Fears over Scores of Zoo Animals Caught in Sudan Crossfire

In this undated photo released by Sara Abdalla, director of the zoological park at the University of Khartoum, a Nubian spitting cobra is pictured inside its enclosure in Khartoum, Sudan. (Sara Abdalla via AP)
In this undated photo released by Sara Abdalla, director of the zoological park at the University of Khartoum, a Nubian spitting cobra is pictured inside its enclosure in Khartoum, Sudan. (Sara Abdalla via AP)
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Fears over Scores of Zoo Animals Caught in Sudan Crossfire

In this undated photo released by Sara Abdalla, director of the zoological park at the University of Khartoum, a Nubian spitting cobra is pictured inside its enclosure in Khartoum, Sudan. (Sara Abdalla via AP)
In this undated photo released by Sara Abdalla, director of the zoological park at the University of Khartoum, a Nubian spitting cobra is pictured inside its enclosure in Khartoum, Sudan. (Sara Abdalla via AP)

Dozens of zoo animals in Sudan's capital — including an elderly crocodile, parrots and giant lizards — are feared dead after street battles between the country's rival forces made the location unreachable.

At least 100 animals, all kept inside enclosures, will have gone more than three weeks without food or water, said Sara Abdalla, the head zoologist at the zoo, which is part of the Sudan Natural History Museum, the Associated Press said.

Millions of people in Sudan have endured shortages of food, water and medicines after the conflict halted the most basic services. But as the sounds of explosions ring across the Sudanese capital of Khartoum, Abdalla has been wracked with worry over her animal charges, particularly those that are increasingly rare to find in their natural habitats in Sudan.

“I feel a great deal of misery and sadness, as well as helplessness,” she said in a telephone interview from Khartoum. “I have assumed that we lost the birds and mammals.”

The zoo is home to species including an African grey parrot, a vervet monkey, giant lizards known as Nile monitors, a desert tortoise, a horned viper snake and a Nubian spitting cobra. Prior to the fighting, these were all fed twice a day. But the last time they received their meals and for some, medications, was on April 14, the day before fighting broke out, according to Abdalla.

The conflict, which capped months of tensions between Sudan’s rival generals, pits the Sudanese military, led by Gen. Abdel-Fattah Burhan, who is the head of the ruling sovereign council, against the powerful paramilitary Rapid Support Forces. The RSF is commanded by Burhan’s deputy on the council, Gen. Mohamed Hamdan Dagalo.

Abdalla said neither has heeded appeals to allow access to the zoo.

The conflict has turned much of Khartoum and the adjacent city of Omdurman into a battlefield, with both sides using heavy weapons, including artillery and airstrikes, inside urban areas. The urban combat has badly damaged infrastructure and properties and poses great risk to civilians trying to move in the city streets.

Residents fleeing the capital have described seeing bodies littering sidewalks and central squares, particularly in areas not far from the museum. Roughly 500 civilians have been killed in the fighting so far, according to Sudan's doctors' syndicate, though the true number of dead is believed to be higher.

The zoo, which is housed inside the University of Khartoum, is one of the oldest in Sudan. The facility was established about a century ago as part of Gordon Memorial College, an educational institution built in the early 1900s when Sudan was a part of the British empire. It was annexed to the University of Khartoum two years after Sudan won independence in 1956.

Its current location is close to the military’s headquarters, where fighting has been heavy, preventing access to the museum.

Abdalla, who teaches zoology at the University of Khartoum, began working at the museum in 2006, and was appointed director of the facility in 2020. It was a job she had dreamed of since she visited the museum as a child. Now, trapped at her home in southern Khartoum with her husband and their two children — 9-year-old Yara, and 4-year-old Mohamed — she worries about the animals that have already survived years of unrest, economic collapse and pandemic lockdowns.

Neither the military nor the RSF responded to requests for comment on the plight of the animals and their caretakers.

“Unless someone released the animals early on when the clashes started, I don’t see how any would or could have survived for over two weeks with no care,” said Kamal M. Ibrahim, a biology professor at Southern Illinois University, Carbondale in an email. He is familiar with the museum and its work, having graduated from the University of Khartoum and spending a sabbatical there.

The museum documents the wildlife of Sudan and its neighbor South Sudan. The facility serves both scientists and the general public. It also contains hundreds of valuable preserved animal specimens, some of which are now extinct, according to Abdalla.

Both Ibrahim and Abdalla are particularly worried about a Nile crocodile, raised from an egg at the facility since 1971. Abdalla said the crocodile was on a regimen of medicine and vitamins due advanced age. The crocodiles are increasingly rare to find in the Blue and White Nile rivers that cut their way through the country.

“It could have fared better if released from its enclosure,” Ibrahim said.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”