With EU Funding, Tunisian Farmer Revives Parched Village

Tunisian farmer Abdallah Gadgadhi, 54, irrigates his pepper patch with a hose bringing water from a nearby small dam built by locals in the northwestern Ghardimaou region on September 26, 2024. (AFP)
Tunisian farmer Abdallah Gadgadhi, 54, irrigates his pepper patch with a hose bringing water from a nearby small dam built by locals in the northwestern Ghardimaou region on September 26, 2024. (AFP)
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With EU Funding, Tunisian Farmer Revives Parched Village

Tunisian farmer Abdallah Gadgadhi, 54, irrigates his pepper patch with a hose bringing water from a nearby small dam built by locals in the northwestern Ghardimaou region on September 26, 2024. (AFP)
Tunisian farmer Abdallah Gadgadhi, 54, irrigates his pepper patch with a hose bringing water from a nearby small dam built by locals in the northwestern Ghardimaou region on September 26, 2024. (AFP)

With parched crops on one side and lush green plants on the other, a small farming project in northwest Tunisia demonstrates how foreign funding coupled with dogged local efforts can help tackle the impact of climate change.

A local dam built by woman farmer Saida Zouaoui in the village of Ghardimaou after years of effort has turned her into a local hero for her fellow smallholders, who say it helped increase their production despite a six-year drought.

Zouaoui's stone and cement dam was constructed with European Union funding and technical support from the International Labor Organization, illustrating how such assistance is helping vulnerable nations adapt to climate change.

The COP29 climate summit in Azerbaijan this November will focus on global funding by wealthier, high-polluting nations to help poorer countries adjust to a warming planet. But deep divisions remain over how much should be paid, and who should pay it

"We must adapt to climate change," Zouaoui, 44, said as she cleared fallen branches and debris from a stream flowing off the dam.

"We know the region and its water-related issues, but we must come up with solutions and not lose hope."

As a child, Saida Zouaoui saw both her father and grandfather attempt to build a makeshift reservoir using sandbags in her village of Ghardimaou near the Algerian border.

But without proper infrastructure and money, their effort failed.

In the meantime, Tunisia's water stress worsened.

- EU funding -

Already the 20th most water-stressed country according to the World Resources Institute, Tunisia has seen its national dams shrink to less than a quarter of their capacity, according to official figures.

In Zouaoui's village, traditional dykes provided irrigation for up to 48 hectares (117 acres) during the 1970s and 80s but that has shriveled to only 12 hectares, Monaem Khemissi, Tunisia's ILO coordinator, told AFP.

Zouaoui said a number of farmers, and particularly younger people, left the village for urban areas.

Those who stayed were forced to "reduce cultivated areas and no longer planted crops that require a lot of water".

Zouaoui had pitched the idea of building the small dam to Tunisian authorities before her country's 2011 revolution but they turned it down as unprofitable, she said.

Heavily indebted Tunisia is grappling with weak economic growth.

"I understand the authorities have limited capabilities and do not have the financial resources to implement the idea as they have other priorities," Zouaoui told AFP.

But she persisted.

She told officials that her "lifetime project" would even "irrigate the entire area, for farmers to return and life to resume".

It was European Union funding that eventually provided 90 percent of the 350,000 dinars (around $115,000) needed to build her dam in 2019.

Local farmers contributed about 10 percent of the cost, according to the ILO, and also offered their labor and logistics.

The EU, the North African country's top aid and commercial partner, allocated $241 million in 2023 to support projects mainly linked to agriculture and water management.

Since 2021, the EU has also funded $18 million in rural development projects.

- 'Changed my life' -

ILO's Khemissi said Zouaoui's initiative was a "model of local development".

He said his organization "does not aim to replace the state but rather offer technical and financial support for projects to combat climate change and create jobs in marginalized areas".

Tunisia's northwest, though impoverished, is one of its most fertile areas, known for its production of cereals and vegetables and home to the country's largest dam.

But with an unwavering lack of rainfall, Tunisia lost almost its entire grain harvest last year, according to official figures.

Water still flows, however, through Zouaoui's canals linked to her small dam, which is about the length of one-and-a-half Olympic-sized swimming pools, and three meters (10 feet) deep.

The system irrigates 45 small farms, each ranging from one to two hectares, with a rotation system among her farmer neighbors for free access to water.

Zouaoui said the farmers had nearly lost hope, feeling neglected by the authorities as "each time an official came to visit, the farmers thought they had come for electoral gain".

"I had to convince them that we will have water unconditionally," she said.

Abdallah Gadgadhi, 54, a father of five, recalled that his cultivated field "was reduced to a third before the project was completed" due to water scarcity.

With irrigation from Zouaoui's dam, he said, he has expanded his pepper crop to use around 70 percent of his land.

Rebah Fazaai, 58, said Zouaoui has "changed my life immensely".

"We can now support our families by selling our produce," she added.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”