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Saudi Surgeon Honored for Performing World’s First Fully Robotic Heart Transplant

Head of Cardiac Surgery and Director of the Robotics and Minimally Invasive Surgery Program at the King Faisal Specialist Hospital & Research Centre (KFSHRC) Professor Feras Khaliel - SPA
Head of Cardiac Surgery and Director of the Robotics and Minimally Invasive Surgery Program at the King Faisal Specialist Hospital & Research Centre (KFSHRC) Professor Feras Khaliel - SPA
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Saudi Surgeon Honored for Performing World’s First Fully Robotic Heart Transplant

Head of Cardiac Surgery and Director of the Robotics and Minimally Invasive Surgery Program at the King Faisal Specialist Hospital & Research Centre (KFSHRC) Professor Feras Khaliel - SPA
Head of Cardiac Surgery and Director of the Robotics and Minimally Invasive Surgery Program at the King Faisal Specialist Hospital & Research Centre (KFSHRC) Professor Feras Khaliel - SPA

Head of Cardiac Surgery and Director of the Robotics and Minimally Invasive Surgery Program at the King Faisal Specialist Hospital & Research Centre (KFSHRC) Professor Feras Khaliel was honored at the inaugural day of the Global Health Exhibition (GHE) with the Health Research Excellence: Applied Innovation Award in recognition for his exceptional contributions to advancing research, enhancing knowledge, and fostering innovation in healthcare.
The award also commemorates Khaliel's successful completion of the world’s first robotic heart transplant on a 16-year-old patient suffering from end-stage (Class IV) heart failure, SPA reported.

According to a KFSHRC press release, the center continues to set itself apart by providing innovative specialized healthcare services, particularly through its robotic heart surgery program that has experienced accelerated success since its establishment in 2019.
In its first year, the program performed 105 robotic heart surgeries, rising to 400 and culminating in its leadership in conducting the world’s first fully robotic heart transplant, a pioneering achievement that not only bolsters Saudi Arabia's standing in healthcare but also highlights KFSHRC’s ability to innovate medical practices that enhance treatment outcomes and patient experience.
KFSHRC’s robotic heart surgery program has introduced innovative cardiac procedures, such as robotic multi-valve surgeries and robotic aortic valve replacement. Additionally, it has integrated cutting-edge technologies related to mechanical circulatory support (MCS) systems, including ventricular assist devices (VADs), which aid the heart in pumping blood. These devices serve as either a bridge to heart transplantation or a permanent solution for patients who are not eligible for transplants. This has resulted in significantly improved patient outcomes with survival rates of up to 98%, recovery times reduced by 30%, and a reduction in blood transfusions, mechanical ventilation, and hospital stay by over 50% while cutting costs by 40% compared to traditional methods.
The program is renowned for performing robotic surgeries on a wide age range of patients, from 14 to 78 years old, and for its ability to handle complex, high-risk cases, including patients with severe obesity and those requiring repeat surgeries. Notably, the program excels in performing robotic surgeries on heart patients who have undergone three previous operations, a feat in which the KFSHRC has surpassed its counterparts in American hospitals.

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In Beirut, a Photographer's Frozen Moments Slow Down Time and Allow the Contemplation of Destruction

A bomb dropped from an Israeli jet hits a building in Ghobeiri, Beirut, Lebanon, Tuesday, October 22, 2024. (AP Photo/ Bilal Hussein)
A bomb dropped from an Israeli jet hits a building in Ghobeiri, Beirut, Lebanon, Tuesday, October 22, 2024. (AP Photo/ Bilal Hussein)
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In Beirut, a Photographer's Frozen Moments Slow Down Time and Allow the Contemplation of Destruction

A bomb dropped from an Israeli jet hits a building in Ghobeiri, Beirut, Lebanon, Tuesday, October 22, 2024. (AP Photo/ Bilal Hussein)
A bomb dropped from an Israeli jet hits a building in Ghobeiri, Beirut, Lebanon, Tuesday, October 22, 2024. (AP Photo/ Bilal Hussein)

We watch video after video, consuming the world on our handheld devices in bites of two minutes, one minute, 30 seconds, 15. We turn to moving pictures — “film” — because it comes the closest to approximating the world that we see and experience. This is, after all, 2024, and video in our pocket — ours, others', everyone's — has become our birthright.
But sometimes — even in this era of live video always rolling, always recording, always capturing — sometimes the frozen moment can enter the eye like nothing else. And in the process, it can tell a larger story that echoes long after the moment was captured. That's what happened this past week in Beirut, through the camera lens of Associated Press photographer Bilal Hussein and the photographs he captured.
When Hussein set up his camera outside an evacuated Beirut apartment building Tuesday after Israel announced it would be targeted as part of military operations against Hezbollah, he had one goal in mind — only one. "All I thought of," he says, “was photographing the missile while it was coming down.”
He found a safe spot. He ensured a good angle. He wasn't stressed, he said; like many photographers who work in such environments, he had been in situations like this one before. He was ready.
When the attack came — a bomb, not a missile in the end — Hussein swung into action. And, unsurprisingly for a professional who has been doing this work for two decades, he did exactly what he set out to do.
Time slowed down
The sequence of images he made bursts with the explosive energy of its subject matter.
In one frame, the bomb hangs there, a weird and obtrusive interloper in the scene. It is not yet noticed by anyone around it, ready to bring its destruction to a building that, in moments, will no longer exist. The building's balconies, a split-second from nonexistence, are devoid of people as the bomb finds its mark.
These are the kind of moments that video, rolling at the speed of life or even in slow motion, cannot capture in the same way. A photo holds us in the scene, stops time, invites a viewer to take the most chaotic of events and break it down, looking around and noticing things in a strangely silent way that actual life could not.
In another frame, one that happened micro moments after the first, the building is in the process of exploding. Let's repeat that for effect, since even as recently as a couple generations ago photographs like this were rare: in the process of exploding.
Pieces of building are shooting out in all directions, in high velocity — in real life. But in the image they are frozen, outward bound, hanging in space awaiting the next seconds of their dissolution — just like the bomb that displaced them was doing milliseconds before. And in that, a contemplation of the destruction — and the people it was visited upon — becomes possible.
Tech gives us new prisms to see the world
The technology to grab so many images in the course of little more than one second — and do it in such clarity and high resolution — is barely a generation old.
So to see these “stills,” as journalists call them, come together to paint a picture of an event is a combination of artistry, intrepidity and technology — an exercise in freezing time, and in giving people the opportunity to contemplate for minutes, even hours, what took place in mere seconds. This holds true for positive things that the camera captures — and for visitations of violence like this one as well.
Photography is random access. We, the viewers of it, choose how to see it, process it, digest it. We go backward and forward in time, at will. We control the pace and the speed at which dizzying images hurtle at us. And in that process, something unusual for this era emerges: a bit of time to think.
That, among many other things, is the enduring power of the still image in a moving-picture world — and the power of what Bilal Hussein captured on that clear, sunny day in Beirut.