A Rare Plant Emits a Stink of Death When it Blooms. Thousands in Australia Queued to Get Close to It

People view an endangered plant known as the “corpse flower” for its putrid stink, which is about to bloom at the Royal Botanical Gardens in Sydney, Australia, Thursday, Jan. 23, 2025. (AP Photo/Rick Rycroft)
People view an endangered plant known as the “corpse flower” for its putrid stink, which is about to bloom at the Royal Botanical Gardens in Sydney, Australia, Thursday, Jan. 23, 2025. (AP Photo/Rick Rycroft)
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A Rare Plant Emits a Stink of Death When it Blooms. Thousands in Australia Queued to Get Close to It

People view an endangered plant known as the “corpse flower” for its putrid stink, which is about to bloom at the Royal Botanical Gardens in Sydney, Australia, Thursday, Jan. 23, 2025. (AP Photo/Rick Rycroft)
People view an endangered plant known as the “corpse flower” for its putrid stink, which is about to bloom at the Royal Botanical Gardens in Sydney, Australia, Thursday, Jan. 23, 2025. (AP Photo/Rick Rycroft)

The rare unfurling of an endangered plant that emits the smell of decaying flesh drew hundreds of devoted fans to a greenhouse in Sydney on Thursday where they lined up to experience a momentous bloom -– and a fragrance evoking gym socks and rotting garbage.
Tall, pointed and smelly, the corpse flower is scientifically known as amorphophallus titanum — or bunga bangkai in Indonesia, where the plants are found in the Sumatran rainforest, The Associated Press said.
But to fans of this specimen, she’s Putricia -- a portmanteau of “putrid” and “Patricia” eagerly adopted by her followers who, naturally, call themselves Putricians. For a week, she has graced a stately and gothic display in front of a purple curtain and wreathed in mist from a humidifier at the Royal Sydney Botanic Garden.
Her rise to fame since has been rapid, with more than 13,000 admirers filing past for a moment in her increasingly pungent presence. No corpse flower has bloomed at the garden for 15 years.
A slow bloomer The plant only flowers every 7-10 years in the wild.
“The fact that they open very rarely, so they flower rarely, is obviously something that puts them at a little bit of a disadvantage in the wild,” said garden spokesperson Sophie Daniel, who designed Putricia's kooky and funereal display. “When they open, they have to hope that another flower is open nearby, because they can’t self-pollinate.”
There are thought to be only 300 of the plants in the wild and fewer than 1,000 worldwide — including those in cultivation. Among them is Putricia, which arrived at the garden seven years ago.
When her flower was spotted in December she was just 25 centimeters (10 inches) high. By Thursday, she was 1.6 meters (5 feet 3 inches) tall -– and her flower spike was slowly opening like a pleated skirt around a majestic central tuber, the yellow-green outer curling to reveal a burgundy center.
Putricia-mania builds As excitement grew in Sydney about the moment of her bloom, garden staff erected crowd barriers, giving the Victorian greenhouse the air of a rock concert. Fans trod a red carpet to view Putricia from behind velvet ropes in a display inspired by Queen Victoria’s funeral, the Rocky Horror Picture Show and the oeuvre of the late director David Lynch.
Inside, fans took selfies and leaned in for a sniff — an increasingly perilous prospect as Putricia's odor developed. One young woman raised her hands and bowed as though in worship. On social media, garden staff performed a viral dance to Chappell Roan’s summer hit HOT TO GO! against a backdrop of the stately plant.
It was difficult to say why the regal, mysterious and stinky flower had attracted such a following -– but perhaps the answer lay in the “reverence” viewers felt in the presence of “such an amazing living being,” Daniel said.
A swift rise to online fame Along with her real-life visitors, Putricia’s online fandom has been rapid, global and deeply strange -– if much less smelly. A 24/7 live stream established by the botanic garden drew close to a million views in less than a week and a shared language of memes and inside jokes sprang up.
Frequently deployed acronyms included WWTF, or we watch the flower, WDNRP -- we do not rush Putricia – and BBTB, or blessed be the bloom. “Putricia is a metaphor for my life,” wrote one poster, who did not elaborate.
Commenters on social media made plans to hurry to the garden as the plant opened. In just 24 hours, Putricia’s bloom -– and her stench -– would be gone.
As she unfurled, Putricia would heat to 37 degrees Celsius (100 F) to better spread her scent, Daniel said, attracting flies and carrion beetles to burrow inside and lay eggs. Then, work will begin to hand-pollinate the plant in efforts to ensure the species' diversity and survival.
But first, thousands of Putricians will attempt to get as close as they can to their hero of a week.
“We did have a few conversations early on about whether or not we should have vomit bags in the room," said Daniel, adding that garden staff ultimately decided against it. “I haven’t heard of anyone actually being harmed."



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”