NASA Spacecraft Launched to Mysterious and Rare Metal Asteroid in First Mission of Its Kind

A SpaceX Falcon Heavy rocket lifts off from Launch Pad 39A at the Kennedy Space Center in Cape Canaveral, Fla., Friday, Oct. 13, 2023. (NASA via AP)
A SpaceX Falcon Heavy rocket lifts off from Launch Pad 39A at the Kennedy Space Center in Cape Canaveral, Fla., Friday, Oct. 13, 2023. (NASA via AP)
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NASA Spacecraft Launched to Mysterious and Rare Metal Asteroid in First Mission of Its Kind

A SpaceX Falcon Heavy rocket lifts off from Launch Pad 39A at the Kennedy Space Center in Cape Canaveral, Fla., Friday, Oct. 13, 2023. (NASA via AP)
A SpaceX Falcon Heavy rocket lifts off from Launch Pad 39A at the Kennedy Space Center in Cape Canaveral, Fla., Friday, Oct. 13, 2023. (NASA via AP)

NASA’s Psyche spacecraft rocketed away Friday on a six-year journey to a rare metal-covered asteroid.

Most asteroids tend to be rocky or icy, and this is the first exploration of a metal world. Scientists believe it may be the battered remains of an early planet's core, and could shed light on the inaccessible centers of Earth and other rocky planets.

SpaceX launched the spacecraft into an overcast midmorning sky from NASA’s Kennedy Space Center. Named for the asteroid it’s chasing, Psyche should reach the huge, potato-shaped object in 2029.

“It's so thrilling,” said Laurie Leshin, director of NASA’s Jet Propulsion Laboratory. Added Arizona State University's Jim Bell, part of the Psyche team: “What a great ride so far.”

After decades of visiting faraway worlds of rock, ice and gas, NASA is psyched to pursue one coated in metal. Of the nine or so metal-rich asteroids discovered so far, Psyche is the biggest, orbiting the sun in the outer portion of the main asteroid belt between Mars and Jupiter alongside millions of other space rocks. It was discovered in 1852 and named after Greek mythology’s captivating goddess of the soul.

“It’s long been humans’ dream to go to the metal core of our Earth. I mean, ask Jules Verne,” lead scientist Lindy Elkins-Tanton of Arizona State University said ahead of the launch.

“The pressure is too high. The temperature is too high. The technology is impossible,” she said. “But there’s one way in our solar system that we can look at a metal core and that is by going to this asteroid.”

Astronomers know from radar and other observations that the asteroid is big — about 144 miles (232 kilometers) across at its widest and 173 miles (280 kilometers) long. They believe it’s brimming with iron, nickel and other metals, and quite possibly silicates, with a dull, predominantly gray surface likely covered with fine metal grains from cosmic impacts.

Otherwise, it’s a speck of light in the night sky, full of mystery until the spacecraft reaches it after traveling more than 2 billion miles (3.6 billion kilometers).

Scientists envision spiky metal craters, huge metal cliffs and metal-encrusted eroded lava flows greenish-yellow from sulfur — “almost certain to be completely wrong,” according to Elkins-Tanton. It's also possible that trace amounts of gold, silver, platinum or iridium — iron-loving elements — could be dissolved in the asteroid's iron and nickel, she said.

“There's a very good chance that it’s going to be outside of our imaginings, and that is my fondest hope," she said.

Believed to be a planetary building block from the solar system’s formation 4.5 billion years ago, the asteroid can help answer such fundamental questions as how did life arise on Earth and what makes our planet habitable, according to Elkins-Tanton.

On Earth, the planet's iron core is responsible for the magnetic field that shields our atmosphere and enables life.

Led by Arizona State University on NASA’s behalf, the $1.2 billion mission will use a roundabout route to get to the asteroid. The van-size spacecraft with solar panels big enough to fill a tennis court will swoop past Mars for a gravity boost in 2026. Three years later, it will reach the asteroid and attempt to go into orbit around it, circling as high as 440 miles (700 kilometers) and as close as 47 miles (75 kilometers) until at least 2031.

The spacecraft relies on solar electric propulsion, using xenon gas-fed thrusters and their gentle blue-glowing pulses. An experimental communication system is also along for the ride, using lasers instead of radio waves in an attempt to expand the flow of data from deep space to Earth. NASA expects the test to yield more than 10 times the amount of data, enough to transmit videos from the moon or Mars one day.

The spacecraft should have soared a year ago, but was held up by delays in flight software testing attributed to poor management and other issues. The revised schedule added extra travel time. So instead of arriving at the asteroid in 2026 as originally planned, the spacecraft won’t get there until 2029.

That’s the same year that another NASA spacecraft — the one that just returned asteroid samples to the Utah desert — will arrive at a different space rock as it buzzes Earth.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”