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Indian Artisans Tackle Waste with Creative Upcycling

In this photograph taken on September 17, 2024, a person with disability, recycles plastic waste as part of the Avacayam employment program by the Society for Child Development, in New Delhi. (Photo by Sajjad HUSSAIN / AFP)
In this photograph taken on September 17, 2024, a person with disability, recycles plastic waste as part of the Avacayam employment program by the Society for Child Development, in New Delhi. (Photo by Sajjad HUSSAIN / AFP)
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Indian Artisans Tackle Waste with Creative Upcycling

In this photograph taken on September 17, 2024, a person with disability, recycles plastic waste as part of the Avacayam employment program by the Society for Child Development, in New Delhi. (Photo by Sajjad HUSSAIN / AFP)
In this photograph taken on September 17, 2024, a person with disability, recycles plastic waste as part of the Avacayam employment program by the Society for Child Development, in New Delhi. (Photo by Sajjad HUSSAIN / AFP)

The world's most populous nation India has a waste problem to match, but one group hopes their efforts can inspire change in one of the top polluters of plastic.

At a bustling workshop north of the capital New Delhi, artisan Ram Babu turns a discarded cigarette packet into a papier mache candle, AFP reported.

Babu, a 28-year-old amputee, is among scores of people with disabilities who have been trained to turn "trash to cash" and do their bit for the environment.

"It feels good to work despite my challenging situation," beamed Babu, as he deftly covered the packet with clay, using sprinkles of water.

Life held little hope for Babu after he lost his right hand and leg in a train accident in 2005.

But he found courage again when he stumbled upon the Avacayam employment program, run by the Society for Child Development, a New Delhi-based charity.

The word "Avacayam" comes from Sanskrit, and roughly translates to "gathering flowers".

Avacayam participants turn orange and yellow flowers that were offered in temples and later gathered up into incense sticks and colored powder used widely in festivals.

They also transform fallen idols of Hindu gods and goddesses -- often left piled under sacred trees -- into sacred powder for temple rituals.

"I have been working for more than 14 years now. My life has found a new direction and purpose," said Babu, who earns 10,000 rupees ($120) a month.

Others like Babu make decorative items, bags and pouches out of recycled waste, which is collected every day at their sprawling center.

Plastic bottles are also reused to make a variety of craft products.

The group's efforts scrape the surface.

In India, municipal governments with limited resources often struggle to manage mountains of waste, with towering piles of foul-smelling rubbish littering the edge of New Delhi.

India generates more than 65 million tons of waste in a year, according to a report by The Energy and Resources Institute, a New Delhi-based research group, but only around a fifth is processed and treated.

A study in Nature published this month named India as the largest plastic pollution emitter, producing nearly one-fifth of global plastic emissions.

Global experts -- including the multi-nation "High Ambition Coalition" -- argue the focus must not only be on waste treatment, but urgently required control measures on plastic production itself.

Charity groups such as Avacayam say they set an example, doing what they can.

"We collect waste and trash from offices, homes and factories," said Madhumita Puri, the founder of the Society for Child Development.

"Then we recycle them to make beautiful things which can be enjoyed again."

Puri said the work also helps people with disabilities live a life of dignity.

Abdul Sheikh, whose legs were stunted by polio, had little means of employment until Puri's charity knocked at his door.

"I learnt that day that we should never lose hope in the face of adversities," said Sheikh, 30, who makes decorative papier mache items.

"Now I don't have to depend on others for anything. I don't have legs but today I am standing on my feet."

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Varieties

Jimmy Carter's Woodworking, Painting and Poetry Reveal an Introspective Renaissance Man

(FILES) Former President Jimmy Carter waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)
(FILES) Former President Jimmy Carter waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)
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Jimmy Carter's Woodworking, Painting and Poetry Reveal an Introspective Renaissance Man

(FILES) Former President Jimmy Carter waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)
(FILES) Former President Jimmy Carter waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)

The world knew Jimmy Carter as a president and humanitarian, but he also was a woodworker, painter and poet, creating a body of artistic work that reflects deeply personal views of the global community — and himself.
His portfolio illuminates his closest relationships, his spartan sensibilities and his place in the evolution of American race relations. And it continues to improve the finances of The Carter Center, his enduring legacy, The Associated Press said.
Creating art provided “the rare opportunity for privacy” in his otherwise public life, Carter said. “These times of solitude are like being in another very pleasant world.”
‘One of the best gifts of my life' Mourners at Carter’s hometown funeral will see the altar cross he carved in maple and collection plates he turned on his lathe. Great-grandchildren in the front pews at Maranatha Baptist Church slept as infants in cradles he fashioned.
The former president measured himself a “fairly proficient” craftsman. Chris Bagby, an Atlanta woodworker whose shop Carter frequented, elevated that assessment to “rather accomplished.”
Carter gleaned the basics on his father’s farm, where the Great Depression meant being a jack-of-all-trades. He learned more in shop class and with Future Farmers of America. “I made a miniature of the White House,” he recalled, insisting it was not about his ambitions.
During his Navy years, Jimmy and Rosalynn Carter chose unfurnished military housing to stretch his $300 monthly wage, and he built their furniture himself in a shop on base.
As president, Carter nurtured woodworking rather than his golf game, spending hours in a wood shop at Camp David to make small presents for family and friends. And when he left the White House, West Wing aides and Cabinet members pooled money for a shopping spree at Sears, Roebuck & Co. so he could finally assemble a full-scale home woodshop.
“One of the best gifts of my life,” Carter said.
Working in their converted garage, he previewed decades of Habitat for Humanity work by refurbishing their one-story house in Plains. He also improved his fine woodworking skills, joining wood without nails or screws. He also bought Japanese carving tools, and fashioned a chess set later owned by a Saudi prince.
Not just any customer Carter frequented Atlanta’s Highland Woodworking, a shop replete with a library of how-to books and hard-to-find tools, and recruited the world’s preeminent handmade furniture maker, Tage Frid, as an instructor, Bagby said.
Still hanging near the store entrance is a picture of Frid, who died in 2004, teaching students including a smiling former president at the front of the class.
“He was like a regular customer,” Bagby said, other than the “Secret Service agents who came with him.”
Carter built four ladder-back chairs out of hickory in 1983, and Sotheby’s auctioned them for $21,000 each at the time, the first of many sales of Carter paintings and furniture that raised millions to benefit The Carter Center.
It was rarely about the money, though. Jill Stuckey, a longtime friend who would have the Carters over to her home in Plains, recalled seeing the former president carrying out one of her chairs.
“I said, ‘What are you doing?’” she recalled. “He said, ‘It’s broken. I’m going to take it home and fix it.’”
He was at her back door at 7:30 the next morning, holding her repaired chair.
Carter compared woodworking to the results of his labor as a Navy engineer, or as a boy on the farm: “I like to see what I have done, what I have made.”
‘No special talent,' but his paintings drive auctions Carter employed a folk-art style as a late-in-life amateur painter and claimed “no special talent,” but a 2020 Carter Center auction drew $340,000 for his painting titled “Cardinals," and his oil-on-canvas of an eagle sold for $225,000 in 2023, months after he entered hospice care.
Carter’s work hangs throughout the center’s campus. A room where he met with dignitaries is encircled with birds he painted after he and Rosalynn took on bird watching as a hobby.
Near the executive offices are a self-portrait and a painting of Rosalynn in their early post-presidential years, hanging across from a trio of Andy Warhol prints showing Carter in office.
Carter’s earliest years predominate, with boyhood farm scenes and portraits of influential figures like his father James Earl Carter Sr., whose death in 1953 led him to abandon a Navy career and eventually enter politics in Georgia.
Some of his subjects, including both of his parents, are looking away. Carter's likeness of his mother shows “Miss Lillian” as a 70-year-old Peace Corps volunteer in India. Jason Carter said the piece was particularly meaningful to his grandfather, who lost reelection at a relatively youthful 56.
“When he got out of the White House, she was standing there saying, ’Well, I turned 70 in the Peace Corps. What are you going to do?” Jason Carter said.
One Carter subject who meets his gaze is a young Rosalynn — they married when she was 18 and he was 21. He described her as “remarkably beautiful, almost painfully shy, obviously intelligent, and yet unrestrained in our discussions.”
Another who doesn’t look away is Rachel Clark, a Black sharecropper who had hosted the future president after they worked in the fields. “Except for my parents, Rachel Clark was the person closest to me,” Carter wrote of his childhood.
'Just a word of praise' Carter wrote more than 30 books — even a novel — but was most introspective in poetry.
On his first real recognition of Jim Crow segregation: “A silent line was drawn between friend and friend, race and race.”
On his Cold War submarine’s delicate dance with enemies: “We wanted them to understand ... to share our love of solitude ... the peace we yearned to keep.”
Rosalynn’s smile, he gushed, silenced the birds, “or may be I failed to hear their song.”
Perhaps Carter’s most revealing poem, “I Wanted to Share My Father’s World,” concerns the man who never got to see his namesake son’s achievements. He wrote that he despised Earl’s discipline, and swallowed hunger for “just a word of praise.”
Only when he brought his own sons to visit his dying father did he “put aside the past resentments of the boy” and see “the father who will never cease to be alive in me.”