Clouds Gather over Japan’s Ambitious Osaka World Expo

This photo taken on April 2, 2024 shows construction underway at the site of the 2025 Expo on Yumeshima island, an area of reclaimed land in Osaka. (AFP)
This photo taken on April 2, 2024 shows construction underway at the site of the 2025 Expo on Yumeshima island, an area of reclaimed land in Osaka. (AFP)
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Clouds Gather over Japan’s Ambitious Osaka World Expo

This photo taken on April 2, 2024 shows construction underway at the site of the 2025 Expo on Yumeshima island, an area of reclaimed land in Osaka. (AFP)
This photo taken on April 2, 2024 shows construction underway at the site of the 2025 Expo on Yumeshima island, an area of reclaimed land in Osaka. (AFP)

One of the largest wooden structures ever built is taking shape in Osaka, but hopes that Expo 2025 will unite the world are being dogged by cost blowouts and a lack of public enthusiasm.

The imposing circular centerpiece will be crowned by a 20-metre-high (65-foot) sloping canopy, designed by top architect Sou Fujimoto, known as the "Grand Roof".

It has a circumference of a staggering two kilometers and 161 countries and territories will show off their trade opportunities and cultural attractions at pavilions within the vast latticed ring.

A crane hoisted a block of beams into place this week as organizers said construction was largely on schedule, one year before visitors will be welcomed.

Expo 2025 global PR director Sachiko Yoshimura maintained that global participants would be "united" by the event even though there are conflicts in Ukraine, Gaza and elsewhere.

Russia will not be among the participants at Expo 2025, which will run from April 13 to October 13.

"Of course, there are so many crises around the world, but we want everybody to actually get together and think about the future and sustainability," Yoshimura said.

It has also met a lukewarm response in Japan, where promotion is ramping up and the red-and-blue Expo 2025 mascot "Myaku-Myaku" -- billed by the official website as "a mysterious creature born from the unification of cells and water" -- is ever-present.

A recent Kyodo News survey found that 82 percent of Japanese companies, sponsors and others involved said "fostering domestic momentum" would be a challenge.

Ballooning budget

The construction budget has ballooned 27 percent from 2020 estimates to 235 billion yen ($1.5 billion) due to inflation and Japan's chronic worker shortage.

Some say the costs are also hard to justify when 6,300 people are still in evacuation centers and hotels after an earthquake on New Year's Day devastated parts of central Japan.

Fujimoto's "Grand Roof" alone has a price tag of 35 billion yen and has been slammed by opposition leader Kenta Izumi as "the world's most expensive parasol".

The "Grand Roof" and other structures are temporary, with no clear plan for them other than organizers saying they will be reused or recycled.

The site on an artificial island in Osaka Bay will be cleared after the Expo, with plans to build a resort there containing Japan's first casino.

Jun Takashina, deputy secretary general of the Japan Association for Osaka 2025, acknowledged budget and regulatory "struggles" among foreign participants but said organizers would help make sure the displays are ready in time.

Among the most hotly anticipated attractions are flying electric cars, which take off vertically, showcasing the event's technological and environmental aspirations.

But the vehicles -- subject to reams of regulations -- will be a "kind of experiment", Yoshimura said.

More than 1.2 million tickets have already been sold and organizers hope to attract 28.2 million visitors, including 3.5 million from abroad.

That would be four million more than the last World Fair in Dubai but pales in comparison to the 64 million people who attended the 1970 Expo in Osaka, a record until it was overtaken by Shanghai in 2010.

'Future like science fiction'

The first world fair to celebrate culture and industrial progress was held in London in 1851, with the Eiffel Tower built for the 1889 Paris World Fair.

Osaka academic Shinya Hashizume, a specialist in architecture history and town planning, said he was amazed as a 10-year-old when he saw a "future that looked like science fiction" at the 1970 Expo.

The first film in IMAX format was shown at that event and visitors could admire rocks brought back from the Moon.

"Those six months were extraordinary for Osaka. Simply put, the whole town was having a party," he said.

The advent of mass tourism and hyper-connected societies may have since lessened the attraction but some Osaka residents still think it's a good idea.

Kosuke Ito, a 36-year-old doctor, said it would "strengthen the economy".

However, Yuka Nakamura, 26, said she might be put off by adult entry fees ranging from 4,000 to 7,500 yen ($25 to $50) a day.



New Post Box with King Charles III Cypher Delivered to Antarctic

Kirsten Shaw (left) and Aurelia Reichardt with the new postbox (BAS) 
Kirsten Shaw (left) and Aurelia Reichardt with the new postbox (BAS) 
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New Post Box with King Charles III Cypher Delivered to Antarctic

Kirsten Shaw (left) and Aurelia Reichardt with the new postbox (BAS) 
Kirsten Shaw (left) and Aurelia Reichardt with the new postbox (BAS) 

Scientists working at a remote British research station in Antarctica have received a new Royal Mail post box in time for Christmas – thanks to the King.

Kirsten Shaw, a station support assistant who runs the British Antarctic Territory Post Office at Rothera Research Station, wrote to the monarch asking for a replacement for the base’s previous hand-painted replica box.

The Royal Household was “touched by the story of the team working in one of the most remote places on earth” and teamed up with Royal Mail to arrange the gift of one of its famous red lamppost boxes, featuring the King’s cypher.

The post box was delivered by the UK’s polar research vessel RRS Sir David Attenborough, along with the first major drop of supplies to the base following the continent’s long, dark winter, the British Antarctic Survey (BAS) said.

Aurelia Reichardt, station leader at Rothera, described the present as “having a piece of home with us.”

“It’s such an honor for the station to be gifted a real Royal Mail post box,” she said. “It’s given the community here a real boost – and it’s a great reminder to take the time to reach out to loved ones, even when work gets hectic.”

Reichardt also said, “For our team, who are working in such a remote place, it’s like having a piece of home with us.”

Earlier this year, the King recorded a personal message for researchers in Antarctica, expressing the “greatest admiration for the critically important work you do,” to coincide with the 24 hours of darkness they experience on June 21 – the southern hemisphere’s shortest day.

Shaw, who is responsible for getting mail in and out of Rothera and also across to other BAS stations and science field camps, said: “Being in Antarctica is incredible, but it’s full of extremes.”

She added, “So I think it’s a special thing to send post back home, to communicate your experiences. It’s a moment of your life that you put down on paper and give to someone else.”

 


Egypt Reveals Restored Colossal Statues of Pharaoh in Luxor

Visitors watch the two giant reassembled alabaster statues of Pharoah Amenhotep III, in the southern city of Luxor, Egypt, Sunday, Dec. 14, 2025. (AP Photo/Amr Nabil)
Visitors watch the two giant reassembled alabaster statues of Pharoah Amenhotep III, in the southern city of Luxor, Egypt, Sunday, Dec. 14, 2025. (AP Photo/Amr Nabil)
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Egypt Reveals Restored Colossal Statues of Pharaoh in Luxor

Visitors watch the two giant reassembled alabaster statues of Pharoah Amenhotep III, in the southern city of Luxor, Egypt, Sunday, Dec. 14, 2025. (AP Photo/Amr Nabil)
Visitors watch the two giant reassembled alabaster statues of Pharoah Amenhotep III, in the southern city of Luxor, Egypt, Sunday, Dec. 14, 2025. (AP Photo/Amr Nabil)

Egypt on Sunday revealed the revamp of two colossal statues of a prominent pharaoh in the southern city of Luxor, the latest in the government’s archaeological events that aim at drawing more tourists to the country.

The giant alabaster statues, known as the Colossi of Memnon, were reassembled in a renovation project that lasted about two decades. They represent Amenhotep III, who ruled ancient Egypt about 3,400 years ago.

“Today we are celebrating, actually, the finishing and the erecting of these two colossal statues,” Mohamed Ismail, secretary-general of the Supreme Council of Antiquities, told The Associated Press ahead of the ceremony.

Attempts to revive a prestigious temple Ismail said the colossi are of great significance to Luxor, a city known for its ancient temples and other antiquities.

They’re also an attempt to “revive how this funerary temple of king Amenhotep III looked like a long time ago,” Ismail said.

Amenhotep III, one of the most prominent pharaohs, ruled during the 500 years of the New Kingdom, which was the most prosperous time for ancient Egypt.

The pharaoh, whose mummy is showcased at a Cairo museum, ruled between 1390–1353 BC, a peaceful period known for its prosperity and great construction, including his mortuary temple, where the Colossi of Memnon are located, and another temple, Soleb, in Nubia.

The colossi were toppled by a strong earthquake in about 1200 BC that also destroyed Amenhotep III’s funerary temple, said Mohamed Ismail, secretary-general of the Supreme Council of Antiquities.

They were fragmented and partly quarried away, with their pedestals dispersed.

Some of their blocks were reused in the Karnak temple, but archaeologists brought them back to rebuild the colossi, according to the Antiquities Ministry.

In late 1990s, an Egyptian German mission, chaired by German Egyptologist Hourig Sourouzian, began working in the temple area, including the assembly and renovation of the colossi.

“This project has in mind ... to save the last remains of a once-prestigious temple,” she said.

The statues show Amenhotep III seated with hands resting on his thighs, with their faces looking eastward toward the Nile and the rising sun. They wear the nemes headdress surmounted by the double crowns and the pleated royal kilt, which symbolizes the pharaoh’s divine rule.

Two other small statues on the pharaoh’s feet depict his wife, Tiye.

The colossi — 14.5 meters (48 feet) and 13.6 meters (45 feet) respectively — preside over the entrance of the king’s temple on the western bank of the Nile.

The 35-hectare (86-acre) complex is believed to be the largest and richest temple in Egypt and is usually compared to the temple of Karnak, also in Luxor.

The colossi were hewn in Egyptian alabaster from the quarries of Hatnub, in Middle Egypt. They were fixed on large pedestals with inscriptions showing the name of the temple, as well as the quarry.

Unlike other monumental sculptures of ancient Egypt, the colossi were partly compiled with pieces sculpted separately, which were fixed into each statue’s main monolithic alabaster core, the ministry said.

Sunday’s unveiling in Luxor came just six weeks after the inauguration of the long-delayed Grand Egyptian Museum, the centerpiece of the government’s bid to boost the country’s tourism industry. The mega project is located near the famed Giza Pyramids and the Sphinx.

“This site is going to be a point of interest for years to come,” said Tourism and Antiquities Minister Sherif Fathy, who attended the unveiling ceremony. “There are always new things happening in Luxor.”

A record number of about 15.7 million tourists visited Egypt in 2024, contributing about 8% of the country’s GDP, according to official figures.

Fathy has said about 18 million tourists are expected to visit the country this year, with authorities hoping for 30 million visitors annually by 2032.


National Wildlife Center Launches 2nd Phase to Regulate Unlicensed Species in Saudi Arabia

National Wildlife Center Launches 2nd Phase to Regulate Unlicensed Species in Saudi Arabia
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National Wildlife Center Launches 2nd Phase to Regulate Unlicensed Species in Saudi Arabia

National Wildlife Center Launches 2nd Phase to Regulate Unlicensed Species in Saudi Arabia

The National Center for Wildlife (NCW) has launched the second phase of its initiative to regulate the status of unlicensed wildlife species in the Kingdom, representing one of the most prominent national efforts to control wildlife possession, document ownership, and ensure that all practices related to housing, breeding, and trading comply with the Environmental Law and its implementing regulations, according to SPA.

The regularization period extends until the end of February 2026 and targets those who keep or handle wildlife on a large scale, including private collections (farms) containing more than 10 species, facilities engaged in breeding and housing wildlife, and businesses involved in selling wildlife products or derivatives.

This phase follows the success of the first, which focused on regulating the status of falcons, and reinforces the Kingdom's role in curbing illegal practices that could harm natural environments or threaten the survival of wildlife species. The initiative reflects a growing national commitment to protecting biodiversity and developing a more regulated system for managing wildlife within the Kingdom.

The regulation aims to build an accurate database of wildlife, enhance monitoring, and improve housing standards in accordance with environmental and health considerations.

The NWC emphasizes that this step aligns with national efforts to protect wildlife, support ecosystem sustainability, and address the challenges of illegal wildlife trafficking. It calls on all owners and relevant facilities to take advantage of the grace period, review the regulations through the "Fitri" platform, and contribute to a safer and more balanced ecosystem