Saudi Arabia's 'Art of the Kingdom' Exhibition Opens at Paço Imperial in Rio de Janeiro

The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. (Saudi Museums Commission)
The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. (Saudi Museums Commission)
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Saudi Arabia's 'Art of the Kingdom' Exhibition Opens at Paço Imperial in Rio de Janeiro

The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. (Saudi Museums Commission)
The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. (Saudi Museums Commission)

The first traveling group exhibition of Saudi contemporary art was inaugurated at the historic Paço Imperial in Rio de Janeiro, Brazil on Sunday.

Titled “Art of the Kingdom”, this landmark exhibition introduces the public to the works of leading contemporary artists from Saudi Arabia, fostering a deeper global understanding of the Kingdom’s evolving art landscape.

Debuting in Brazil, the exhibition will move on a global tour starting with 2025, reaching the National Museum of China in Beijing.

Titled “Poetic Illuminations”, the inaugural edition of this exhibition in Brazil is curated by Diana Wechsler and features 17 Saudi artists from different generations and of various artistic styles, showcasing a diverse collection of artworks ranging from paintings to installations and video works.

The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. Woven artistically, it offers audiences in Brazil and beyond the unique opportunity to engage with Saudi Arabia’s cultural narratives and art practices.

“Art has the power to unite people and cultures, and Art of the Kingdom exemplifies this mission,” said Mona Khazindar, advisor at Saudi Arabia’s Ministry of Culture.

“This exhibition not only stands as a testament to the incredible talent of Saudi contemporary artists, it also creates a platform for Saudi artists to share their stories and perspectives with the world. By launching Art of the Kingdom in Rio de Janeiro, we aim to foster cross-cultural dialogue and understanding through art, while celebrating and nurturing Saudi artists’ creativity and empowering local talents to engage with the world,” she added.

On the concept of the exhibition, Wechsler said: “Is it possible to approach a culture through contemporary art? How do the visual arts contribute to reconfiguring the narratives we construct about society, memory, the past, and the present? These two questions are the starting point of the exhibition.”

“Through a curated selection of artists and works, the exhibition seeks to explore these themes, guided by the idea that the essence of art, in conceptual terms, is poetic illumination — its ability to symbolically shed light on the world we inhabit, revealing not only elements of our past but also our dreams, longings, and fantasies,” she emphasized.

Two main themes emerge from the exhibition’s repertoire. One is the desert as a definition of space, infinity, and life; the other is the singularity of cultural tradition, and the evolution of a unique visual culture, shaped by diverse pasts and presents.

The stunning setting of Paço Imperial, a cultural landmark in Rio de Janeiro, adds to the beauty and significance of this exhibition, as it creates an artistic conversation between the historical setup and the contemporary works on display.

As the Kingdom proceeds on an unprecedented journey of cultural transformation, the “Art of the Kingdom” exhibition offers a unique opportunity to explore the ways in which Saudi contemporary art contributes to shaping new cultural narratives.

 

 



Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
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Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."