Saudi Museums Commission Launches 'Virtual Reality Competition for Museums'

Saudi Museums Commission Launches 'Virtual Reality Competition for Museums'
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Saudi Museums Commission Launches 'Virtual Reality Competition for Museums'

Saudi Museums Commission Launches 'Virtual Reality Competition for Museums'

Saudi Arabia's Museums Commission has opened applications for the "Virtual Reality Competition for Museums," aimed at enabling talents to create interactive educational experiences within museums. This initiative is part of the commission's ongoing efforts to promote education and innovation in the museums sector.
The competition seeks to support young talents by equipping them with skills in virtual reality design and programming. These competencies are intended to advance museum capabilities, enhance their societal role, and highlight cultural identity by creating virtual reality experiences that reflect the Kingdom's heritage, SPA reported.
Target participants include students and graduates specializing in information technology, computer science, digital design, and fine arts. Developers and programmers interested in virtual reality technologies are also encouraged to apply. The competition welcomes artists and designers eager to integrate technology with art, as well as culture enthusiasts with a technological background who wish to explore virtual reality applications in museums. Storytellers with the ability to creatively narrate their city or region's history and civilization are also invited to participate.
Applications are open from December 6, with a training program scheduled to run for four months. The competition will unfold in four phases: selection of trainees, virtual reality training and development, creation of interactive educational experiences, and evaluation and judging. Winners will be recognized through regional ceremonies held in their respective areas.
The Museums Commission urges all eligible individuals to contribute to shaping the future of regional museums in Saudi Arabia by creating innovative, interactive platforms that inspire future generations and foster an appreciation for museums and cultural heritage.
Registration for the "Virtual Reality Competition for Museums" is available through the Museums Commission website or its official social media channels.



Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
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Iran Artist's Vision For Culture Hub Enlivens Rustic District

Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP
Arabesque patterns feature in Yazdi's creations © ATTA KENARE / AFP

In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighbourhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighbourhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens and revered poets.

"Most of the dilapidated walls in old Shiraz have no historical value," said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalising Narenjestan, AFP reported.

Yazdi has over the years turned the long-neglected neighbourhood walls into a vivid visual tapestry "telling the stories of the people living here," he said.

Arabesque patterns and relief faces carved with intricate details and painted in an array of vivid hues of greens, pinks, blues and purples now adorn the walls.

With its striking designs and bright colors, Yazdi's art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran's artistic heritage that goes beyond the conventional focus on Persian or Islamic architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the "One Thousand and One Nights" collection of folktales.

Yazdi's work stands out in Shiraz where graffiti and murals are rare, becoming a social media sensation and a tourist attraction.

One visitor, Mahdieh, discovered Yazdi's murals through Instagram.

"I arrived in Shiraz yesterday... and it was the first site I wanted to visit," said the 40-year-old, who declined to give her last name.

At the end of one alleyway, Yazdi has established his workshop in a century-old building with small rooms encircling a serene garden.

He also lives in the building, with a traditional Persian architectural style.

It is filled with artefacts and sculptures, resembling a museum warehouse.

To Maedah, a 30-year-old engineer, Yazdi's house brings to mind "other historical places in the city, such as the Eram Garden and the Mausoleum of the Poet Hafez".

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s.

He hopes his efforts can turn Shiraz's alleyways into even more of a vibrant cultural center as well.

At his residence, visitors are particularly drawn to what Yazdi calls "the Finger Room."

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

"The room is inspired by the legend of an angel that counts raindrops with thousands of fingers," he said, referring to an Islamic fable.

"These fingers are there to constantly remind us that the present moment is precious and that we must seize it."