Meet the Musician Who Taught Timothée Chalamet to Play Guitar Like Bob Dylan

New York musician Larry Saltzman - File photo/The AP
New York musician Larry Saltzman - File photo/The AP
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Meet the Musician Who Taught Timothée Chalamet to Play Guitar Like Bob Dylan

New York musician Larry Saltzman - File photo/The AP
New York musician Larry Saltzman - File photo/The AP

He's not a movie buff, so New York musician Larry Saltzman doesn't always watch the Oscars. This year, however, he's got a rooting interest.

Saltzman taught actor Timothée Chalamet how to play guitar for the role of Bob Dylan in “A Complete Unknown.” In turn, Chalamet earned a best actor nomination and the film is also up for best picture at the Academy Awards on Sunday.

A guitarist who's performed with Simon & Garfunkel, Bette Midler and David Johansen, as well as in the pit at Broadway productions “Hairspray” and “Ain't Too Proud to Beg,” Saltzman has developed a specialty in teaching actors how to play music for their roles. Besides Chalamet, recent pupils have included Adam Driver and Sadie Sink of “Stranger Things.”

On a fellow musician's recommendation, Saltzman first got a call from a movie studio about a decade ago. He admits to being cranky as discussions dragged on. “I almost did everything to talk them out of hiring me,” he said, The AP reported.

Not until the fifth phone call did the studio identify the client: Meryl Streep.

She needed to learn the electric guitar for her starring role in the 2015 film “Ricki and the Flash,” where she portrayed an aging rocker trying to keep her career and life together in the wake of a series of disappointments.

Working with Streep is a little like a political consultant's first client being elected president. If she likes you and word gets around, other students will follow. Teaching actors now represents about 40% of his business, the 69-year-old said.

“My time spent with her was excellent,” he said of Streep. “She's smart. She knows how to learn things. There was a steady progress over three or four months. She did very well.”

Faking it just won't do for serious actors and film directors. It's like lip-syncing — the audience is going to tell the difference, and the characters will be less believable. That was especially true with Chalamet, who needed to sing and play at the same time for a character whose artistry is the centerpiece of the film.

“When the actors come to you, they're kind of vulnerable,” Saltzman said. “They want to do a great job.”

Saltzman had more than 50 sessions with Chalamet, starting in person and retreating to Zoom during the pandemic. It wasn't easy. Chalamet had to learn some 25 songs in the script.

“Sometime in 2018 I had my first lesson with this great guitar teacher named Larry Saltzman who at some point became less of a teacher and more a co-sanity artist through COVID,” Chalamet recalled during a recent interview with The Associated Press. “I think we were keeping each other sane. We would Zoom three, four times a week and doing songs that never made it into the movie.”

It helped that Saltzman is a Dylan buff. Focusing on imparting “the guitar playing of ‘pre-electric Bob,’” he taught his charge so well that Chalamet was a musical guest as well as host on “Saturday Night Live,” performing obscure Dylan cuts last month. Saltzman says, in the course of their sessions, Chalamet “went the extra mile” and unearthed “very early, obscure” Dylan songs that weren't even in the script.

Saltzman generally likes teaching actors more than common folk, in part because there's a specific goal: They need to learn certain songs to inhabit a particular character. When it's open-ended — someone just wants to learn the guitar — it can be more of a challenge, he said. Saltzman also believes that it's an advantage to not be a regular teacher, someone who may approach clients with a more rigid style.

Actor Johnny Cannizzaro said he appreciated Saltzman's calming “bedside manner” and felt welcome in an apartment filled with guitars. Cannizzaro has the role of E Street Band member “Little Steven” Van Zandt in the upcoming Bruce Springsteen biopic, “Deliver Me From Nowhere.”

“There was never really a moment where he expressed any sort of frustration or impatience with me during a session,” said Cannizzaro, who has background playing keyboards but not guitar. “If anything, he would express some excitement when you grasped something he was teaching. That put me at ease.”

Saltzman also studied film of Van Zandt so he wasn't just teaching Cannizzaro guitar — he was showing specifics of how Van Zandt plays, the actor said.

Beyond teaching, Saltzman's time is divided between studio work, playing in New York clubs accompanying different artists and Broadway — he's just about to begin “Smash.”

It's an eye-opening experience for him to later see his students on screen. That was particularly the case when he saw “A Complete Unknown” and marveled at Chalamet's ability as an actor.

All the more reason to watch the Oscars, and to take some pride in his own work.

“In my own humble way, I'm a small gear in that machinery,” he said. “What is rewarding is knowing that in some small way I'm contributing to making a better film.”



Scientists Release Plans for an Even Bigger Atom Smasher to Address the Mysteries of Physics

Mike Lamont, director for accelerators and technology, center left, and Fabiola Gianotti, center right, director general of the European Organization for Nuclear Research (CERN), speak with members of the U.S. House of Representatives in the Large Magnet Facility during a visit to CERN facilities in Meyrin, near Geneva, Switzerland, Friday, March 21, 2025. (Salvatore Di Nolfi/Keystone via AP)
Mike Lamont, director for accelerators and technology, center left, and Fabiola Gianotti, center right, director general of the European Organization for Nuclear Research (CERN), speak with members of the U.S. House of Representatives in the Large Magnet Facility during a visit to CERN facilities in Meyrin, near Geneva, Switzerland, Friday, March 21, 2025. (Salvatore Di Nolfi/Keystone via AP)
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Scientists Release Plans for an Even Bigger Atom Smasher to Address the Mysteries of Physics

Mike Lamont, director for accelerators and technology, center left, and Fabiola Gianotti, center right, director general of the European Organization for Nuclear Research (CERN), speak with members of the U.S. House of Representatives in the Large Magnet Facility during a visit to CERN facilities in Meyrin, near Geneva, Switzerland, Friday, March 21, 2025. (Salvatore Di Nolfi/Keystone via AP)
Mike Lamont, director for accelerators and technology, center left, and Fabiola Gianotti, center right, director general of the European Organization for Nuclear Research (CERN), speak with members of the U.S. House of Representatives in the Large Magnet Facility during a visit to CERN facilities in Meyrin, near Geneva, Switzerland, Friday, March 21, 2025. (Salvatore Di Nolfi/Keystone via AP)

Top minds at the world's largest atom smasher have released a blueprint for a much bigger successor that could vastly improve research into the remaining enigmas of physics.

The plans for the Future Circular Collider — a nearly 91-kilometer (56.5-mile) loop along the French-Swiss border and below Lake Geneva — published late Monday put the finishing details on a project roughly a decade in the making at CERN, the European Organization for Nuclear Research.

The FCC would carry out high-precision experiments in the mid-2040s to study “known physics” in greater detail, then enter a second phase — planned for 2070 — that would conduct high-energy collisions of protons and heavy ions that would “open the door to the unknown,” said Giorgio Chiarelli, a research director at Italy’s National Institute of Nuclear Physics, The AP news reported.

“History of physics tells that when there is more data, the human ingenuity is able to extract more information than originally expected,” Chiarelli, who was not involved in the plans, said in an e-mail.

For roughly a decade, top minds at CERN have been making plans for a successor to the Large Hadron Collider, a network of magnets that accelerate particles through a 27-kilometer (17-mile) underground tunnel and slam them together at velocities approaching the speed of light.

“Ultimately what we would like to do is a collider which will come up with 10 times more energy than what we have today,” said Arnaud Marsollier, a CERN spokesman. “When you have more energy, then you can create particles that are heavier.”

The blueprint lays out the proposed path, environmental impact, scientific ambitions and project cost. Independent experts will take a look before CERN's two dozen member countries decide in 2028 whether to go forward, starting in the mid-2040s at a cost of some 14 billion Swiss francs (about $16 billion).

CERN officials tout the promise of scientific discoveries that could drive innovation in fields like cryogenics, superconducting magnets and vacuum technologies that could benefit humankind.

Outside experts point to the promise of learning more about the Higgs boson, the elusive particle that has been controversially dubbed “the God particle,” which helped explain how matter formed after the Big Bang.

Work at the particle collider confirmed in 2013 the existence of the Higgs boson — the central piece in a puzzle known as the standard model that helps explains some fundamental forces in the universe.

“This set of reports represents an important milestone in the process, but a full sense of the likelihood of it being brought to fruition will only be known through careful studies by scientists, engineers and others, including politicians who must make difficult decisions at time when uncertainty rules the day,” Dave Toback, a professor of physics and astronomy at Texas A&M University, said in an e-mail.

The new collider “provides an exciting opportunity for the particle physics community, and indeed all of physics, on the world stage,” said Toback, who was not affiliated with the plans, and who worked for years at the Fermilab Tevatron collider in the United States that was shut down in 2011.

CERN scientists, engineers and partners behind the plans considered at least 100 scenarios for the new collider before coming up with the proposed 91-kilometer circumference at an average depth of 200 meters (656 feet). The tunnel would be about 5 meters (16 feet) in diameter, CERN said.