Rome Considering Limiting Tourist Access to Trevi Fountain

FILE PHOTO: Crowds of tourists visit the Trevi Fountain in Rome, Italy, August 8, 2024. REUTERS/Guglielmo Mangiapane/File Photo
FILE PHOTO: Crowds of tourists visit the Trevi Fountain in Rome, Italy, August 8, 2024. REUTERS/Guglielmo Mangiapane/File Photo
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Rome Considering Limiting Tourist Access to Trevi Fountain

FILE PHOTO: Crowds of tourists visit the Trevi Fountain in Rome, Italy, August 8, 2024. REUTERS/Guglielmo Mangiapane/File Photo
FILE PHOTO: Crowds of tourists visit the Trevi Fountain in Rome, Italy, August 8, 2024. REUTERS/Guglielmo Mangiapane/File Photo

Rome is considering limiting access to the Trevi Fountain, one of its busiest monuments, ahead of an expected bumper year for tourism in the Eternal City, city council officials say.
The Italian capital is preparing to host the 2025 Jubilee, a year-long Roman Catholic event expected to attract 32 million tourists and pilgrims.
Under the draft plans, visits to the fountain would require a prior reservation, with fixed time slots and a limited number of people allowed to access the steps around it, Reuters reported.
"For Romans we are thinking of making it free, while non-residents would be asked to make a symbolic contribution, one or two euros ($1.1-2.2)", Rome's tourism councillor Alessandro Onorato told Thursday's Il Messaggero newspaper.
On Wednesday, Mayor Roberto Gualtieri called measures to curb tourist numbers "a very concrete possibility."
"The situation at the Trevi Fountain is becoming technically very difficult to manage," he told reporters.
Other cities are facing protests over problems brought by so-called overtourism, including Barcelona and Venice, where local authorities tested this year an entry charge scheme for visitors.
The Trevi Fountain, where tradition dictates that visitors toss a coin to guarantee their return to Rome and fulfil their wishes, has long been a major attraction, even for visiting world leaders.
Completed in 1762, the monument is a late Baroque masterpiece, with statues of Tritons guiding the shell chariot of the god Oceanus, illustrating the theme of the taming of the waters.
It is also remembered for one of cinema's most famous scenes when in Federico Fellini's "La Dolce Vita" Anita Ekberg wades into the fountain and beckons her co-star Marcello Mastroianni to join her: "Marcello! Come here!"



Gazan Teen Musician Sings for Children Who Endure the Daily Horrors of War 

Palestinian teenager Youssef Saad sits on the rubble of his house as he plays oud to bring joy to children, amid Israel-Hamas conflict, in Jabalia refugee camp in the northern Gaza Strip September 2, 2024. (Reuters)
Palestinian teenager Youssef Saad sits on the rubble of his house as he plays oud to bring joy to children, amid Israel-Hamas conflict, in Jabalia refugee camp in the northern Gaza Strip September 2, 2024. (Reuters)
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Gazan Teen Musician Sings for Children Who Endure the Daily Horrors of War 

Palestinian teenager Youssef Saad sits on the rubble of his house as he plays oud to bring joy to children, amid Israel-Hamas conflict, in Jabalia refugee camp in the northern Gaza Strip September 2, 2024. (Reuters)
Palestinian teenager Youssef Saad sits on the rubble of his house as he plays oud to bring joy to children, amid Israel-Hamas conflict, in Jabalia refugee camp in the northern Gaza Strip September 2, 2024. (Reuters)

Braving the constant threat of airstrikes and bombings, 15-year-old Youssef Saad, a Gazan oud player, rides his bicycle through the war-ravaged streets of northern Gaza's Jabalia refugee camp, his instrument strapped to his back.

Saad sings for children who have endured daily horrors in 11 months of conflict, trying to offer them a little joy or distraction.

"The homes in my city were once full of dreams," Saad said, gazing at the rubble of the decades-old urban refugee camp, which before the war was built-up and heavily populated.

"Now, they're gone," he says.

Saad was studying at the Edward Said National Conservatory of Music in nearby Gaza City before it was reduced to ruins in the war that has devastated much of the enclave.

Now, living with relatives after his own home was destroyed, he is one of five siblings whose futures have been upended.

His father, a government employee with the Palestinian Authority, always supported Saad's dream of becoming a musician.

But now, Saad's focus has shifted. He spends his days at a Jabalia day center, playing his oud and singing for children traumatized by war.

The latest bloodshed in the decades-old Israeli-Palestinian conflict was triggered on Oct. 7 when Palestinian group Hamas attacked Israel, killing 1,200 and taking about 250 hostages, according to Israeli tallies.

Israel's subsequent assault on Hamas-governed Gaza has since killed more than 40,800 Palestinians, according to the Hamas-run health ministry, displaced almost the entire population and laid the besieged enclave to waste.

"Every house holds a tragedy," Saad said. "Some have lost their mother, others their father, their neighbor, or their friend."

Despite the danger, Saad is determined to continue his mission.

"We try to help improve their mental health, even if it means putting myself at risk," he said. "This is my duty to the children."

And he refuses to give up on his dreams for the future: "We, the children of Palestine, strive to stay resilient, even in the face of genocide."

Saad says he lives by a saying that carries him through the darkest days: "If you live, live free, or die standing like trees."