EU Pledges 3.5 Bln Euros to Protect the Ocean

In this Monday, May 25, 2020 photo, medical staff in a dinghy leaves from the Aegean Sea island of Milos to Sikinos island, Greece. (AP)
In this Monday, May 25, 2020 photo, medical staff in a dinghy leaves from the Aegean Sea island of Milos to Sikinos island, Greece. (AP)
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EU Pledges 3.5 Bln Euros to Protect the Ocean

In this Monday, May 25, 2020 photo, medical staff in a dinghy leaves from the Aegean Sea island of Milos to Sikinos island, Greece. (AP)
In this Monday, May 25, 2020 photo, medical staff in a dinghy leaves from the Aegean Sea island of Milos to Sikinos island, Greece. (AP)

The European Union will spend 3.5 billion euros ($3.71 billion) to protect the ocean and promote sustainability through a series of initiatives this year, the EU's top environment official said on Tuesday.

The EU's 40 commitments, announced during the annual "Our Ocean" conference held in Athens this week, range from fighting marine pollution to supporting sustainable fisheries and investments in the so-called blue economy - sustainable use of marine and freshwater resources for economic activity.

"The ocean is part of who we are, and it is our shared responsibility," said EU Commissioner for Environment, Oceans and Fisheries Virginijus Sinkevicius.

The European Union's Copernicus Climate Change Service said last month that ocean temperatures hit a record high in February, according to data that goes back to 1979. Overfishing and plastic pollution are also major threats to oceans.

The biggest part of the EU funds will be used to support 14 investments and one reform in sustainable fisheries and aquaculture in Cyprus, Greece, Poland, Portugal and Spain. Other EU initiatives are directed to helping African countries develop their blue economy.

In total, more than 400 new commitments amounting to $10 billion will be announced during the conference, Prime Minister Kyriakos Mitsotakis said.

Greece will spend 780 million euros on 21 commitments which include a ban on bottom trawling in all of the country's marine protected areas, he added.

The country also pledged to create two more marine parks, one in the Aegean Sea for the protection of seabirds and one in the Ionian Sea for the protection of sea mammals, which will cover more than 4,000 square kilometers of areas protected under the EU's Natura 2000 network of sites.

"Mitigation and adaptation are not enough. We must also focus on protection and restoration to insulate land and seas from harmful human activity and to give space to nature to heal," said Mitsotakis.

The marine park in the Aegean Sea has irritated neighboring Türkiye, which said last week that it was not willing to accept a possible "fait accompli on geographical features whose status is disputed". In response, Greece accused Türkiye of "politicizing a purely environmental issue".

Environmental groups have also urged Greece to halt its gas exploration plans in the Ionian Sea.

The "Our Ocean" conference has mobilized more than 2,160 commitments worth approximately $130 billion since its launch in 2014.



War Takes Center Stage as Lebanon's Theatres are Back

An actor performs in 'When I Saw the Sea', a play by Lebanese director Ali Chahrour, at a theater in Beirut. Joseph EID / AFP
An actor performs in 'When I Saw the Sea', a play by Lebanese director Ali Chahrour, at a theater in Beirut. Joseph EID / AFP
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War Takes Center Stage as Lebanon's Theatres are Back

An actor performs in 'When I Saw the Sea', a play by Lebanese director Ali Chahrour, at a theater in Beirut. Joseph EID / AFP
An actor performs in 'When I Saw the Sea', a play by Lebanese director Ali Chahrour, at a theater in Beirut. Joseph EID / AFP

As Lebanon suffered a war last year, Ali Chahrour was determined to keep making art, creating a performance inspired by the plight of migrant workers caught up in the conflict.

Months after a ceasefire largely halted the fighting between Israel and the Lebanese militant group Hezbollah, Chahrour's work premiered in Beirut in early May with plans to take it to stages across Europe including at France's famed Avignon Festival, AFP said.

"This project was born during the war," said the 35-year-old playwright and choreographer.

"I did not want to stop making theater, because I don't know how to fight or carry weapons, I only know how to dance."

On stage, two Ethiopian domestic workers and a Lebanese Ethiopian woman speak, sing and dance, telling stories of exile and mistreatment in "When I Saw the Sea", directed by Chahrour.

The play pays tribute to the migrant women who were killed or displaced during the two-month war between Israel and Hezbollah which ended in November, and the year of hostilities that preceded it.

Hundreds of migrant workers had sought refuge in NGO-run shelters after being abandoned by employers escaping Israeli bombardment.

Others were left homeless in the streets of Beirut while Lebanon's south and east, as well as parts of the capital, were under attack.

Chahrour said that "meeting with these women gave me the strength and energy to keep going" even during the war, seeking to shed light on their experience in Lebanon which is often criticized for its poor treatment of migrant workers.

'Escape and therapy'

The war has also shaped Fatima Bazzi's latest work, "Suffocated", which was shown in Beirut in May.

It was revised after the 32-year-old playwright was displaced from her home in Beirut's southern suburbs, a Hezbollah stronghold heavily bombarded during the war.

The play originally portrayed a woman dealing with her misogynistic husband, and was reshaped by Bazzi's own experience, forced to escape to Iraq until the ceasefire was finally reached.

Determined to continue the project the moment she returned to Lebanon, Bazzi had kept in contact with the cast in video calls.

"We took advantage of this in the performance, the idea of separation and distance from each other, how we worked to continue the play," she told AFP during a recent rehearsal.

At one point in the play, the characters are suddenly interrupted by the sound of a bomb and rush to their phones to see what was hit this time, with their reactions becoming scenes of their own.

To Bazzi, working on the play has allowed her and the cast to "express the things we felt and went through, serving as an escape and therapy".

'Children of war'

Theater stages across Lebanon did not lift their curtains during the war, and though they are now back, the local scene is still burdened by the effects of a devastating economic crisis since 2019.

"We postponed an entire festival at the end of last year due to the war," said Omar Abi Azar, 41, founder of the Zoukak collective.

The group runs the theater where Bazzi's latest piece was performed.

"Now we have started to pick up the pace" again, said Abi Azar, whose own play was postponed by the war.

"Stop Calling Beirut", which Abi Azar created with his collective, tells the story of the loss of his brother more than a decade ago and their childhood memories during Lebanon's civil war, which ended in 1990.

Zoukak itself was born out of a crisis during a previous war between Hezbollah and Israel in 2006.

"We are children of war. We were born, raised and grew up in the heart of these crises," said Abi Azar.

To him, "this is not a challenge, but rather our reality".

"If this reality wanted to pull us down, it would have dragged us, buried us and killed us a long time ago," he added, seeking hope in art.