced evaluation mechanisms to ensure sustainable value for film projects
The update includes raising incentive rates to up to 60% of eligible expenditures, alongside enhanced evaluation mechanisms to ensure sustainable value for film projects

The Saudi Film Commission has announced the updated cash rebate program as part of efforts to support the growth of the Kingdom’s film production sector, attract high-quality projects, and strengthen Saudi Arabia’s position as a global destination for filmmaking.

The update includes raising incentive rates to up to 60% of eligible expenditures, alongside enhanced evaluation mechanisms to ensure sustainable value for film projects.

The announcement was made during the commission’s participation at the 79th edition of the Cannes Film Festival, where filmmakers, producers, and investors from around the world gather each year.

The updated cash rebate program introduces a set of practical enablers that support every stage of production through clear processes, streamlined pathways, and competitive financial support.

These updates include improved and accelerated disbursement processes, enhancing cash flow efficiency for production companies and creating a more supportive operating environment for project delivery in line with production timelines.

As part of its efforts to further strengthen an integrated support ecosystem, the commission is working with several national entities, most notably the Cultural Development Fund, to launch an enhanced model for managing and disbursing incentives.

This model will improve the overall beneficiary experience, increase operational efficiency, expedite processing timelines, and provide integrated financing solutions to support film projects.

“The announcement represents an extension of the Kingdom’s vision to build a sustainable film sector rooted in empowerment and partnership,” Film Commission CEO Abdullah Al-Qahtani said.

“Over the past period, we have worked on developing a number of regulatory and operational aspects related to the incentives program, most notably the launch of the financial audit and disbursement procedures guide, with the aim of improving implementation efficiency and providing filmmakers with greater clarity,” he said.

“Through the program, we are focused on developing an integrated ecosystem that enables filmmakers to work with confidence, empowers the private sector, and attracts quality investments that contribute to transferring expertise and knowledge to local talent,” Al-Qahtani added.

He noted that the program “marks an additional step toward strengthening the Kingdom’s position as a production hub connected to opportunity, and reflects a continued ambition to develop the sector.”

Cultural Development Fund CEO Majed AlHugail stated: “The efforts to enhance the mechanisms for disbursing incentives come as part of a broader strategy for the cultural sector, through the development of financial and operational solutions that support the sustainability of cultural projects.”

“Today, the speed and clarity of procedures have become key factors shaping production and investment decisions in the global film industry. Through this program, we aim to provide a more efficient and flexible experience that meets the needs of projects at various stages and strengthens the Kingdom’s position as a reliable partner for international productions,” he added.

The update comes as part of the Film Commission’s ongoing efforts to develop an integrated production ecosystem that includes infrastructure, production services, and national talent development, in line with the goals of Saudi Vision 2030 to develop creative industries as well as maximize the economic and cultural impact of the film sector.


Rubio Denies Fashion Inspiration from Maduro

 US Secretary of State Marco Rubio watches as US President Donald Trump talks to the media before leaving the South Lawn of the White House, Washington, DC, USA, 12 May 2026. (EPA)
US Secretary of State Marco Rubio watches as US President Donald Trump talks to the media before leaving the South Lawn of the White House, Washington, DC, USA, 12 May 2026. (EPA)
TT

Rubio Denies Fashion Inspiration from Maduro

 US Secretary of State Marco Rubio watches as US President Donald Trump talks to the media before leaving the South Lawn of the White House, Washington, DC, USA, 12 May 2026. (EPA)
US Secretary of State Marco Rubio watches as US President Donald Trump talks to the media before leaving the South Lawn of the White House, Washington, DC, USA, 12 May 2026. (EPA)

US Secretary of State Marco Rubio has no love for Venezuela's deposed leader Nicolas Maduro, and says he doesn't take fashion inspiration from him.

Flying with President Donald Trump to China, a picture of Rubio went viral as he was decked out in a grey Nike tracksuit.

The suit -- in brand and color, if not size -- resembled the Nike Tech Fleece attire sported by Maduro when he was photographed handcuffed in a helicopter after US forces snatched him in his sleep.

Steven Cheung, the White House communications director, posted on social media that Rubio was "rocking the Nike Tech 'Venezuela' on Air Force One!"

In his first public remarks on the viral picture, Rubio made clear he did not have Maduro in mind.

"You know what -- he copied me because I had it before. I mean, I don't know when he bought his," Rubio said of Maduro in an interview with "NBC Nightly News" from Beijing.

"The bottom line is that that's a suit, that it's comfortable," Rubio said.

"There was no message. I didn't even know he was taking the picture."

Rubio, a Cuban-American, is a sworn foe of Latin America's leftists and helped lay the groundwork for the January 3 operation to oust Maduro, a longtime nemesis of the United States.

US prosecutors charged Maduro and his wife with drug trafficking, which they deny.

Maduro's vice president Delcy Rodriguez took over Venezuela with support of the United States.