Protecting 1.2% of Earth Would Prevent Most Extinctions, Study Says 

Mexican gray wolves, an endangered native species, are seen resting in their enclosure at the Museo del Desierto in Saltillo, Mexico July 1, 2020. Picture taken July 1, 2020. (Reuters)
Mexican gray wolves, an endangered native species, are seen resting in their enclosure at the Museo del Desierto in Saltillo, Mexico July 1, 2020. Picture taken July 1, 2020. (Reuters)
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Protecting 1.2% of Earth Would Prevent Most Extinctions, Study Says 

Mexican gray wolves, an endangered native species, are seen resting in their enclosure at the Museo del Desierto in Saltillo, Mexico July 1, 2020. Picture taken July 1, 2020. (Reuters)
Mexican gray wolves, an endangered native species, are seen resting in their enclosure at the Museo del Desierto in Saltillo, Mexico July 1, 2020. Picture taken July 1, 2020. (Reuters)

Setting aside an additional 1.2% of the world's land as nature preserves would prevent the majority of predicted plant and animal extinctions and cost about $263 billion, according to a study published on Tuesday.

The world is racing to meet a goal to protect 30% of the world by 2030 to protect wildlife that is being decimated by climate change, pollution and habitat destruction.

Global policymakers will meet at a United Nations summit in Colombia in October to discuss plans for reaching that goal.

The study in the journal Frontiers in Science aimed to identify the highest value areas in hope that they be included in those protection plans, said Carlos Peres, a study co-author and conservation ecology expert at the University of East Anglia in the United Kingdom.

"Most countries do not actually have a strategy," Peres said.

"The 30-by-30 targets still lack a lot of details because it doesn't actually say what 30 percent should be protected."

The study's proposed protections would cover an additional 1.6 million square km (633,000 square miles) - an area about a fifth the size of the United States - across 16,825 sites globally that are home to rare and threatened species.

That's on top of the nearly 16% of the world that already have some level of protection.

The study estimated the $263 billion bill is how much it would cost to acquire the new areas, many of which include private property, at current value over the next five years.

"Time is not on our side because it will become increasingly more expensive and more difficult to set aside additional protected areas," Peres said.

Land acquisition makes up most of the cost of creating protected areas, and the study did not consider the upkeep costs for policing the reserves.

About three-quarters of the sites are tropical forests, as those are the world's most biodiverse ecosystems. The Phillipines, Brazil and Indonesia are home to more than half of the high-value sites.

Russia is the single country with the most high-valued area ripe for conservation with 138,436 square km identified in the study, an area the size of Greece.

Several African countries also topped the list with Madagascar having the fourth-highest number of sites overall while the Democratic Republic of Congo had the largest area targeted for conservation on the continent.

The United States is the only developed nation among the top 30 countries in the analysis, with 0.6% of the sites or an area twice the size of Delaware.

The researchers only considered land and freshwater ecosystems but not oceans or marine protected areas. Researchers did not include invertebrates in the study, as the geographical distributions insects and other such animals are not well mapped.



Songs of Silence: Young Actors Perform Indonesia’s First Deaf Musical

 Members of theater troupe Fantasi Tuli (Deaf Fantasy) perform a show titled "Senandung Senyap" (Songs of Silence), during Indonesia's first musical with mostly deaf artists, in Jakarta, Indonesia, October 26, 2024. (Reuters)
Members of theater troupe Fantasi Tuli (Deaf Fantasy) perform a show titled "Senandung Senyap" (Songs of Silence), during Indonesia's first musical with mostly deaf artists, in Jakarta, Indonesia, October 26, 2024. (Reuters)
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Songs of Silence: Young Actors Perform Indonesia’s First Deaf Musical

 Members of theater troupe Fantasi Tuli (Deaf Fantasy) perform a show titled "Senandung Senyap" (Songs of Silence), during Indonesia's first musical with mostly deaf artists, in Jakarta, Indonesia, October 26, 2024. (Reuters)
Members of theater troupe Fantasi Tuli (Deaf Fantasy) perform a show titled "Senandung Senyap" (Songs of Silence), during Indonesia's first musical with mostly deaf artists, in Jakarta, Indonesia, October 26, 2024. (Reuters)

In a Jakarta theatre, the music pulsed from speakers as a group of young artists danced in a musical, bathed in multicolor stage lights. But no one was singing.

Theatre troupe Fantasi Tuli (Deaf Fantasy) was performing Indonesia's first musical with mainly deaf artists and crew on Saturday, using screens around the stage showing dialogue and lyrics as actors performed with their facial expressions and hand signs.

The musical "Senandung Senyap" (Songs of Silence) depicts the plight of students in a middle school for children with disabilities. Directors Hasna Mufidah and Helga Theresia created it to raise awareness and promote the use of sign language.

"My hope is, going forward, inclusivity can be strengthened, that between deaf and hearing people, hearing is not superior - we're equal," Mufidah, who is deaf, said through Indonesian sign language.

Involving more than 60 deaf actors and crew, aged 16 to 40, the musical took three months to prepare. It is inspired by Deaf West Theater in the United States, Helga said.

The performance examines special-needs education in Indonesian schools, where deaf students are often taught with an emphasis on speech training and lip-reading, more than on sign language, amid a wider debate about the best education methods for children with hearing disability.

Some in the deaf community argue oral education can lead to a sense of alienation, and that sign language is a more natural way to communicate for them. Proponents of such a method say it could better integrate people with hearing disability with the more dominant hearing community.

For deaf actor Hanna Aretha Oktavia, the musical was her introduction to sign language and the wider deaf community.

"Throughout dialogue rehearsals we had to use as much expressions as possible and to follow the storyline," Hanna said.

"What's interesting is in rehearsals we have to feel the tempo and vibrations and match them with the choreography. I think that's the most intriguing part because I love to dance. And we paid close attention to the beats with the help of hearing aids. We use big speakers to help guide us," she said.

More than 2 million of Indonesia's 280 million people have a hearing disability, including 27,983 students in special-needs schools.