AI Paintings Stir Debate among Egyptian Artists

A painting from the "AI and Me" exhibition (Picasso Art Gallery).
A painting from the "AI and Me" exhibition (Picasso Art Gallery).
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AI Paintings Stir Debate among Egyptian Artists

A painting from the "AI and Me" exhibition (Picasso Art Gallery).
A painting from the "AI and Me" exhibition (Picasso Art Gallery).

The “AI and Me...Future Experiences in Arts” exhibition stirred wide debate among artists in Egypt, after Art Professor and Artist Alia Abdulhadi surprised the audience by using the technique instead of the traditional drawing tools in 70 paintings.

The debate on the exhibition, described by critics as the first of its kind in Egypt, went beyond the walls of the Picasso Gallery. On social media, the audience discussed the experience, its artistic “legitimacy”, and its impact on the future of Egyptian creativity. But the dispute was resumed at the gallery late Monday, during an open seminar dubbed “AI in Art .... With or Against”, attended by the exhibition’s curator, artists, critics, and art fans.

Abdulhadi started her experience around a year ago, aiming at exploring this new exciting world with the help of the “Midjourney” app in interior and accessories designs. The artist found that the app can turn anything that she writes into a complete design in 10 seconds, which prompted her to start experimenting with paintings.

“It’s important for an artist to keep up with novelty. Whether we liked artificial intelligence (AI) or not, it is going to enforce itself even in the fields of art and creativity,” Dr. Alia Abdulhadi, former dean of architecture and arts school at Jordan’s Petra University, and vice-president of the Fine Art School at Helwan University, told “Asharq Al-Awsat”.

“The technique is advancing at a remarkable pace, which means we have to keep up with it, and neglecting it won’t help. I felt I must explore this world and experiment with its tools. Art students and aficionados are fond of everything related to modern technology, so it’s time to integrate it in academic curricula,” she explained.

Abdulhadi believes that the paintings reflect her identity, and could be considered as her originals if drawn in real life. “I felt like I was communicating with the machine, like if there was some kind of dialogue. But I had to alter some colors and shapes to get the results that reflect the spirit of my works and my view,” she said.

About the people who slammed her exhibition, she said: “I welcome all opinions because they create new movements and views, and open doors to discuss a cause that cannot be ignored anymore, it’s using AI for art creativity. But I don’t mind repeating the experience in more works.”

During the seminar organized by the gallery on Monday, the debate and heated discussion on the matter resumed, highlighting a sharp contrast between the supporting and opposing views.

Dr. Ashraf Rida, a professor of design at the Fine Arts School in Helwan University, praised Abdulhadi’s courage for experimentation and self-challenge using AI apps to create artworks that reflect her style.

On the other hand, Artist and Critic Izzedine Naguib slammed the experience, and asked: “How could we incorporate AI in visual arts, theater, cinema, and music? Art is the cohort of dreaming and imagination, it’s the result of emotions and uniqueness. AI lacks all this, it’s based on simulation, data storage, and manipulation. When someone signs an AI-based artwork, they are crossing the fine line between creativity and forgery.”

For his part. Dr. Taher Abdulazim described Abdulhadi’s experience as “novel” in Egypt, noting that “the results highlight a daring and exceptional approach.”



10 Endangered Black Rhinos Sent from S.Africa to Mozambique

Kenya Wildlife Services veterinarians and rangers rush to aid a sedated female black Rhinoceros that has been selected for translocation to the Segera Rhino Sanctuary from the Lake Nakuru National Park on June 07, 2025. (Photo by Tony KARUMBA / AFP)
Kenya Wildlife Services veterinarians and rangers rush to aid a sedated female black Rhinoceros that has been selected for translocation to the Segera Rhino Sanctuary from the Lake Nakuru National Park on June 07, 2025. (Photo by Tony KARUMBA / AFP)
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10 Endangered Black Rhinos Sent from S.Africa to Mozambique

Kenya Wildlife Services veterinarians and rangers rush to aid a sedated female black Rhinoceros that has been selected for translocation to the Segera Rhino Sanctuary from the Lake Nakuru National Park on June 07, 2025. (Photo by Tony KARUMBA / AFP)
Kenya Wildlife Services veterinarians and rangers rush to aid a sedated female black Rhinoceros that has been selected for translocation to the Segera Rhino Sanctuary from the Lake Nakuru National Park on June 07, 2025. (Photo by Tony KARUMBA / AFP)

Ten black rhinos have been moved from South Africa to Mozambique to secure breeding of the critically endangered animals that became locally extinct 50 years ago, conservationists said Thursday.

The five male and five female rhinos were transferred to Mozambique's Zinave National Park in a 48-hour road trip last week, said the Peace Parks Foundation, which took part in the translocation.

"It was necessary to introduce these 10 to make the population viable," communication coordinator Lesa van Rooyen told AFP.

The new arrivals will "secure the first founder population of black rhinos since becoming locally extinct five decades ago,” South Africa's environment ministry, which was also involved, said in a statement.

Twelve black rhinos had previously been sent from South Africa to Zinave in central Mozambique but the population was still not viable for breeding, Van Rooyen said.

Twenty-five white rhinos, which are classified as less threatened, were also translocated in various operations.

The global black rhino population dropped by 96 percent between 1970 and 1993, reaching a low of only 2,300 surviving in the wild, according to the International Rhino Foundation.

Decades of conservation efforts allowed the species to slowly recover and the population is estimated at 6,421 today.

Once abundant across sub-Saharan Africa, rhino numbers fell dramatically due to hunting by European colonizers and large-scale poaching, with their horns highly sought after on black markets particularly in Asia.

Mozambique's population of the large animals was depleted during the 15-year civil war, which ended in 1992 and pushed many people to desperate measures to "survive in very difficult circumstances", van Rooyen said.

Years of rewilding efforts have established Zinave as Mozambique’s only national park home to the "Big Five" game animals -- elephant, rhino, lion, leopard and buffalo.