Palestinians Turn to Local Soda in Boycott of Israel-linked Goods

Chat Cola has tapped into Palestinians' desire to move away from companies perceived as too supportive of Israel - AFP
Chat Cola has tapped into Palestinians' desire to move away from companies perceived as too supportive of Israel - AFP
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Palestinians Turn to Local Soda in Boycott of Israel-linked Goods

Chat Cola has tapped into Palestinians' desire to move away from companies perceived as too supportive of Israel - AFP
Chat Cola has tapped into Palestinians' desire to move away from companies perceived as too supportive of Israel - AFP

In a red box factory that stands out among the drab hills of the West Bank, Chat Cola's employees race to quench Palestinians' thirst for local products since the Gaza war erupted last year.

With packaging reminiscent of Coca-Cola's iconic red and white aluminium cans, Chat Cola has tapped into Palestinians' desire to shun brands perceived as too supportive of Israel.

"The demand for (Chat Cola) increased since the war began because of the boycott," owner Fahed Arar, told AFP at the factory in the occupied West Bank town of Salfit.
Supermarket manager Mahmud Sidr described how sales of Palestinian products surged over the past year.

"We noticed an increase in sales of Arab and Palestinian products that do not support (Israel)," he said.

Although it does not supply Israeli troops in Gaza with free goods -- as some US fast food brands have been rumored to -- Coca-Cola is perceived as simply too American.

The United States provides enormous military assistance to Israel, aid that has continued through the devastating military campaign in Gaza that Israel launched in response to Hamas's unprecedented attack of October 7, 2023.

Coca-Cola did not respond to a request for comment, but it says the company does not support religion nor "any political causes, governments or nation states".

A manager of the National Beverage Company, the Palestinian firm bottling Coca-Cola in the Palestinian territories, told AFP the company had not noticed the return of many products from local stores.

There was however a decline of up to 80 percent in the drink's sales to foreign-named chains, said the manager, speaking on condition of anonymity.

- Not just cola -

"The national boycott movement has had a big impact," Arar said.

Ibrahim al-Qadi, head of the Palestinian economy ministry's consumer protection department, told AFP that 300 tonnes of Israeli products were destroyed over the past three months after passing their sell-by date for want of buyers.

The Palestinian economy's dependence on Israeli products has made a broader boycott difficult and Chat Cola's popularity partly stems from being one of the few quality Palestinian alternatives.

"There's a willingness to boycott if the Palestinian producers can produce equivalently good quality and price," the head of the Palestine Economic Policy Research Institute, Raja Khalidi, told AFP.

Khalidi said the desire for Palestinian substitutes has grown sharply since the war in Gaza began, but is stifled by "an issue of production capacity which we lack".

A boycott campaign has been more successful in neighbouring Arab states less dependent on Israeli goods.

- 'Palestinian taste' -

Chat Cola's Arar is proud of developing a quality Palestinian product.

Staff at the company's Salfit factory wear sweaters emblazoned with the words "Palestinian taste" in Arabic and the Palestinian flag.

After opening the factory in 2019, Arar plans to open a new one in Jordan to meet international demand and avoid the complications of operating in the occupied West Bank.

Although the plant still turns out thousands of cans of Chat, one production line has been shut down for more than a month.

Israeli authorities have held up a large shipment of raw materials at the Jordanian border, hitting output, Arar said, adding he can meet only 10 to 15 percent of demand for his product.



How a Viral, Duct-Taped Banana Came to Be Worth $1 Million

Artist Maurizio Cattelan's piece of art "Comedian" hangs on display during an auction preview at Sotheby's in New York, Monday, Nov. 11, 2024. (AP)
Artist Maurizio Cattelan's piece of art "Comedian" hangs on display during an auction preview at Sotheby's in New York, Monday, Nov. 11, 2024. (AP)
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How a Viral, Duct-Taped Banana Came to Be Worth $1 Million

Artist Maurizio Cattelan's piece of art "Comedian" hangs on display during an auction preview at Sotheby's in New York, Monday, Nov. 11, 2024. (AP)
Artist Maurizio Cattelan's piece of art "Comedian" hangs on display during an auction preview at Sotheby's in New York, Monday, Nov. 11, 2024. (AP)

Walk into any supermarket and you can generally buy a banana for less than $1. But a banana duct-taped to a wall? That might sell for more than $1 million at an upcoming auction at Sotheby’s in New York.

The yellow banana fixed to the white wall with silver duct tape is a work entitled "Comedian," by Italian artist Maurizio Cattelan. It first debuted in 2019 as an edition of three fruits at the Art Basel Miami Beach fair, where it became a much-discussed sensation.

Was it a prank? A commentary on the state-of-the-art world? Another artist took the banana off the wall and ate it. A backup banana was brought in. Selfie-seeking crowds became so thick, "Comedian" was withdrawn from view, but three editions of it sold for between $120,000 and $150,000, according to Perrotin gallery.

Now, the conceptual artwork has an estimated value of between $1 million and $1.5 million at Sotheby's auction on Nov. 20. Sotheby's head of contemporary art, David Galperin, calls it profound and provocative.

"What Cattelan is really doing is turning a mirror to the contemporary art world and asking questions, provoking thought about how we ascribe value to artworks, what we define as an artwork," Galperin said.

Bidders won't be buying the same fruit that was on display in Miami. Those bananas are long gone. Sotheby’s says the fruit always was meant to be replaced regularly, along with the tape.

"What you buy when you buy Cattelan’s ‘Comedian’ is not the banana itself, but a certificate of authenticity that grants the owner the permission and authority to reproduce this banana and duct tape on their wall as an original artwork by Maurizio Cattelan," Galperin said.

The very title of the piece suggests Cattelan himself likely didn't intend for it to be taken seriously. But Chloé Cooper Jones, an associate professor at the Columbia University School of the Arts, said it is worth thinking about the context.

Cattelan premiered the work at an art fair, visited by well-off art collectors, where "Comedian" was sure to get a lot of attention on social media. That might mean the art constituted a dare, of sorts, to the collectors to invest in something absurd, she said.

If "Comedian" is just a tool for understanding the insular, capitalist, art-collecting world, Cooper Jones said, "it’s not that interesting of an idea."

But she thinks it might go beyond poking fun at rich people.

Cattelan is often thought of as a "trickster artist," she said. "But his work is often at the intersection of the sort of humor and the deeply macabre. He’s quite often looking at ways of provoking us, not just for the sake of provocation, but to ask us to look into some of the sort of darkest parts of history and of ourselves."

And there is a dark side to the banana, a fruit with a history entangled with imperialism, labor exploitation and corporate power.

"It would be hard to come up with a better, simple symbol of global trade and all of its exploitations than the banana," Cooper Jones said. If "Comedian" is about making people think about their moral complicity in the production of objects they take for granted, then it's "at least a more useful tool or it’s at least an additional sort of place to go in terms of the questions that this work could be asking," she said.

"Comedian" hits the block around the same time that Sotheby's is also auctioning one of the famed paintings in the "Water Lilies" series by the French impressionist Claude Monet, with an expected value of around $60 million.

When asked to compare Cattelan's banana to a classic like Monet's "Nymphéas," Galperin says impressionism was not considered art when the movement began.

"No important, profound, meaningful artwork of the past 100 years or 200 years, or our history for that matter, did not provoke some kind of discomfort when it was first unveiled," Galperin said.