German Man Sets World Record Living for 120 Days Underwater

Rudiger Koch has breakfast in his underwater home before emerging as a world record holder. MARTIN BERNETTI / AFP
Rudiger Koch has breakfast in his underwater home before emerging as a world record holder. MARTIN BERNETTI / AFP
TT

German Man Sets World Record Living for 120 Days Underwater

Rudiger Koch has breakfast in his underwater home before emerging as a world record holder. MARTIN BERNETTI / AFP
Rudiger Koch has breakfast in his underwater home before emerging as a world record holder. MARTIN BERNETTI / AFP

A German aerospace engineer celebrated setting a world record Friday for the longest time living underwater without depressurization -- 120 days in a submerged capsule off the coast of Panama.

Rudiger Koch, 59, emerged from his 30-square-meter (320-square-foot) home under the sea in the presence of Guinness World Records adjudicator Susana Reyes.

She confirmed that Koch had beaten the record previously held by American Joseph Dituri, who spent 100 days living in an underwater lodge in a Florida lagoon.

"It was a great adventure and now it's over there's almost a sense of regret actually. I enjoyed my time here very much," Koch told AFP after leaving the capsule 11 meters (36 feet) under the sea.

"It is beautiful when things calm down and it gets dark and the sea is glowing," he said of the view through the portholes.

"It is impossible to describe, you have to experience that yourself," he added.

To celebrate, Koch toasted with champagne and smoked a cigar before leaping into the Caribbean Sea, where a boat picked him up and took him to dry land for a celebratory party.

Koch's capsule had most of the trappings of modern life: a bed, toilet, TV, computer and internet -- even an exercise bike.

Located some 15 minutes by boat from the coast of northern Panama, it was attached to another chamber perched above the waves by a tube containing a narrow spiral staircase, providing a way down for food and visitors, including a doctor.

Solar panels on the surface provided electricity. There was a backup generator, but no shower.

Koch had told an AFP journalist who visited him halfway through his endeavor that he hoped it would change the way we think about human life -- and where we can settle, even permanently.

"What we are trying to do here is prove that the seas are actually a viable environment for human expansion," he said.

Four cameras filmed his moves in the capsule -- capturing his daily life, monitoring his mental health and providing proof that he never came up to the surface.

"We needed witnesses who were monitoring and verifying 24/7 for more than 120 days," Reyes told AFP.

The record "is undoubtedly one of the most extravagant" and required "a lot of work," she added.

An admirer of Captain Nemo in Jules Verne's "Twenty Thousand Leagues Under the Sea," Koch kept a copy of the 19th century sci-fi classic on his bedside table beneath the waves.



Don't Let AI 'Rip Off' Artists, Beatles Star McCartney Warns UK Government

Musician Paul McCartney performs during his Got Back tour at SoFi Stadium in Inglewood, California, US, May 13, 2022. REUTERS/Mario Anzuoni/File Photo
Musician Paul McCartney performs during his Got Back tour at SoFi Stadium in Inglewood, California, US, May 13, 2022. REUTERS/Mario Anzuoni/File Photo
TT

Don't Let AI 'Rip Off' Artists, Beatles Star McCartney Warns UK Government

Musician Paul McCartney performs during his Got Back tour at SoFi Stadium in Inglewood, California, US, May 13, 2022. REUTERS/Mario Anzuoni/File Photo
Musician Paul McCartney performs during his Got Back tour at SoFi Stadium in Inglewood, California, US, May 13, 2022. REUTERS/Mario Anzuoni/File Photo

Beatles musician Paul McCartney has warned that artificial intelligence could be used to "rip off" artists, urging the British government to make sure upcoming copyright reforms protect its creative industries.

Globally the music and film industries are grappling with the legal and ethical implications of AI models that can produce their own output after being trained on popular works, without necessarily paying the creators of the original content, according to Reuters.

Britain in December proposed a way for artists to license their work to be used in training AI, but also said there should be an exception "to support use at scale of a wide range of material by AI developers where rights have not been reserved."

In a BBC interview broadcast on Sunday, McCartney said he was worried only tech giants would benefit unless copyrights were properly protected.

"AI is a great thing, but it shouldn't rip creative people off," McCartney said. "Make sure you protect the creative thinkers, the creative artists, or you're not going to have them. As simple as that."

The government is currently consulting, opens new tab on its reforms to copyright law, saying there was legal uncertainty about how the existing laws are applied in Britain that risked undermining investment and adoption of AI technology.

McCartney, who in 2023 used AI to help recreate the voice of late Beatles band member John Lennon from an old cassette recording, said there was a risk that artists could lose out if the changes were not handled properly.

"You get young guys, girls, coming up, and they write a beautiful song, and they don’t own it, and they don’t have anything to do with it and anyone who wants can just rip it off,” he said.

"The truth is, the money's going somewhere, you know, and it gets on the streaming platforms - somebody's getting it, and it should be the person who created it. It shouldn't just be some tech giant somewhere."