Discovered in Lebanon, Oldest Mosquito Fossil Comes with a Bloodsucking Surprise

 An undated handout image of a view from above of the body of a fossilized male mosquito trapped in amber found in central Lebanon dating to about 130 million years ago. (Dany Azar/Handout via Reuters)
An undated handout image of a view from above of the body of a fossilized male mosquito trapped in amber found in central Lebanon dating to about 130 million years ago. (Dany Azar/Handout via Reuters)
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Discovered in Lebanon, Oldest Mosquito Fossil Comes with a Bloodsucking Surprise

 An undated handout image of a view from above of the body of a fossilized male mosquito trapped in amber found in central Lebanon dating to about 130 million years ago. (Dany Azar/Handout via Reuters)
An undated handout image of a view from above of the body of a fossilized male mosquito trapped in amber found in central Lebanon dating to about 130 million years ago. (Dany Azar/Handout via Reuters)

Hundreds of thousands of people worldwide are killed annually by malaria and other diseases spread through the bite of mosquitoes, insects that date back to the age of dinosaurs. All of these bites are inflicted by females, which possess specialized mouth anatomy that their male counterparts lack.

But it has not always been that way. Researchers said they have discovered the oldest-known fossils of mosquitoes - two males entombed in pieces of amber dating to 130 million years ago during the Cretaceous Period and found near the town of Hammana in Lebanon. To their surprise, the male mosquitoes possessed elongated piercing-sucking mouthparts seen now only in females.

"Clearly they were hematophagous," meaning blood-eaters, said paleontologist Dany Azar of the Chinese Academy of Sciences' Nanjing Institute of Geology and Paleontology and Lebanese University, lead author of the study published this week in the journal Current Biology. "So this discovery is a major one in the evolutionary history of mosquitoes."

The two fossilized mosquitoes, both representing the same extinct species, are similar in size and appearance to modern mosquitoes, though the mouthparts used for obtaining blood are shorter than in today's female mosquitoes.

"Mosquitoes are the most notorious blood-feeders on humans and most terrestrial vertebrates, and they transmit a certain number of parasites and diseases to their hosts," Azar said.

"Only fertilized female mosquitoes will suck blood, because they need proteins to make their eggs develop. Males and unfertilized females will eat some nectar from plants. And some males do not feed at all," Azar added.

Some flying insects - tsetse flies, for instance - have hematophagous males. But not modern mosquitoes.

"Finding this behavior in the Cretaceous is quite surprising," said paleontologist and study co-author André Nel of the National Museum of Natural History of Paris.

The delicate anatomy of the two mosquitoes was beautifully preserved in the fossils. Both displayed exceptionally sharp and triangle-shaped jaw anatomy and an elongated structure with tooth-like projections.

The researchers said they suspect that mosquitoes evolved from insects that did not consume blood. They hypothesize that the mouthparts that became adapted for obtaining blood meals originally were used to pierce plants to get access to nutritious fluids.

Plant evolution may have played a role in the feeding divergence between male and female mosquitoes. At the time when these two mosquitoes became stuck in tree sap that eventually became amber, flowering plants were beginning to flourish for the first time on the Cretaceous landscape.

"In all hematophagous insects, we believe that hematophagy was a shift from plant liquid sucking to bloodsucking," Azar said.

The fact that these earliest-known mosquitoes are bloodsucking males, Azar added, "means that originally the first mosquitoes were all hematophagous - no matter whether they were males or females - and hematophagy was later lost in males, maybe due to the appearance of flowering plants, which are contemporaneous with the formation of Lebanese amber."

Plenty of animals were present to provide blood meals: dinosaurs, flying reptiles called pterosaurs, other reptiles, birds and mammals.

The researchers said while these are the oldest fossils, mosquitoes probably originated millions of years earlier. They noted that molecular evidence suggests mosquitoes arose during the Jurassic Period, which ran from about 200 million to 145 million years ago.

There are more than 3,500 species of mosquitoes worldwide, found everywhere except Antarctica. Some become disease vectors transmitting malaria, yellow fever, Zika fever, dengue and other diseases. According to the World Health Organization, more than 400,000 people die annually from malaria - a parasitic infection - mostly children under age 5.

"On the other side, mosquitoes help to purify the water in ponds, lakes and rivers," Nel said. "In general, an animal can be a problem but also can be helpful."



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”