Spouse of Saudi Crown Prince Announces Launch of Misk Heritage Museum 'Asaan' in Diriyah 

The museum, set to open in the coming years in the heart of historical Diriyah aims to become a global cultural hub celebrating both tangible and intangible Saudi heritage. (SPA)
The museum, set to open in the coming years in the heart of historical Diriyah aims to become a global cultural hub celebrating both tangible and intangible Saudi heritage. (SPA)
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Spouse of Saudi Crown Prince Announces Launch of Misk Heritage Museum 'Asaan' in Diriyah 

The museum, set to open in the coming years in the heart of historical Diriyah aims to become a global cultural hub celebrating both tangible and intangible Saudi heritage. (SPA)
The museum, set to open in the coming years in the heart of historical Diriyah aims to become a global cultural hub celebrating both tangible and intangible Saudi heritage. (SPA)

Princess Sara bint Mashhour bin Abdulaziz, spouse of Saudi Crown Prince Mohammed bin Salman Al Saud, announced the launch of the programming for the Misk Heritage Museum "Asaan," reported the Saudi Press Agency on Monday.

The museum, set to open in the coming years in the heart of historical Diriyah—one of the Kingdom's most important heritage sites—aims to become a global cultural hub celebrating both tangible and intangible Saudi heritage. Supported by the Mohammed bin Salman Foundation, "Misk," the museum will significantly contribute to cultural sustainability through its diverse programs and activities.

As a non-profit organization, the museum is dedicated to preserving and celebrating Saudi Arabia’s rich and diverse heritage.

It will feature a wide range of heritage artifacts and collectibles displayed in interactive exhibitions and inspiring spaces, offering visitors immersive experiences that take them on a journey through time. These experiences aim to foster a deep connection to cultural roots, making heritage vibrant, relevant, and profound for both current and future generations.

The museum's mission aligns with the objectives of Saudi Vision 2030, emphasizing cultural sustainability and the preservation of Saudi identity.

At the announcement, Princess Sara bint Mashhour bin Abdulaziz, Chairperson of the Asaan, stated: "Our goal is to cultivate a generation that takes pride in its heritage and actively works to preserve and revitalize it. Asaan will showcase the Kingdom's rich legacy, including artifacts, customs, and societal values. This commitment reflects our national identity, connects our past with the present, and ensures that our heritage is sustained for future generations."

Asaan will span over 40,000 square meters and feature an innovative design by Zaha Hadid Architects. The design, inspired by traditional Najdi architectural styles, will reflect the Kingdom's identity while embodying modern creativity.

The museum is dedicated to preserving and celebrating Saudi Arabia’s rich and diverse heritage. (SPA)

Upon its opening, the museum will house thousands of heritage artifacts and collectibles that tell vivid stories of the past and provide insights into the ways of life experienced by Saudi generations throughout history.

In collaboration with entities affiliated with the Misk Foundation, the museum aims to benefit from global expertise and establish partnerships to ensure integrated efforts in cultural preservation. These collaborations will strengthen the Kingdom’s position as a global leader in investing in its cultural heritage.

The museum will host various spaces, including permanent exhibitions, art galleries, and an arts courtyard where visitors can connect with Saudi Arabia's rich and multifaceted heritage. It will also feature "Asaan’s Majlis," a space dedicated to fostering dialogue, sharing ideas, and hosting workshops focused on reviving heritage.

With conservation labs and interactive learning programs, the museum will create immersive experiences that bring the Kingdom’s history and culture to life in dynamic and accessible ways.

The Asaan Museum is set to become a key landmark in Saudi Arabia's cultural landscape. Through its partnership with the Misk Foundation, Asaan will leverage global expertise to further boost the Kingdom's reputation as a leader in cultural heritage preservation and celebration.

Princess Sara’s unwavering commitment to preserving Saudi heritage is evident in the innovative and contemporary approaches championed by Asaan. She actively supports cultural programs that revive Saudi heritage through artistic and social initiatives. She is also dedicated to empowering individuals, particularly youth and people with disabilities, by enhancing their educational and professional skills. These efforts align with the broader goals of the non-profit sector under the framework of Saudi Vision 2030.



RCU Launches ‘An Ongoing Story’ Exhibition

The displayed items include stone tools, inscriptions, coins, pottery, jewellery, books, and historical photographs - SPA
The displayed items include stone tools, inscriptions, coins, pottery, jewellery, books, and historical photographs - SPA
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RCU Launches ‘An Ongoing Story’ Exhibition

The displayed items include stone tools, inscriptions, coins, pottery, jewellery, books, and historical photographs - SPA
The displayed items include stone tools, inscriptions, coins, pottery, jewellery, books, and historical photographs - SPA

The Royal Commission for AlUla (RCU) has launched the “An Ongoing Story” exhibition in the AlJadidah Arts District, featuring a collection curated by 16 trainees as part of a training program in museum studies and exhibition curation.

The program was conducted in collaboration with SOAS University of London and supported by the British Council through the AlUla Grants Program, SPA reported.

The exhibition features 25 archaeological and heritage artifacts from the RCU’s collections, highlighting AlUla’s history and cultural heritage across four sections: “Pre-Writing,” “Enduring Words,” “Trade Routes,” and “Documentation and Memory.”

The displayed items include stone tools, inscriptions, coins, pottery, jewellery, books, and historical photographs.

The exhibition marks the practical outcome of the training program and contributes to developing local talent in the museum sector.

It also promotes community engagement in heritage preservation and public presentation, paving the way for the future opening of several museums in AlUla, in line with Saudi Vision 2030.

The exhibition is open to the public free of charge at The Workshop in the AlJadidah Arts District until December 5, 2026. Visiting hours are Wednesday to Sunday, from 3:30 p.m. to 11:00 p.m.


Saudi Pavilion Highlights Ancient Arabian Civilizations and Traditional Woodcraft at Algiers Book Fair

The pavilion also highlighted traditional Saudi woodcraft, featuring live demonstrations by Saudi artisans who introduced visitors to heritage woodworking techniques and historical carving tools - SPA
The pavilion also highlighted traditional Saudi woodcraft, featuring live demonstrations by Saudi artisans who introduced visitors to heritage woodworking techniques and historical carving tools - SPA
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Saudi Pavilion Highlights Ancient Arabian Civilizations and Traditional Woodcraft at Algiers Book Fair

The pavilion also highlighted traditional Saudi woodcraft, featuring live demonstrations by Saudi artisans who introduced visitors to heritage woodworking techniques and historical carving tools - SPA
The pavilion also highlighted traditional Saudi woodcraft, featuring live demonstrations by Saudi artisans who introduced visitors to heritage woodworking techniques and historical carving tools - SPA

The Heritage Commission showcased a curated collection of rare archaeological replicas within the Kingdom of Saudi Arabia's pavilion at the 2026 Algiers International Book Fair, highlighting the depth of the Arabian Peninsula's history and its civilizational diversity spanning millennia.

The exhibits featured replicas of artifacts discovered across various regions of the Kingdom, including BCE inscriptions, petroglyphs, and sculptures that illustrate the ancient commercial and cultural prominence of the Arabian Peninsula.

The collection encompassed historical milestones through rock carvings and inscriptions from Madinah, Tabuk, and Northern Borders, alongside ornamental stonework displaying early Arabian scripts and artistic traditions, underscoring the Kingdom's historic role as a crossroads of civilizations and trade routes, SPA reported.

The pavilion also highlighted traditional Saudi woodcraft, featuring live demonstrations by Saudi artisans who introduced visitors to heritage woodworking techniques and historical carving tools.

The exhibition drew substantial interest from history and heritage enthusiasts as part of the Kingdom's active participation led by the Literature, Publishing, and Translation Commission throughout the fair, which concluded its activities on November 7.


Mercury Contamination Found at More Ancient Maya Sites

Tourists climb the Maya pyramid of Nohoch Mul at the archaeological site of Coba December 15, 2012. (Reuters)
Tourists climb the Maya pyramid of Nohoch Mul at the archaeological site of Coba December 15, 2012. (Reuters)
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Mercury Contamination Found at More Ancient Maya Sites

Tourists climb the Maya pyramid of Nohoch Mul at the archaeological site of Coba December 15, 2012. (Reuters)
Tourists climb the Maya pyramid of Nohoch Mul at the archaeological site of Coba December 15, 2012. (Reuters)

For the ancient Maya, the vibrant red mineral cinnabar held deep sacred meaning, representing blood, life and the soul. They used it widely as pigment in murals and temples while also employing it in ceremonies and funerary rites. What they did not know is that cinnabar is mostly mercury, which can be highly toxic.

Previous research showed how mercury from cinnabar left enduring contamination at the sites of certain ancient Maya cities such as Tikal in Guatemala. A new study reveals that this contamination was more widespread than previously known and documents how mercury, after leaching into the surrounding soil and bodies of water, proved deadly for many aquatic organisms.

Researchers obtained core samples from beneath lakes at two ancient Maya cities on Mexico's Yucatan peninsula — the well-studied site of Coba and the little-known site of Xcach.

The samples showed a mercury spike at Coba beginning around 250 AD ‌and lasting about ‌150 years around the outset of the golden age of Maya civilization, called the ‌Classic ⁠Period. At Xcach, there ⁠was a spike from around 125 AD to 200 AD, shortly before the Classic Period, then a second spike at about the same time as the one at Coba, and a third spike from about 535 AD to 820 AD, running to around the end of the Classic Period.

The study documents mercury contamination in the Maya northern lowlands, a region with previously sparse mercury records, and reveals some of the highest recorded Maya-era mercury concentrations.

Many of the great Maya cities collapsed and were abandoned at the end of the Classic Period. Varying hypotheses have been presented to explain this calamity, including climate change and warfare. The ⁠new research suggests mercury poisoning as one additional factor.

"Our study shows that modern toxicology ‌and pollution regulations were far exceeded at the most toxic levels for centuries ‌around Coba and Xcach," said paleolimnologist Matt Waters, a professor of environmental science at Auburn University in Alabama and lead author of ‌the study published in the journal Science Advances.

"Furthermore, we measured multiple biological markers in the sediments for bacteria, algae, cyanobacteria, ‌shelled organisms and insect midges, which all decreased or vanished in the lakes, meaning the mercury had made its way into multiple levels of the food chain," Waters said.

MERCURY POISONING

Mercury in people can harm the central nervous system, brain, kidneys, lungs and heart.

"While we do not show this in our sediment records, this trophic movement implies that the Maya people might have been exposed to mercury via ‌consumption of water or fish," said study co-author Savanna Wooten, a postdoctoral researcher at the Jones Center at Ichauway research facility in Georgia.

"This research does little to link ⁠mercury directly to the demise of ⁠Classic-era Maya cities. But it does add one more stressor to the growing list of environmental and climatic pressures documented to have co-occurred with the Classic Period Maya," Wooten said.

Coba (pronounced "koh-BAH") is estimated to have had a population of 60,000 to 90,000 people during the Classic Period. It is a well-known jungle archeological site visited by many tourists that features one of the tallest ancient pyramids in the Yucatan.

Less is known about Xcach (pronounced "SCOTCH"), a site on private land featuring multiple pyramids and structures where very little archeological work has been done.

Cinnabar is a naturally occurring mercury sulfide mineral and may have been a major trade commodity in places like Coba and Xcach where it is not found in natural abundance, the researchers said.

The Maya fashioned one of the great civilizations in the pre-Columbian New World, prospering in a broad area of Mexico as well as Guatemala, Belize, Honduras and El Salvador. Among other achievements, they built monumental structures, crafted great works of art, gained a sophisticated understanding of astronomy and mathematics, produced an advanced calendar and developed an intricate writing system.

"Their longevity as a culture and development in science, construction and art is both extensive and elegant. Cinnabar would have been a pigment that added beauty and culture to these people," Waters said.