Albatross Couple Shares Egg Duty in Captivating Low-drama Reality Show

Conservation rangers Sharyn Broni, left, and Colin Facer weigh an albatross at Taiaroa Head, New Zealand on June 18, 2024. (Michael Hayward/New Zealand Department of Conservation via AP)
Conservation rangers Sharyn Broni, left, and Colin Facer weigh an albatross at Taiaroa Head, New Zealand on June 18, 2024. (Michael Hayward/New Zealand Department of Conservation via AP)
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Albatross Couple Shares Egg Duty in Captivating Low-drama Reality Show

Conservation rangers Sharyn Broni, left, and Colin Facer weigh an albatross at Taiaroa Head, New Zealand on June 18, 2024. (Michael Hayward/New Zealand Department of Conservation via AP)
Conservation rangers Sharyn Broni, left, and Colin Facer weigh an albatross at Taiaroa Head, New Zealand on June 18, 2024. (Michael Hayward/New Zealand Department of Conservation via AP)

It’s a reality show about a loving couple waiting to welcome their new arrival, watched by thousands of ardent fans. But the stars of Royal Cam, now in its 10th season, aren’t socialites or hopefuls in love but northern royal albatrosses — majestic New Zealand seabirds with 10-foot (3-meter) wingspans.
The 24-hour livestream of the birds’ breeding season at Taiaroa Head — a rugged headland on New Zealand’s South Island — was established to raise awareness of the vulnerable species, numbers of which have grown slowly over decades of painstaking conservation measures, The Associated Press reported.
Millions have watched the stream since it began in 2016.
“Before that, it was very difficult to follow an albatross’ life cycle because they’re only on land 15% of the time,” said Sharyn Broni, a Department of Conservation ranger who has worked with the birds for nearly three decades. “You’d have to travel a long way to see one.”
But Royal Cam's popularity exploded during the coronavirus pandemic. On a busy comments page hosted by New Zealand’s Department of Conservation, devoted fans track the birds’ locations on an app, discuss significant moments and even create art inspired by the albatross.
Drama-free reality TV The show's premise is simple: Each season, conservation rangers select an albatross couple as that year’s stars. A camera on the remote headland follows the chosen birds as they lay and incubate an egg, before their chick hatches around February, grows to adult size, and finally takes flight.
Unlike human reality shows, drama is rare: Royal albatrosses usually mate for life. Rangers selecting the birds to follow each “season” avoid anything controversial: no first-time parents and no aggressive or grumpy personalities.
This year’s stars are RLK, a 12-year-old male, and GLG, a 14-year-old female, who have raised two chicks before. Their names are derived from the colors on bands that rangers attach to their legs.
“They’re a youngish pair, but not so young that they don’t know what they’re doing,” Broni said.
Action unfolds slowly, which for many fans is the joy of it. Clouds drift by, ships pass in the distance and the sun sets in glowing pinks and peaches. During January, incubation season, an albatross sits on an egg.
But regular watchers anticipate certain moments: About once every 10 days, the second bird in the pair returns from feeding at sea to relieve the parent looking after the nest. Other fan highlights include albatross crash landings, mating dances and the appearances of rangers or the feathered stars of previous seasons.
Fans become friends France Pillière, an artist who lives in Montreal, has never visited New Zealand. But during the pandemic she discovered Royal Cam, fell in love with the “mysterious” creatures, and became a daily viewer.
“You see the birds and all their adventures and their lives, struggling to raise their chicks,” she said.
Pillière stayed, too, for the global community of posters. Unlike much of the internet, the nearly 75,000 comments on the Royal Cam viewing page are uniformly encouraging and educational.
“We care about these people,” Pillière said of her fellow posters. “If one is on a flight to New Zealand, everyone is waiting to hear their comments.”
A conservation success story under threat The past two breeding seasons were the birds’ most successful ever, with 33 chicks each year. There are more than 60 breeding pairs at the colony — conservation measures began in 1937 with one pair.
Progress is unhurried because the northern royal albatross lives long and slowly; after their first flight, chicks stay at sea for 4 to 10 years — traveling up to 118,000 miles a year — then spend about three years choosing a mate. They live until around 40.
The New Zealand mainland colony — one of four sites — is home to 1% of the 17,000 birds worldwide. While breeding measures have proved a success, Broni said, the birds are more threatened than before by plastic pollution, fisheries and warming seas.
Pillière said the death of a chick from ingesting plastic in 2023 had prompted her to drastically reduce her household’s plastic use. The royal albatross has also crept into her work as a sculptor of animals.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”