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Manga Arabia Partners with Korea’s Kidari Studio to Produce and Publish Webtoon and Manhwa-Style Comics

Dr. Essam Bukhary, General Manager and Editor-in-Chief of Manga Arabia and the CEO of Kidari Studio, during the signing of the partnership (Asharq Al-Awsat)
Dr. Essam Bukhary, General Manager and Editor-in-Chief of Manga Arabia and the CEO of Kidari Studio, during the signing of the partnership (Asharq Al-Awsat)
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Manga Arabia Partners with Korea’s Kidari Studio to Produce and Publish Webtoon and Manhwa-Style Comics

Dr. Essam Bukhary, General Manager and Editor-in-Chief of Manga Arabia and the CEO of Kidari Studio, during the signing of the partnership (Asharq Al-Awsat)
Dr. Essam Bukhary, General Manager and Editor-in-Chief of Manga Arabia and the CEO of Kidari Studio, during the signing of the partnership (Asharq Al-Awsat)

Manga Arabia has partnered with South Korea’s Kidari Studio to produce and publish webtoon and manhwa-style comics. This collaboration aims to enhance cooperation in key areas such as scriptwriting, character design, and high-quality joint projects. Both companies will benefit from an employee exchange program to share expertise and further develop comic projects.
As part of the agreement, Manga Arabia will license and translate three of Kidari’s prominent works into Arabic, expanding the reach of these comics in the region.
Dr. Essam Bukhary, General Manager and Editor-in-Chief of Manga Arabia, highlighted the significance of this partnership in strengthening international collaboration in the comic industry. He emphasized that the exchange of creativity and expertise with global partners aligns with the company’s goal of producing content that meets global standards.
A Growing Market
Bukhary pointed out the global popularity of webtoons, projecting the market to reach $70 billion by 2030. He explained that this partnership would enable Manga Arabia to expand its presence in international markets, while offering culturally rich experiences that reflect creativity and foster cultural exchange between the Arab and Korean worlds.
Industry Impact
This partnership marks Manga Arabia’s first collaboration with a Korean comic production company, a significant step in solidifying its role as a key player in the Arab comic industry.
Manga Arabia has achieved numerous milestones in recent years, including the launch of youth and children’s manga magazines in both digital and print formats. The company’s applications have garnered nearly 9 million users across 195 countries, with over 220 distribution points in the Arab world and more than 250,000 monthly printed copies.
To further its international presence, Manga Arabia launched Manga International and established its headquarters in Tokyo, Japan, a strategic move aimed at expanding its influence globally.
Kidari Studio’s Reach
Founded in 1987, Kidari Studio operates 14 webtoon platforms in nine languages across Asia, North America, South America, and Europe. In 2023, Kidari launched its first webtoon platform in the Arab world, with plans to rebrand it as DelitoonME. That year, Kidari earned over $94 million from webtoon subscriptions, with more than 55 million users worldwide.
As part of the Saudi Research and Media Group, Manga Arabia is dedicated to promoting Saudi and Arab culture through creative content. The company has successfully produced over 68 issues and supported more than 170 young creatives across the Arab world, positioning itself as a leader in the comic industry both locally and internationally.

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'Social Studies' TV Series Takes Intimate Dive into Teens' Smartphone Life

This is the first generation born into a world with widespread social media. LOIC VENANCE / AFP/File
This is the first generation born into a world with widespread social media. LOIC VENANCE / AFP/File
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'Social Studies' TV Series Takes Intimate Dive into Teens' Smartphone Life

This is the first generation born into a world with widespread social media. LOIC VENANCE / AFP/File
This is the first generation born into a world with widespread social media. LOIC VENANCE / AFP/File

Sifting through the smartphones of dozens of US teens who agreed to share their social media content over the course of a year, filmmaker Lauren Greenfield came to a somber observation.
The kids are "very, very conscious of the mostly negative effects" these platforms are having on them -- and yet they just can't quit.
Greenfield's documentary series "Social Studies," premiering on Disney's FX and Hulu on Friday, arrives at a time of proliferating warnings about the dangers of social networks, particularly on young minds.
The show offers a frightening but moving immersion into the online lives of Gen Z youths, AFP said.
Across five roughly hour-long episodes, viewers get a crash course in just how much more difficult those thorny adolescent years have become in a world governed by algorithms.
In particular, the challenges faced by young people between ages 16 and 20 center on the permanent social pressure induced by platforms like Instagram and TikTok.
For example, we meet Sydney, who earns social media "likes" through increasingly revealing outfits; Jonathan, a diligent student who misses out on his top university picks and is immediately confronted with triumphant "stories" of those who were admitted; and Cooper, disturbed by accounts that glorify anorexia.
"I think social media makes a lot of teens feel like shit, but they don't know how to get off it," says Cooper, in the series.
'Like me more'
This is the first generation born into a world with widespread social media.
Via its subjects' personal smartphone accounts, the show offers a rare glimpse into the ways in which that hyper-connected reality has distorted the process of growing up.
We see how young people modify their body shapes with the swipe of a finger before posting photos, the panic that grips a high school due to fake rumors of a shooting.
"It's hard to tell what's been put into your mind, and what you actually like," says one anonymous girl, in a group discussion filmed for the docuseries.
These discussion circles between adolescents punctuate "Social Studies," and reveal the contradictions between the many young people's online personas, and their underlying anxieties.
Speaking candidly in a group, they complain about harassment, the lack of regulation on social media platforms, and the impossible beauty standards hammered home by their smartphones.
"If I see people with a six pack, I'm like: 'I want that.' Because maybe people would like me more," admits an anonymous Latino boy.
'Lost your social life'
The series is not entirely downbeat.
But the overall sense is a generation disoriented by the great digital whirlwind.
There are no psychologists or computer scientists in the series.
"The experts are the kids," Greenfield told a press conference this summer. "It was actually an opportunity to not go in with any preconceptions."
While "Social Studies" does not offer any judgment, its evidence would appear to support many of the recent health warnings surrounding hyper-online young people.
The US surgeon general, the country's top doctor, recently called for warning labels on social media platforms, which he said were incubating a mental health crisis.
And banning smartphones in schools appears to be a rare area of bipartisan consensus in a politically polarized nation.
Republican-led Florida has implemented a ban, and the Democratic governor of California signed a new law curbing phone use in schools on Monday.
"Collective action is the only way," said Greenfield.
Teenagers "all say 'if you're the only one that goes off (social media), you lost your social life.'"