Clouds Gather over Japan’s Ambitious Osaka World Expo

This photo taken on April 2, 2024 shows construction underway at the site of the 2025 Expo on Yumeshima island, an area of reclaimed land in Osaka. (AFP)
This photo taken on April 2, 2024 shows construction underway at the site of the 2025 Expo on Yumeshima island, an area of reclaimed land in Osaka. (AFP)
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Clouds Gather over Japan’s Ambitious Osaka World Expo

This photo taken on April 2, 2024 shows construction underway at the site of the 2025 Expo on Yumeshima island, an area of reclaimed land in Osaka. (AFP)
This photo taken on April 2, 2024 shows construction underway at the site of the 2025 Expo on Yumeshima island, an area of reclaimed land in Osaka. (AFP)

One of the largest wooden structures ever built is taking shape in Osaka, but hopes that Expo 2025 will unite the world are being dogged by cost blowouts and a lack of public enthusiasm.

The imposing circular centerpiece will be crowned by a 20-metre-high (65-foot) sloping canopy, designed by top architect Sou Fujimoto, known as the "Grand Roof".

It has a circumference of a staggering two kilometers and 161 countries and territories will show off their trade opportunities and cultural attractions at pavilions within the vast latticed ring.

A crane hoisted a block of beams into place this week as organizers said construction was largely on schedule, one year before visitors will be welcomed.

Expo 2025 global PR director Sachiko Yoshimura maintained that global participants would be "united" by the event even though there are conflicts in Ukraine, Gaza and elsewhere.

Russia will not be among the participants at Expo 2025, which will run from April 13 to October 13.

"Of course, there are so many crises around the world, but we want everybody to actually get together and think about the future and sustainability," Yoshimura said.

It has also met a lukewarm response in Japan, where promotion is ramping up and the red-and-blue Expo 2025 mascot "Myaku-Myaku" -- billed by the official website as "a mysterious creature born from the unification of cells and water" -- is ever-present.

A recent Kyodo News survey found that 82 percent of Japanese companies, sponsors and others involved said "fostering domestic momentum" would be a challenge.

Ballooning budget

The construction budget has ballooned 27 percent from 2020 estimates to 235 billion yen ($1.5 billion) due to inflation and Japan's chronic worker shortage.

Some say the costs are also hard to justify when 6,300 people are still in evacuation centers and hotels after an earthquake on New Year's Day devastated parts of central Japan.

Fujimoto's "Grand Roof" alone has a price tag of 35 billion yen and has been slammed by opposition leader Kenta Izumi as "the world's most expensive parasol".

The "Grand Roof" and other structures are temporary, with no clear plan for them other than organizers saying they will be reused or recycled.

The site on an artificial island in Osaka Bay will be cleared after the Expo, with plans to build a resort there containing Japan's first casino.

Jun Takashina, deputy secretary general of the Japan Association for Osaka 2025, acknowledged budget and regulatory "struggles" among foreign participants but said organizers would help make sure the displays are ready in time.

Among the most hotly anticipated attractions are flying electric cars, which take off vertically, showcasing the event's technological and environmental aspirations.

But the vehicles -- subject to reams of regulations -- will be a "kind of experiment", Yoshimura said.

More than 1.2 million tickets have already been sold and organizers hope to attract 28.2 million visitors, including 3.5 million from abroad.

That would be four million more than the last World Fair in Dubai but pales in comparison to the 64 million people who attended the 1970 Expo in Osaka, a record until it was overtaken by Shanghai in 2010.

'Future like science fiction'

The first world fair to celebrate culture and industrial progress was held in London in 1851, with the Eiffel Tower built for the 1889 Paris World Fair.

Osaka academic Shinya Hashizume, a specialist in architecture history and town planning, said he was amazed as a 10-year-old when he saw a "future that looked like science fiction" at the 1970 Expo.

The first film in IMAX format was shown at that event and visitors could admire rocks brought back from the Moon.

"Those six months were extraordinary for Osaka. Simply put, the whole town was having a party," he said.

The advent of mass tourism and hyper-connected societies may have since lessened the attraction but some Osaka residents still think it's a good idea.

Kosuke Ito, a 36-year-old doctor, said it would "strengthen the economy".

However, Yuka Nakamura, 26, said she might be put off by adult entry fees ranging from 4,000 to 7,500 yen ($25 to $50) a day.



Flower Lovers, Influencers Flock to the Tulip Vistas at an Iconic Dutch Park

Farmers use acrylic cloth for insulation to grow tulips earlier in the season near Lisse, Netherlands, Wednesday, April 2, 2025. (AP Photo/Peter Dejong)
Farmers use acrylic cloth for insulation to grow tulips earlier in the season near Lisse, Netherlands, Wednesday, April 2, 2025. (AP Photo/Peter Dejong)
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Flower Lovers, Influencers Flock to the Tulip Vistas at an Iconic Dutch Park

Farmers use acrylic cloth for insulation to grow tulips earlier in the season near Lisse, Netherlands, Wednesday, April 2, 2025. (AP Photo/Peter Dejong)
Farmers use acrylic cloth for insulation to grow tulips earlier in the season near Lisse, Netherlands, Wednesday, April 2, 2025. (AP Photo/Peter Dejong)

Nestled among tulip fields not far from Amsterdam, the world-famous Keukenhof garden has opened for the spring, welcoming camera-wielding visitors to its increasingly selfie-friendly grounds.

On a sunny day, the paths, park benches and cafes are crowded with tourists taking photos and selfies with one of the Netherlands’ most iconic products — the tulip. Those kinds of pics, posted on social media, are what drew Austrian lawyer Daniel Magnus.

“Whenever you see the kind of pictures which were taken from an influencer, they make something with you. You get a new impression of new locations, traditions, people and so on .... You want also to be there,” Magnus told The Associated Press.

Magnus had just finished taking his own photos on a small boat, staged in one of the park’s canals for visitors to take their own Instagrammable images.

Staff plant and nurture a staggering 7 million flower bulbs to ensure visitors who flock to the Keukenhof from around the world all get to see a vibrant spectacle during the just eight weeks the garden is open.

In recent years, the garden has increasingly catered to the public’s thirst for social media content and created spaces where guests are encouraged to pose.

Selfie spots include flower archways, pink velvet couches and another Dutch classic - oversized wooden clogs.

The Keukenhof’s own social media channels have some suggestions about the best locations and the Dutch tourism board even advises on how to get the perfect tulip selfie.

“Make your image come alive and place the subject of your photo slightly off-centre. This will make your photo look more dynamic,” the Netherlands Board of Tourism & Conventions says.

The Keukenhof garden’s more than 1 million expected visitors don’t need too much encouragement to snap pics among the tulips, hyacinths, daffodils and myriad other flowers. The blossoms are meticulously handplanted throughout its manicured lawns by a small army of gardeners.

“There’s always something blooming. I think that’s the reason why everyone is happy. There’s also always something to see,” gardener Patrick van Dijk told the AP.

Not everyone is always happy with tourists taking photos. Some flower farmers have put up signs and barriers to deter aspiring influencers from trampling tulips in nearby fields.

Italian tulips Tulip fields have started becoming a popular draw elsewhere in Europe. Dutchman Edwin Koeman, who comes from a family of tulip bulb traders, started growing the flowers after moving to an area north of Milan with his family.

“The land here is good. It’s more the climate which is very different to Holland,” Koeman said in an interview on his field in the small Italian town of Arese. “Here, the winter is a bit shorter, we have more sunshine. But for our work, it’s good because it rains just enough in the winter and in the spring. And now in the spring, most of the time it’s sunny, so people like to come to our field.”

Last year, his field had a record of 50,000 visitors, many enjoying the chance to pick tulips themselves to fill their baskets. They’ve started arriving this year and, on April 1, Viola Guidi was among those picking through Koeman’s field.

“Every year I come here together with my friends, even several times,” she said. “Usually we have to hurry, because the best flowers are all picked within a few weeks. We managed to come close to the opening, a week later. This time it worked out really well for me. It’s beautiful.”

Italy grows 43 million tulips, exporting almost one-third of them, according to Nada Forbici, national coordinator of the Coldiretti floriculture council. Exports are aimed mainly at northern Europe, especially Netherlands, she said.