Festival of Light and Art 'Noor Riyadh 2023' Returns in November

The festival will illuminate Riyadh with large-scale light art installations, building projections, performances, and more. SPA
The festival will illuminate Riyadh with large-scale light art installations, building projections, performances, and more. SPA
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Festival of Light and Art 'Noor Riyadh 2023' Returns in November

The festival will illuminate Riyadh with large-scale light art installations, building projections, performances, and more. SPA
The festival will illuminate Riyadh with large-scale light art installations, building projections, performances, and more. SPA

Noor Riyadh, the largest light art festival in the world, will return in its third edition in Riyadh, from November 30 to December 16 with an associated exhibition to be held from November 30 to March 2.

The festival will illuminate Riyadh with large-scale light art installations, building projections, performances, and more. Artworks will be displayed in public spaces across five hubs.

Curated by Jérôme Sans (Lead Curator), Pedro Alonzo, Alaa Tarabzouni, and Fahad Bin Naif (Curators), the festival’s theme is “The Bright Side of the Desert Moon” and will feature over 120 artworks by around 100 artists from more than 35 nationalities (more than 35 from Saudi Arabia).

Sans is the co-founder of Paris’ Palais de Tokyo, possessing an established career as curator of major biennials around the world and artistic director of prestigious institutions in Europe, Asia, and Latin America.

On the other hand, Boston-based Alonzo is currently an adjunct curator at Dallas Contemporary in Texas, and specializes in shows that go beyond museum walls. Riyadh-based Tarabzouni and Bin Naif are both artists and curators, with individual practices that utilize their architectural backgrounds to bring unique perspectives on urbanism and the built environment.

The festival’s exhibition “Refracting Identities, Shared Futures” will be held at the JAX District.

Neville Wakefield, formerly of MoMA PS1, Frieze Projects, and Desert X, returns to lead the curation of the show alongside Maya Al Athel, Curator, who served as artistic director of the festival in 2022.

Noor Riyadh 2023 will also feature over 500 community engagement programs for all visitors and families alike throughout the duration of the festival and the exhibition.

Minister of Culture, Board Member of the Royal Commission for Riyadh City, and Chairman of the Steering Committee for the Riyadh Art Program Prince Badr bin Farhan Al Saud said, “The participation of renowned global light artists in Noor Riyadh echoes our united vision. As we approach our third edition, we look forward to continuing Riyadh Art’s mission to turn the city into a dazzling gallery without walls and to ensure that art is for everyone."

Developed with the aim of nurturing local talent and amplifying Saudi Arabia’s cultural economy, Noor Riyadh is part of Riyadh Art, one of the largest public art initiatives in the world.

Riyadh Art aims to transform the Saudi capital into a “gallery without walls”, with more than 1,000 public art installations, to be spread out across the city through 10 programs and two annual events. Across its editions, Noor Riyadh has created unique moments of joy across the city and provided millions of visitors the opportunity to appreciate world-class light artworks and rediscover the city of Riyadh in a new light.

In 2022, Noor Riyadh celebrated multiple achievements, including welcoming 2.8 million visitors to the festival and winning six Guinness World Records, one of which being the largest celebration of light art in the world.



Greece's 'Instagram Island' Santorini nears Saturation Point

Tourists queue as they wait to take a picture from one of the balconies. Aris Oikonomou / AFP
Tourists queue as they wait to take a picture from one of the balconies. Aris Oikonomou / AFP
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Greece's 'Instagram Island' Santorini nears Saturation Point

Tourists queue as they wait to take a picture from one of the balconies. Aris Oikonomou / AFP
Tourists queue as they wait to take a picture from one of the balconies. Aris Oikonomou / AFP

One of the most enduring images of Greece's summer travel brand is the world-famous sunset on Santorini Island, framed by sea-blue church domes on a jagged cliff high above a volcanic caldera.
This scene has inspired millions of fridge magnets, posters, and souvenirs -- and now the queue to reach the viewing spot in the clifftop village of Oia can take more than 20 minutes, said AFP.
Santorini is a key stopover of the Greek cruise experience. But with parts of the island nearing saturation, officials are considering restrictions.
Of the record 32.7 million people who visited Greece last year, around 3.4 million, or one in 10, went to the island of just 15,500 residents.
"We need to set limits if we don't want to sink under overtourism," Santorini mayor Nikos Zorzos told AFP.
"There must not be a single extra bed... whether in the large hotels or Airbnb rentals."
As the sun set behind the horizon in Oia, thousands raised their phones to the sky to capture the moment, followed by scattered applause.
For canny entrepreneurs, the Cycladic island's famous sunset can be a cash cow.
One company advertised more than 50 "flying dresses", which have long flowing trains, for up to 370 euros ($401), on posters around Oia for anyone who wishes to "feel like a Greek goddess" or spruce up selfies.
'Respect Oia'
But elsewhere in Oia's narrow streets, residents have put up signs urging visitors to respect their home.
"RESPECT... It's your holiday... but it's our home," read a purple sign from the Save Oia group.
Shaped by a volcanic eruption 3,600 years ago, Santorini's landscape is "unique", the mayor said, and "should not be harmed by new infrastructure".
Around a fifth of the island is currently occupied by buildings.
At the edge of the cliff, a myriad of swimming pools and jacuzzis highlight Santorini is also a pricey destination.
In 2023, 800 cruise ships brought some 1.3 million passengers, according to the Hellenic Ports Association.
Cruise ships "do a lot of harm to the island", said Chantal Metakides, a Belgian resident of Santorini for 26 years.
"When there are eight or nine ships pumping out smoke, you can see the layer of pollution in the caldera," she said.
Cruise ship limits
In June, Prime Minister Kyriakos Mitsotakis floated the possibility of capping cruise ship arrivals to Greece's most popular islands.
"I think we'll do it next year," he told Bloomberg, noting that Santorini and tourist magnet Mykonos "are clearly suffering".
"There are people spending a lot of money to be on Santorini and they don’t want the island to be swamped," said the pro-business conservative leader, who was re-elected to a second four-year term last year.
In an AFP interview, Tourism Minister Olga Kefalogianni echoed this sentiment and said: "We must set quotas because it's impossible for an island such as Santorini... to have five cruise ships arriving at the same time."
Local officials have set a limit of 8,000 cruise boat passengers per day from next year.
But not all local operators agree.
Antonis Pagonis, head of Santorini's hoteliers association, believes better visitor flow management is part of the solution.
"It is not possible to have (on) a Monday, for example, 20 to 25,000 guests from the cruise ships, and the next day zero," he said.
Pagonis also argued that most of the congestion only affects parts of the island like the capital, Fira.
In the south of the island, the volcanic sand beaches are less crowded, even though it is high season in July.
'I'm in Türkiye
The modern tourism industry has also changed visitor behavior.
"I listened (to) people making a FaceTime call with the family, saying 'I'm in Türkiye," smiled tourist guide Kostas Sakavaras.
"They think that the church over there is a mosque because yesterday they were in Türkiye."
The veteran guide said the average tourist coming to the island has changed.
"Instagram has defined the way people choose the places to visit," he said, explaining everybody wants the perfect Instagram photo to confirm their expectations.