Ancient Egyptian Coffin Given New Life in Britain

Staff at Swansea University welcome back the artifact. Photo: Swansea University
Staff at Swansea University welcome back the artifact. Photo: Swansea University
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Ancient Egyptian Coffin Given New Life in Britain

Staff at Swansea University welcome back the artifact. Photo: Swansea University
Staff at Swansea University welcome back the artifact. Photo: Swansea University

An ancient Egyptian coffin was given a new life after it has been returned to Swansea University's Egypt Center in Wales.

The artifact, believed to date from about 650 BC, is now back at the university after thousands of hours of conservation work at Cardiff University, where it was painstakingly cleaned, reconstructed and consolidated to prevent it from deteriorating further, according to BBC.

The coffin, originally made for a man called Ankhpakhered in the Greek city of Thebes, was transported back under the watchful eye of the center’s curator Dr. Ken Griffin.

Staff described the finished project as “beyond our wildest dreams.”

“The coffin was gifted to us by Aberystwyth University in 1997 but details about its history are sketchy,” Griffin said.

He added: “It actually ended up being used as a storage box at one time, with other Egyptian objects placed in it for safekeeping.”

The university’s Phil Parkes explained that the wooden coffin was covered in textile and then had a thin layer of decorated plaster over the top.

He said: “Much of that textile had become detached over time and was just hanging loose.”

Parkes added that the separate wooden head was detached and there were a couple of large pieces of wood missing, the side of the base had fallen off and it was in a very sorry condition overall.



Sydney’s $15 Billion New Train Line Is Modern, Fast and Big on TikTok 

Commuters walk at Victoria Cross Station on the new Sydney Metro line in Sydney, Australia, August 25, 2024. (Reuters)
Commuters walk at Victoria Cross Station on the new Sydney Metro line in Sydney, Australia, August 25, 2024. (Reuters)
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Sydney’s $15 Billion New Train Line Is Modern, Fast and Big on TikTok 

Commuters walk at Victoria Cross Station on the new Sydney Metro line in Sydney, Australia, August 25, 2024. (Reuters)
Commuters walk at Victoria Cross Station on the new Sydney Metro line in Sydney, Australia, August 25, 2024. (Reuters)

Australia's largest public transport project has achieved something few urban planners expect: social media fame.

The A$21.6 billion ($15 billion) Sydney Metro line along a major north-southwest artery has featured in hundreds of photos and videos on TikTok and Instagram since it opened in late August.

In one TikTok video viewed more than 600,000 times, young people dance and celebrate on the train station platform holding Sydney Metro signs.

The excitement is in part a response to how modern the new line, with its driverless trains and bright, spacious stations, feels compared to the aging network in which tens of thousands of commuters pour through every day.

At the heart of the new line is Sydney Central, which got A$955 million overhaul to accommodate the new underground line and elevate the 118-year old station to the level of Kings Cross in London or Grand Central in New York.

"It's not something Sydney has really experienced, it's been a bit overdue," said John Prentice, a principal at architecture and design firm Woods Bagot, who led the design of Sydney Central.

"We wanted to provide Sydney a station on par with stations around the world. It needed to rival those other stations but based on its unique qualities and characteristics."

At Gadigal, a new station next to the pre-World War Two city hub Town Hall, commuters descend to the platform on escalators flanked by six columns weighing 168 tons each.

Large murals of train tunnels stand high above commuters at each entrance. The 12.5 meter (14 yard) tall pieces drew inspiration from early Sydney railway tunnels as well those drawn by cartoon character Wile E. Coyote, according to artist Callum Morton.

"You can always tell when something hits," he told Reuters.

"The beauty is on the surface and the sensation you feel in front of it is the most captivating thing... I really wanted to reproduce that feeling."