Sunken Village Emerges in Greece as Drought Dries up Lake

The reappearing remains of buildings of the village of Kallio, which was intentionally flooded in 1980 to create a reservoir that would help meet the water needs of Greek capital Athens, are seen following receding water levels caused by drought, in Lake Mornos, Greece, September 3, 2024. (Reuters)
The reappearing remains of buildings of the village of Kallio, which was intentionally flooded in 1980 to create a reservoir that would help meet the water needs of Greek capital Athens, are seen following receding water levels caused by drought, in Lake Mornos, Greece, September 3, 2024. (Reuters)
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Sunken Village Emerges in Greece as Drought Dries up Lake

The reappearing remains of buildings of the village of Kallio, which was intentionally flooded in 1980 to create a reservoir that would help meet the water needs of Greek capital Athens, are seen following receding water levels caused by drought, in Lake Mornos, Greece, September 3, 2024. (Reuters)
The reappearing remains of buildings of the village of Kallio, which was intentionally flooded in 1980 to create a reservoir that would help meet the water needs of Greek capital Athens, are seen following receding water levels caused by drought, in Lake Mornos, Greece, September 3, 2024. (Reuters)

From beneath the shrinking Lake Mornos in central Greece, the muddied remains of homes are reemerging nearly 45 years since the village that once stood here disappeared underwater.

After a winter of hardly any snow, a summer of punishing heatwaves and months of little rain and drought across much of Greece, the huge man-made lake which supplies water for nearly half the Greek population has dwindled to its lowest level in decades.

"Day by day, the water goes down," said Dimitris Giannopoulos, mayor of the broader Dorida municipality, who said nothing similar had been seen for 33 years.

Long stretches of cracked soil surround the ruins of the lost village of Kallio, which was flooded in 1980 to create a lake to meet the ever-increasing water needs of the capital, some 200 km away. Bricks lie among mounds of seashells.

Greece's arid Mediterranean climate has made it particularly susceptible to the effects of global warming, which has worsened summer wildfires including blazes that reached the outskirts of Athens last month. Scientists say extreme weather linked to climate change is now driving the decline of the lake.

"It is an alarm bell," said Efthymis Lekkas, professor of disaster management at the University of Athens.

"We don't know what will happen in the coming period. If we have a rainless winter, things will get difficult."

Giannopoulos gestures towards Mount Giona towering over the lake, which used to be snow-capped but saw none last winter, Greece's warmest on record. On the lake's receding rim, trees have taken on a yellowish hue.

"They lack water. This has never happened before," he said.

Wells in the area are drying up and surrounding villages, which do not take water from the lake, suffered water cuts this summer, he said. A local firefighter chief said the risk of wildfires loomed as the forests became drier.

The lake's surface area has shrunk from around 16.8 square km in August 2022 to just 12.0 square km this year, according to satellite images released by Greece's National Observatory.

Water reserves there and at the three other reservoirs supplying Attica, a region of around 4 million people which includes Athens, had dropped to 700 million cubic meters in August down from 1.2 billion cubic meters in 2022, the environment ministry said.

The state-run Athens water company EYDAP had begun supplying the network with additional sources of water, it said.

Former residents of Kallio were surprised to see the village again, but saddened at its state.

"I used to see it full and say it was a beach. Now all you see is dryness," said 90-year-old Konstantinos Gerodimos.

His 77-year-old wife Maria chimes in: "If it continues like this, the entire village will appear, all the way to the bottom, where the church and our home was."



‘A Way of Life’: The Japanese Dancer Conquering Spain’s Flamenco Scene

Japan's Junko Hagiwara, also known as La Yunko, poses for pictures at the Instituto Andaluz de Flamenco in Seville, on August 29, 2024. (AFP)
Japan's Junko Hagiwara, also known as La Yunko, poses for pictures at the Instituto Andaluz de Flamenco in Seville, on August 29, 2024. (AFP)
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‘A Way of Life’: The Japanese Dancer Conquering Spain’s Flamenco Scene

Japan's Junko Hagiwara, also known as La Yunko, poses for pictures at the Instituto Andaluz de Flamenco in Seville, on August 29, 2024. (AFP)
Japan's Junko Hagiwara, also known as La Yunko, poses for pictures at the Instituto Andaluz de Flamenco in Seville, on August 29, 2024. (AFP)

Japan's Junko Hagiwara has caused a stir in Spain's traditional flamenco world by unexpectedly winning the prize for best dancer at the country's leading flamenco festival -- the first foreigner to do so.

The announcement that the 48-year-old -- who performs under the stage name "La Yunko" -- was awarded the honor at the closing ceremony of August's "Cante de las Minas" festival in the southeastern town of La Union was met with a mixture of applause and some jeering.

"I was very surprised, I could not believe it. I believed it but I did not believe it," she told AFP by phone from the southern city of Seville, where she has lived for over two decades when asked about her reaction to getting the award.

Hagiwara, who was born in Kawasaki near Tokyo, said she did not notice the jeers because she "went blank" when her name was announced as the winner.

"When I dance, I don't think I am a foreigner, that I am Japanese. I don't think that. It doesn't occur to me. I am simply on stage, I listen to the guitar, the singing and what I feel I express in my dancing," she added.

Created in 1961, the "Cante de las Minas" festival is considered to be the world's most important annual flamenco festival. It features prizes for best singing, guitar playing and musical instrument performance in addition to dance.

Critics were unanimous in their support for Hagiwara.

"I liked her more than her competitors for three reasons: her classicism, the fact that she did not dance for the gallery, that is, for the public, and, finally, her good training," flamenco critic Manuel Bohorquez wrote in online newspaper Sevilla Info.

- 'Way of life -

Hagiwara said she became fascinated by flamenco -- a centuries-old art form that combines rhythmic hand clapping, stamping feet and impassioned singing -- at age 14 when she watched a gymnastics championship in which a Spanish competitor used the genre's guitar music.

"I loved the flamenco guitar, the sound and the melody, the rhythm," she said.

There was no internet at the time to help her explore her new interest, so she went to a shop that rented records and borrowed the only available flamenco CD.

"I listened to it, but there was no guitar, it was just singing," she recalled.

"Flamenco performers often have a very hoarse voice, very deep, and it scared me," she added while laughing.

Hagiwara went on to study pedagogy at Waseda University in Tokyo, where she joined a flamenco club, and started to take flamenco lessons.

But she felt she needed more.

In 2002 she decided to take the dramatic move across the world to Seville, capital of the southern region of Andalusia and the cradle of flamenco, to pursue her passion.

She made the move despite objections from her parents.

"In Japan, you can learn technique, choreography, but, of course, flamenco is culture, it's a way of life," she said.

"My father got very, very angry. He did not speak to me for three months. And my mother said 'how shameful, how shameful'," Hagiwara said.

- Culture shocks -

In Spain, she dedicated herself to flamenco, learning to dance with the best teachers, became fluent in Spanish and married an Andalusian man from the coastal town of Tarifa.

She gradually made a name for herself as a performer in Seville, and has also taught flamenco.

As is the case with many foreigners, she was surprised at first by the lively way locals talked to each other.

"I thought everyone was fighting!" Hagiwara said.

There were other differences.

"In Japanese culture, we place a lot of value on hiding the feeling, and in flamenco, you have to show it. In Japan it is for the inside, and in flamenco it is for the outside," she said.