France’s César Awards Honors Two Tunisians Women

Canadian-Tunisian Filmmaker Monia Chokri won the César Award for Best Foreign Film, for her feature ‘Simple comme Sylvain’. (AP)
Canadian-Tunisian Filmmaker Monia Chokri won the César Award for Best Foreign Film, for her feature ‘Simple comme Sylvain’. (AP)
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France’s César Awards Honors Two Tunisians Women

Canadian-Tunisian Filmmaker Monia Chokri won the César Award for Best Foreign Film, for her feature ‘Simple comme Sylvain’. (AP)
Canadian-Tunisian Filmmaker Monia Chokri won the César Award for Best Foreign Film, for her feature ‘Simple comme Sylvain’. (AP)

The prestigious Olympia of Paris hosted the 45th edition of the César Awards, which honors achievers in all the sectors of the French cinema, on Friday, February 24. Among tens of international celebrities, the accomplishments of two Arab women were celebrated at the highly-anticipated European event.

Kaouther Ben Hania won the Best Documentary Award for her documentary "Four Daughters" (Les Filles d’Olfa). The work was screened in several festivals and was nominated for the Oscars.

Born in Sidi Bouzid, in 1977, the Tunisian filmmaker studied at the School of Art and Cinema in Tunisia, has several documentaries, took part in a feature film writing workshop funded by Euromed, and collaborated with Al Jazeera Documentary. Kaouther Ben Hania took advantage of her Olympia appearance to raise her voice and angrily call for stopping the children killing in Gaza. “What’s happening there is so horrible. No one can say, ‘I didn’t know.’ This is the first massacre on live stream, live on our telephones,” she said in her speech.

Also, Quebecois-Tunisian Filmmaker Monia Chokri won the César Award for Best Foreign Film, for her feature ‘Simple comme Sylvain’. It tells the story of Sophie, a university professor who lived a peaceful life with her husband, Xavier, until she met Sylvain, the maintenance worker who came to restore their summer house.

Monia was born in Québec, in 1982, to two leftist parents. She studied acting at the Conservatoire d'art dramatique de Montréal. She played many roles in cinema and theater, before directing her first award-winning short film "An Extraordinary Person" in 2013. In 2019, she won the "Un Certain Regard Jury's Coup de Cœur Award" at the Cannes Film Festival.

This year, the participants at the César Awards raised their voice to denounce the silence in face of the sexual harassment that young actresses, filmmakers and producers have been subjected to in the industry. French director Justine Triet's "Anatomy of A Fall" won six trophies, including the Best Film Award at the César festival. The film has already received Cannes’ Palme D’Or last year and has been nominated for the forthcoming edition of the Oscars.



Ancient Egyptian Coffin Given New Life in Britain

Staff at Swansea University welcome back the artifact. Photo: Swansea University
Staff at Swansea University welcome back the artifact. Photo: Swansea University
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Ancient Egyptian Coffin Given New Life in Britain

Staff at Swansea University welcome back the artifact. Photo: Swansea University
Staff at Swansea University welcome back the artifact. Photo: Swansea University

An ancient Egyptian coffin was given a new life after it has been returned to Swansea University's Egypt Center in Wales.

The artifact, believed to date from about 650 BC, is now back at the university after thousands of hours of conservation work at Cardiff University, where it was painstakingly cleaned, reconstructed and consolidated to prevent it from deteriorating further, according to BBC.

The coffin, originally made for a man called Ankhpakhered in the Greek city of Thebes, was transported back under the watchful eye of the center’s curator Dr. Ken Griffin.

Staff described the finished project as “beyond our wildest dreams.”

“The coffin was gifted to us by Aberystwyth University in 1997 but details about its history are sketchy,” Griffin said.

He added: “It actually ended up being used as a storage box at one time, with other Egyptian objects placed in it for safekeeping.”

The university’s Phil Parkes explained that the wooden coffin was covered in textile and then had a thin layer of decorated plaster over the top.

He said: “Much of that textile had become detached over time and was just hanging loose.”

Parkes added that the separate wooden head was detached and there were a couple of large pieces of wood missing, the side of the base had fallen off and it was in a very sorry condition overall.