'Social Studies' TV Series Takes Intimate Dive into Teens' Smartphone Life

This is the first generation born into a world with widespread social media. LOIC VENANCE / AFP/File
This is the first generation born into a world with widespread social media. LOIC VENANCE / AFP/File
TT

'Social Studies' TV Series Takes Intimate Dive into Teens' Smartphone Life

This is the first generation born into a world with widespread social media. LOIC VENANCE / AFP/File
This is the first generation born into a world with widespread social media. LOIC VENANCE / AFP/File

Sifting through the smartphones of dozens of US teens who agreed to share their social media content over the course of a year, filmmaker Lauren Greenfield came to a somber observation.
The kids are "very, very conscious of the mostly negative effects" these platforms are having on them -- and yet they just can't quit.
Greenfield's documentary series "Social Studies," premiering on Disney's FX and Hulu on Friday, arrives at a time of proliferating warnings about the dangers of social networks, particularly on young minds.
The show offers a frightening but moving immersion into the online lives of Gen Z youths, AFP said.
Across five roughly hour-long episodes, viewers get a crash course in just how much more difficult those thorny adolescent years have become in a world governed by algorithms.
In particular, the challenges faced by young people between ages 16 and 20 center on the permanent social pressure induced by platforms like Instagram and TikTok.
For example, we meet Sydney, who earns social media "likes" through increasingly revealing outfits; Jonathan, a diligent student who misses out on his top university picks and is immediately confronted with triumphant "stories" of those who were admitted; and Cooper, disturbed by accounts that glorify anorexia.
"I think social media makes a lot of teens feel like shit, but they don't know how to get off it," says Cooper, in the series.
'Like me more'
This is the first generation born into a world with widespread social media.
Via its subjects' personal smartphone accounts, the show offers a rare glimpse into the ways in which that hyper-connected reality has distorted the process of growing up.
We see how young people modify their body shapes with the swipe of a finger before posting photos, the panic that grips a high school due to fake rumors of a shooting.
"It's hard to tell what's been put into your mind, and what you actually like," says one anonymous girl, in a group discussion filmed for the docuseries.
These discussion circles between adolescents punctuate "Social Studies," and reveal the contradictions between the many young people's online personas, and their underlying anxieties.
Speaking candidly in a group, they complain about harassment, the lack of regulation on social media platforms, and the impossible beauty standards hammered home by their smartphones.
"If I see people with a six pack, I'm like: 'I want that.' Because maybe people would like me more," admits an anonymous Latino boy.
'Lost your social life'
The series is not entirely downbeat.
But the overall sense is a generation disoriented by the great digital whirlwind.
There are no psychologists or computer scientists in the series.
"The experts are the kids," Greenfield told a press conference this summer. "It was actually an opportunity to not go in with any preconceptions."
While "Social Studies" does not offer any judgment, its evidence would appear to support many of the recent health warnings surrounding hyper-online young people.
The US surgeon general, the country's top doctor, recently called for warning labels on social media platforms, which he said were incubating a mental health crisis.
And banning smartphones in schools appears to be a rare area of bipartisan consensus in a politically polarized nation.
Republican-led Florida has implemented a ban, and the Democratic governor of California signed a new law curbing phone use in schools on Monday.
"Collective action is the only way," said Greenfield.
Teenagers "all say 'if you're the only one that goes off (social media), you lost your social life.'"



Japan ‘Zombie’ Train Spooks Passengers Ahead of Halloween

 Actors perform for passengers during the "Zombie Shinkansen" event on a bullet train from Tokyo to Osaka, ahead of Halloween on October 19, 2024. (AFP)
Actors perform for passengers during the "Zombie Shinkansen" event on a bullet train from Tokyo to Osaka, ahead of Halloween on October 19, 2024. (AFP)
TT

Japan ‘Zombie’ Train Spooks Passengers Ahead of Halloween

 Actors perform for passengers during the "Zombie Shinkansen" event on a bullet train from Tokyo to Osaka, ahead of Halloween on October 19, 2024. (AFP)
Actors perform for passengers during the "Zombie Shinkansen" event on a bullet train from Tokyo to Osaka, ahead of Halloween on October 19, 2024. (AFP)

It’s usually a serene two-and-a-half-hour ride on Japan's famously efficient bullet train. But the journey quickly descended into a zombie apocalypse, with passengers screaming in terror.

Organizers of Saturday's adrenaline-filled trip, less than two weeks before Halloween, touted it as the "world’s first haunted house experience on a running shinkansen".

On board one chartered car of the shinkansen -- the Japanese word for bullet train -- were around 40 thrill-seekers, ready to brave an encounter with the living dead between Tokyo and the western metropolis of Osaka.

The eerie experience was inspired by the hit 2016 South Korean action-horror movie "Train to Busan", in which a father and daughter trapped on a moving train battle zombies hungry for human flesh.

All seemed normal at first as the bullet train made a peaceful departure Saturday evening, but it wasn't long until the first gory attack.

The victims -- actors planted in seats by the organizers -- jerked in agony and then underwent a terrifying transformation before starting a rampage against their fellow passengers.

Event organizer Kenta Iwana of the group Kowagarasetai, which translates to the "scare squad", said they wanted to "depict the normally safe, peaceful shinkansen -- something we take for granted -- collapsing in the blink of an eye".

- 'Like I was in the film' -

Sitting next to one of the actors was Joshua Payne, one of many foreign tourists on board.

"I literally felt like I was in the film, just sitting here watching it take place in front of me," the 31-year-old American told AFP.

"The fact that we can physically go from Tokyo to Osaka right now and have this whole performance at the same time... I think is really cool and maybe a little bit groundbreaking," he said.

It was far from Central Japan Railway Company's first experiment with the usually dazzlingly clean, accident-free shinkansen, a Japanese institution that turned 60 this year.

After demand for long-distance travel plunged during the Covid-19 pandemic, the railway operator started renting out bullet train compartments for special events to diversify its business.

A sushi restaurant and even a wrestling match have been hosted on the high-speed train, and carriages can also be reserved for private parties.

Marie Izumi of JR Central's tourism subsidiary told AFP that she was surprised by the idea for a zombie-themed commute when Kowagarasetai approached her, thinking it would be "almost impossible to pull off".

But the event has convinced her of "new possibilities" for the bullet train, Izumi said, adding that concerts and comedy shows might be a good fit in the future.

- Thriller -

On Saturday, toy chainsaws and guns were used as props, but depictions of extreme violence and gore that could tarnish the shinkansen's squeaky-clean reputation were avoided.

To counterbalance the subdued horror, the two-and-a-half-hour tour was peppered with light-hearted performances by zombie cheerleaders, magicians and comedians, including a choreographed dance to Michael Jackson's "Thriller".

"Nobody wants to sit tight for such a long time being constantly exposed to horror," said Ayaka Imaide from Kowagarasetai.

Many aboard the zombie-infested train said the experience alone was worth the ticket price of up to 50,000 yen ($335).

"It was very immersive," Naohiko Nozawa, 30, told AFP. "And the appearance of so many different kinds of zombies kept me entertained all the way."