California Man Convicted of Illegally Importing an Ancient Mosaic from Syria

This undated photo provided by the US Attorney's Office for the Central District of California shows an ancient Roman-era mosaic that was illegally imported. (US Attorney's Office for the Central District of California via AP)
This undated photo provided by the US Attorney's Office for the Central District of California shows an ancient Roman-era mosaic that was illegally imported. (US Attorney's Office for the Central District of California via AP)
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California Man Convicted of Illegally Importing an Ancient Mosaic from Syria

This undated photo provided by the US Attorney's Office for the Central District of California shows an ancient Roman-era mosaic that was illegally imported. (US Attorney's Office for the Central District of California via AP)
This undated photo provided by the US Attorney's Office for the Central District of California shows an ancient Roman-era mosaic that was illegally imported. (US Attorney's Office for the Central District of California via AP)

A California man has been found guilty of illegally importing an ancient mosaic from Syria, federal prosecutors said.

Mohamad Yassin Alcharihi, 56, of Palmdale, was convicted by a jury Wednesday on one count of “entry of falsely classified goods,” the US attorney's office said in a news release.

The mosaic, which depicts a tale from mythology in which Hercules rescues Prometheus, dates to the Roman Empire, prosecutors said. Authorities believe it was looted from war-torn Syria, The Associated Press said.

According to prosecutors, Alcharihi purchased the mosaic for $12,000 and falsely classified its value and quality when it was imported through the Port of Long Beach, California.

It arrived as part of a container shipment from Türkiye that was declared as ceramic tiles worth less than $600. The approximately 2,000-pound (907-kilogram) mosaic was trucked to Alcharihi's home, where federal agents seized it from his garage in 2016.

Alcharihi had paid $40,000 to restore the mosaic and a government appraisal expert valued it at $450,000, the US attorney’s office said.

Alcharihi faces up to two years in prison. A sentencing hearing was scheduled for Aug. 31.



World’s Largest Light Art Festival in Riyadh Sees Over 3 Million Spectators

Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA
Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA
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World’s Largest Light Art Festival in Riyadh Sees Over 3 Million Spectators

Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA
Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA

Noor Riyadh, the world’s largest light art festival and a flagship program of Riyadh Art, concluded its successful fourth edition, welcoming over 3 million spectators and bringing together over 60 artworks by more than 60 artists from 18 countries, the Saudi Press Agency (SPA) reported.

Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District.

The festival also featured a striking city-scale light installation at Al Faisaliah Tower, transforming Riyadh into a luminous celebration of art and innovation. This year’s festival brought together 18 Saudi and 43 international artists with site-specific and newly commissioned artworks.

Exceptional installations included Chris Levine’s Higher Power, a city-scale laser projection atop Al Faisaliah Tower; Maryam Tariq’s Shifting Perspectives, which explored perceptual ambiguity at Digital City; and Aether by United Visual Artists, a dazzling drone show at King Abdulaziz Historical Center. Another standout work, Rashed AlShashai’s The Fifth Pyramid, symbolized Riyadh’s cultural transformation.

Architect Khalid Al-Hazani, the executive director of Riyadh Art, bid farewell to the festival, saying: “Noor Riyadh 2024 celebrated humanity’s connection to the stars, sparking inspiration and dialogue through the universal language of art. We look forward to continuing Riyadh’s journey of cultural transformation.”
As for Noor Riyadh festival director Nouf Almoneef, he said: “Once again, this year’s festival united local and international artists for a truly world-class festival.”

“I extend my deepest gratitude to the incredible team -- our staff, volunteers, and partners for their exceptional efforts and collaboration, as well as to the millions of spectators whose engagement made this festival unforgettable,” SPA quoted him as saying.

As part of the community engagement program, which attracted over 52,000 participants, Noor Riyadh organized a variety of activities designed to inspire and connect with the community. These included engaging talks, insightful discussions, interactive workshops, creative experiences, family-friendly activities, and guided tours that enriched the festival experience for visitors.

The seamless execution of these activities was made possible by a dedicated team comprising curators, artists, art explainers, tour guides, and installation crews, ensuring every participant enjoyed a memorable experience.