Meet the Musician Who Taught Timothée Chalamet to Play Guitar Like Bob Dylan

New York musician Larry Saltzman - File photo/The AP
New York musician Larry Saltzman - File photo/The AP
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Meet the Musician Who Taught Timothée Chalamet to Play Guitar Like Bob Dylan

New York musician Larry Saltzman - File photo/The AP
New York musician Larry Saltzman - File photo/The AP

He's not a movie buff, so New York musician Larry Saltzman doesn't always watch the Oscars. This year, however, he's got a rooting interest.

Saltzman taught actor Timothée Chalamet how to play guitar for the role of Bob Dylan in “A Complete Unknown.” In turn, Chalamet earned a best actor nomination and the film is also up for best picture at the Academy Awards on Sunday.

A guitarist who's performed with Simon & Garfunkel, Bette Midler and David Johansen, as well as in the pit at Broadway productions “Hairspray” and “Ain't Too Proud to Beg,” Saltzman has developed a specialty in teaching actors how to play music for their roles. Besides Chalamet, recent pupils have included Adam Driver and Sadie Sink of “Stranger Things.”

On a fellow musician's recommendation, Saltzman first got a call from a movie studio about a decade ago. He admits to being cranky as discussions dragged on. “I almost did everything to talk them out of hiring me,” he said, The AP reported.

Not until the fifth phone call did the studio identify the client: Meryl Streep.

She needed to learn the electric guitar for her starring role in the 2015 film “Ricki and the Flash,” where she portrayed an aging rocker trying to keep her career and life together in the wake of a series of disappointments.

Working with Streep is a little like a political consultant's first client being elected president. If she likes you and word gets around, other students will follow. Teaching actors now represents about 40% of his business, the 69-year-old said.

“My time spent with her was excellent,” he said of Streep. “She's smart. She knows how to learn things. There was a steady progress over three or four months. She did very well.”

Faking it just won't do for serious actors and film directors. It's like lip-syncing — the audience is going to tell the difference, and the characters will be less believable. That was especially true with Chalamet, who needed to sing and play at the same time for a character whose artistry is the centerpiece of the film.

“When the actors come to you, they're kind of vulnerable,” Saltzman said. “They want to do a great job.”

Saltzman had more than 50 sessions with Chalamet, starting in person and retreating to Zoom during the pandemic. It wasn't easy. Chalamet had to learn some 25 songs in the script.

“Sometime in 2018 I had my first lesson with this great guitar teacher named Larry Saltzman who at some point became less of a teacher and more a co-sanity artist through COVID,” Chalamet recalled during a recent interview with The Associated Press. “I think we were keeping each other sane. We would Zoom three, four times a week and doing songs that never made it into the movie.”

It helped that Saltzman is a Dylan buff. Focusing on imparting “the guitar playing of ‘pre-electric Bob,’” he taught his charge so well that Chalamet was a musical guest as well as host on “Saturday Night Live,” performing obscure Dylan cuts last month. Saltzman says, in the course of their sessions, Chalamet “went the extra mile” and unearthed “very early, obscure” Dylan songs that weren't even in the script.

Saltzman generally likes teaching actors more than common folk, in part because there's a specific goal: They need to learn certain songs to inhabit a particular character. When it's open-ended — someone just wants to learn the guitar — it can be more of a challenge, he said. Saltzman also believes that it's an advantage to not be a regular teacher, someone who may approach clients with a more rigid style.

Actor Johnny Cannizzaro said he appreciated Saltzman's calming “bedside manner” and felt welcome in an apartment filled with guitars. Cannizzaro has the role of E Street Band member “Little Steven” Van Zandt in the upcoming Bruce Springsteen biopic, “Deliver Me From Nowhere.”

“There was never really a moment where he expressed any sort of frustration or impatience with me during a session,” said Cannizzaro, who has background playing keyboards but not guitar. “If anything, he would express some excitement when you grasped something he was teaching. That put me at ease.”

Saltzman also studied film of Van Zandt so he wasn't just teaching Cannizzaro guitar — he was showing specifics of how Van Zandt plays, the actor said.

Beyond teaching, Saltzman's time is divided between studio work, playing in New York clubs accompanying different artists and Broadway — he's just about to begin “Smash.”

It's an eye-opening experience for him to later see his students on screen. That was particularly the case when he saw “A Complete Unknown” and marveled at Chalamet's ability as an actor.

All the more reason to watch the Oscars, and to take some pride in his own work.

“In my own humble way, I'm a small gear in that machinery,” he said. “What is rewarding is knowing that in some small way I'm contributing to making a better film.”



Secrets, Spy Tools and a 110-Year-Old Lemon Are on Show in an Exhibition from Britain’s MI5  

01 April 2025, United Kingdom, Richmond: Guy Burgess' passport and briefcase are displayed during a preview of the MI5: Official Secrets exhibition at the National Archives in Kew. (Jonathan Brady/PA Wire/dpa)
01 April 2025, United Kingdom, Richmond: Guy Burgess' passport and briefcase are displayed during a preview of the MI5: Official Secrets exhibition at the National Archives in Kew. (Jonathan Brady/PA Wire/dpa)
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Secrets, Spy Tools and a 110-Year-Old Lemon Are on Show in an Exhibition from Britain’s MI5  

01 April 2025, United Kingdom, Richmond: Guy Burgess' passport and briefcase are displayed during a preview of the MI5: Official Secrets exhibition at the National Archives in Kew. (Jonathan Brady/PA Wire/dpa)
01 April 2025, United Kingdom, Richmond: Guy Burgess' passport and briefcase are displayed during a preview of the MI5: Official Secrets exhibition at the National Archives in Kew. (Jonathan Brady/PA Wire/dpa)

A desiccated 110-year-old lemon that played a key role in espionage history is one of the star attractions of a London exhibition drawn from the files of MI5, Britain’s domestic intelligence agency.

Compact spy cameras, microdots in a talcum powder tin and a briefcase abandoned by fleeing Soviet spy Guy Burgess are also part of the show at Britain’s National Archives, which charts the history of a secretive agency that is – slowly – becoming more open.

MI5 Director General Ken McCallum told journalists at a preview on Tuesday that the organization’s work “is often different from fiction, whether that fiction is George Smiley or Jackson Lamb” – the brilliant spymaster of John le Carré's novels and the slovenly supervisor of MI5 rejects in Mick Herron’s “Slow Horses” series.

Many stories told in the exhibition, however, would not be out of place in a thriller.

The lemon, now black and shriveled, helped convict Karl Muller, a German spy in Britain during World War I. It was found by police in his bedside table, along with another in his overcoat pocket. Evidence at his secret trial showed their juice had been used to write invisible-ink letters detailing British troop movements.

Muller was executed by firing squad at the Tower of London in 1915.

In a coda that would not be out of place in “Slow Horses,” MI5 pretended Muller was still alive and wrote to his German handlers to ask for more money.

“The Germans duly sent more funds and MI5 used the funds to purchase a car,” exhibition curator Mark Dunton said. “And they christened the car ‘The Muller.’

“They then were reprimanded by the Treasury for unauthorized use of expenditure,” he added.

The show includes declassified records held by the National Archives and items loaned from the secret museum inside Thames House, MI5’s London headquarters.

It charts the changing role of an agency that was founded in 1909 as the Secret Service Bureau with an initial staff of two officers.

There are records of its World War II successes, when the agency used captured Nazi agents to send disinformation back to Germany, deceiving Adolf Hitler about the location of the looming Allied invasion in 1944.

Failures include the years-long betrayal of the upper-crust “Cambridge Spies,” whose members spilled secrets to the Soviet Union from the heart of the UK intelligence establishment. Recently declassified MI5 documents on display include the 1963 confession of Cambridge spy Kim Philby, who denied treachery for years before he was exposed and fled to Moscow.

The exhibition also reveals changing attitudes, not least to women. The exhibition includes a 1945 report by spymaster Maxwell Knight discussing whether women could make good agents.

“It is frequently alleged that women are less discreet than men,” he noted, but declared that it was not so, saying that in “hundreds of cases of ‘loose talk’” most of the offenders were men.

There are admissions of past mistakes. The exhibition notes that MI5 was slow to recognize the threat from fascism in the 1930s, and later spent too much time spying on the small Communist Party of Great Britain. MI5 didn’t need to break into the party’s offices – it had a key, which is on display.

There are only a few items from the past few decades, showing how MI5’s focus has shifted from counterespionage to counterterrorism. Displays include a mortar shell fired by the Irish Republican Army at 10 Downing St. in 1991 while Prime Minister John Major was holding a Cabinet meeting.

MI5 only began releasing records to the UK’s public archives in 1997, generally 50 years after the events have passed. Even now, it controls what to release and what to keep secret.

“It would be a mistake to assume everything is in the exhibition,” said author Ben Macintyre, whose books on the history of intelligence include “Operation Mincemeat” and “Agent Zigzag.” But he said it still marks “a real sea-change in official secrecy.”

“A generation ago, this stuff was totally secret,” he said. “We weren’t even allowed to know that MI5 existed.”