American Activist Calls for Justice for Fat Women: Do Not Say Queen-Size or Obese

Aubrey Gordon corrects the unjust perception. (Instagram)
Aubrey Gordon corrects the unjust perception. (Instagram)
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American Activist Calls for Justice for Fat Women: Do Not Say Queen-Size or Obese

Aubrey Gordon corrects the unjust perception. (Instagram)
Aubrey Gordon corrects the unjust perception. (Instagram)

As fat activist Aubrey Gordon delivered a talk at her first-ever book signing, her doting father Rusty turned and whispered to the person sitting next to him: “That’s my daughter.”

This tender, seemingly innocuous moment, which comes towards the end of the documentary “Your Fat Friend,” could have passed unnoticed without the gaze of a camera, but it is one laden with meaning. Rusty could barely bring himself to say the word “fat” when filming for the documentary first began six years earlier.

“My parents are the heroes of this film, without question,” Gordon told CNN of the film that is out now in Europe before beginning a tour to the US and Canada.

This space between Gordon’s activism and her willingness to lampoon the world’s reflexive anti-fatness is what immediately drew director Jeanie Finlay to Gordon’s story, she told CNN.

It is this gap, existing within a loving family, that allows Finlay’s movie to challenge the audience’s own perceptions of fatness as it documents both Gordon’s work for fat justice and her — at times — painful everyday interactions with her friends and family.

“It’s not a clean story of there’s a good guy and a bad guy,” Gordon said. “It’s sort-of like we’ve all been trained up to think we’re being the good guy, when actually we might be making life considerably harder for fat people.”

The pair first met in 2017, shortly after Gordon’s life had changed irrevocably. The community organizer from Oregon had written a letter to a thin friend following an argument about body image, and another friend who had been asked by Gordon to proofread it, suggested publishing it online. Gordon agreed on the condition it was published anonymously, and the letter went viral, accumulating tens of thousands of views.

Under the pseudonym “Your Fat Friend,” she began blogging anonymously, spotlighting these ways in which the world makes life harder for fat people.

Gordon wrote about the “intensifying” panic that accompanies boarding a plane; about receiving “qualified” compliments that are “congratulations for hiding unappealing parts of my body;” about “what it’s like when no one believes your body can be healthy;” about being “met with sidelong glances and open gawking” at the gym.

Filmed over the course of six years, “Your Fat Friend” traces this period in Gordon’s life as she drives around Oregon, pulling over to type out one of her essays when inspiration hits — “a fat lady in a tiny car,” she quips in the film with trademark wit.

But the movie also details the online reaction to Gordon’s writing — the abuse, death threats, and doxing she suffered, alongside the messages of solidarity — before she reveals her identity after writing a bestselling book.

“The film for me is an act of visibility,” Finlay said in a recent post-film screening Q&A in London. “It’s about Aubrey being anonymous on the internet as a name. Then she is a face on a book jacket with a different name, then she’s a severed voice on the internet as a podcast host. And then she steps into a room as a whole person and her family sees her.”

Finlay’s visual storytelling highlights this too. The documentary’s opening shots depict Gordon swimming in outdoor pools, her body reflecting and refracting off the water as the camera’s lens wanders over stretch marks. It is neither voyeuristic nor glamorous, simply presenting Gordon in a matter-of-fact way.

“Just say fat,” Gordon says in an accompanying voiceover, reading aloud one of her essays. “Not curvy or chubby or chunky or fluffy or full-figured or big-boned or queen-size or husky or obese or overweight. Just say fat.”



Japanese Artist Finds Solace, Global Fans with Intricate Leaf-cutting

Japanese leaf-cutting artist, who goes by the name Lito, holds his freshly cut work featuring a frog with an umbrella, during an interview in Tokyo Wednesday, Nov. 27, 2024. (AP Photo/Shuji Kajiyama)
Japanese leaf-cutting artist, who goes by the name Lito, holds his freshly cut work featuring a frog with an umbrella, during an interview in Tokyo Wednesday, Nov. 27, 2024. (AP Photo/Shuji Kajiyama)
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Japanese Artist Finds Solace, Global Fans with Intricate Leaf-cutting

Japanese leaf-cutting artist, who goes by the name Lito, holds his freshly cut work featuring a frog with an umbrella, during an interview in Tokyo Wednesday, Nov. 27, 2024. (AP Photo/Shuji Kajiyama)
Japanese leaf-cutting artist, who goes by the name Lito, holds his freshly cut work featuring a frog with an umbrella, during an interview in Tokyo Wednesday, Nov. 27, 2024. (AP Photo/Shuji Kajiyama)

A frog holding a taro-leaf umbrella. A parade of frolicking animals. An Ukiyo-e style Mount Fuji. Giant waves. A Japanese artist who goes by the name Lito carves these delicate designs on fallen leaves, giving life back to them.
The world of Lito’s delicate art, which he began in 2020 and posts on social media almost daily, has won fans from around the world. The leaf art has also given him solace after earlier struggles with attention-deficit hyperactivity disorder, and a purpose in life — the joy of making people happy with his art, The Associated Press reported.
He enjoys working at night. From a pile of leaves treated with a wrinkle-free chemical, he picks one and places it on a cutting board.
First, he outlines the design on the leaf with a pen in his right hand. Then he takes a design knife in his left hand and starts cutting the leaf carefully. Slowly, the leaf begins to take the shape of a frog carrying an umbrella — a simple design he demonstrated in a recent interview with AP.

More complex, highly intensive work on a single leaf can take more than eight hours to complete.
His leaf-cutting works include titles such as “Scrolls of Frolicking Animals,” “Leaf Aquarium,” and “Thirty-six Views of Mt. Fuji: The Great Wave off Kanagawa.” Each piece includes his own twists, and often uses animals.
“I would rather finish it in one go when I am focused,” Lito, 38, said. He didn't want to disclose his real name for personal reasons.
Since his childhood, Lito says he has had high levels of concentration and patience. But he had trouble fitting into what was considered the norm at school or at work, despite all his efforts. He struggled to interpret others' feelings and to avoid confrontations.
After years of difficulty, he went to a hospital at age 30 and was told he has ADHD, a diagnosis that he felt explained why he has always done things differently.
He saw no point in forcing himself to do things the same way as other people, and began to adjust his life.
In early 2020, Lito came across the art of leaf cutting. He saw it as the perfect use of his patience and concentration.
Word of his skills has spread across social media, and he has published books on his leaf-cutting work. He holds a near monthly solo exhibition in various places in Japan.
“If I can make people happy by doing what I am doing, I want to do more. That’s my driving force for what's next,” Lito says.