Archaeological Town from Bronze Age Discovered at Saudi Arabia’s Khaybar Oasis

The discovery is proof of the Kingdom's commitment to safeguarding its cultural and historical heritage, as well as its desire to exchange knowledge and experience with the international community. (SPA)
The discovery is proof of the Kingdom's commitment to safeguarding its cultural and historical heritage, as well as its desire to exchange knowledge and experience with the international community. (SPA)
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Archaeological Town from Bronze Age Discovered at Saudi Arabia’s Khaybar Oasis

The discovery is proof of the Kingdom's commitment to safeguarding its cultural and historical heritage, as well as its desire to exchange knowledge and experience with the international community. (SPA)
The discovery is proof of the Kingdom's commitment to safeguarding its cultural and historical heritage, as well as its desire to exchange knowledge and experience with the international community. (SPA)

The Royal Commission for AlUla (RCU) announced that archaeologists discovered a Bronze Age town in the Khaybar Oasis, in northwestern Saudi Arabia.

The discovery was published in the scientific journal PLOS ONE and announced on Saturday at a press conference held by the RCU in Riyadh. The conference highlighted the significance of the discovery to the Kingdom's standing in the field of antiquities, as well as on its cultural richness.

The discovery is proof of the Kingdom's commitment to safeguarding its cultural and historical heritage, as well as its desire to exchange knowledge and experience with the international community, and promote awareness about the common human heritage, consistent with the goals of the Kingdom's Vision 2030.

It also underscores the need to strengthen international partnerships, to present such a rich heritage to future generations globally.

The transition from a mobile pastoral life to a settled urban life in the region during the second half of the third millennium BC is illustrated by the discovery, which was made in the framework of the Khaybar Longue Durée Archaeological Project, led by Dr. Guillaume Charloux, researcher at the French National Center for Scientific Research, and Dr. Munirah AlMushawh, archaeological survey manager at RCU.

This change in paradigm challenges the previous notion that pastoral and nomadic society was the dominant socio-economic model in northwestern Arabia during the early and middle Bronze Age.

The research points out that regions such as Khaybar were significant urban centers that permanently maintained the stability of their communities, particularly with the introduction of agriculture. They also served as centers of trade and commerce for nomadic communities. The emergence of this urban design significantly influences the socio-economic paradigm of the region.

In the Bronze Age, the northwestern Arabian Peninsula was home to a significant number of nomadic pastoral communities, but the region also had a number of walled oases that were connected to one another and were located around fortified cities like Tayma.

The discovered town, called Al-Natah, provides evidence of a clear division, within forts and cities, of residential and funerary areas. The site encompassed an area of 2.6 hectares, was inhabited by 500 individuals between 2400 and 2000 BC until 1500 and 1300 BC. The Khaybar Oasis was surrounded by a 15-km-long stone wall to ensure its protection.

The study was conducted by the Royal Commission for AlUla in collaboration with the French Agency for the Development of AlUla (AFALULA) and the French National Centre for Scientific Research (CNRS).

The commission's Department of Archaeology, Collections and Conservation manages one of the largest archaeological research programs globally as part of its mission to elevate AlUla's status as a premier cultural heritage destination.

The Khaybar Oasis, located on the edge of the Harrat Khaybar volcanic field, formed at the meeting point of three valleys in a highly arid area. The remains of the town were discovered on the northern edge of the oasis, buried beneath layers of basalt rock for thousands of years.

The research team identified the archaeological site in October 2020, but distinguishing the structures and layout of the town proved challenging. In February 2024, the team employed field surveys, in-depth research, and high-resolution imaging to uncover more details of what lay beneath. Future excavations are expected to provide an even clearer understanding of the site.

The study offers an initial view of life in Al-Natah, where residents lived in traditional multi-story dwellings, typically using the ground floor for storage and the upper floors for living quarters. Narrow pathways ran between the dwellings, leading to the town center. Residents buried their dead in graves and tiered towers, signifying high social status by including valuable items like pottery or metal tools such as axes and daggers.

Town life was marked by skilled craftsmanship, with residents making pottery, trading it, working with metal, and adorning their clothing with beads. Their diet, based mainly on mutton, lamb, and grains, reflected a cooperative lifestyle, with the community reinforcing walls using dry stones and clay.

Besides Charloux and AlMushawh, historian Saifi Alshilali, a native of Khaybar, contributed to the discovery. The new findings add to a series of studies begun in 2018, which explore the history of ancient AlUla and Khaybar, including massive stone structures known as mustatils, stone traps, extensive funerary roads linking settlements and pastures, and stone circles used as dwellings.

Collectively, these studies reveal that Bronze Age societies in northwestern Arabian Peninsula were more sophisticated and interconnected with the wider region than previously believed.

RCU is currently supervising 10 archaeological projects, to which 100 archaeologists and specialists working in AlUla and Khaybar contribute.

This new discovery bolsters AlUla and Saudi Arabia's role as a global hub for archaeological research and cultural dialogue. It is announced immediately after AlUla World Archaeology Symposium 2024, which brought together archaeologists and cultural heritage experts from all over the world.

Themed "Moving Forward: Past, Present and Future in the Archaeology and Heritage of Mobile Communities", the symposium underscored AlUla's growing role in the global archaeological community.



Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
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Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."