Meet the Musician Who Taught Timothée Chalamet to Play Guitar Like Bob Dylan

New York musician Larry Saltzman - File photo/The AP
New York musician Larry Saltzman - File photo/The AP
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Meet the Musician Who Taught Timothée Chalamet to Play Guitar Like Bob Dylan

New York musician Larry Saltzman - File photo/The AP
New York musician Larry Saltzman - File photo/The AP

He's not a movie buff, so New York musician Larry Saltzman doesn't always watch the Oscars. This year, however, he's got a rooting interest.

Saltzman taught actor Timothée Chalamet how to play guitar for the role of Bob Dylan in “A Complete Unknown.” In turn, Chalamet earned a best actor nomination and the film is also up for best picture at the Academy Awards on Sunday.

A guitarist who's performed with Simon & Garfunkel, Bette Midler and David Johansen, as well as in the pit at Broadway productions “Hairspray” and “Ain't Too Proud to Beg,” Saltzman has developed a specialty in teaching actors how to play music for their roles. Besides Chalamet, recent pupils have included Adam Driver and Sadie Sink of “Stranger Things.”

On a fellow musician's recommendation, Saltzman first got a call from a movie studio about a decade ago. He admits to being cranky as discussions dragged on. “I almost did everything to talk them out of hiring me,” he said, The AP reported.

Not until the fifth phone call did the studio identify the client: Meryl Streep.

She needed to learn the electric guitar for her starring role in the 2015 film “Ricki and the Flash,” where she portrayed an aging rocker trying to keep her career and life together in the wake of a series of disappointments.

Working with Streep is a little like a political consultant's first client being elected president. If she likes you and word gets around, other students will follow. Teaching actors now represents about 40% of his business, the 69-year-old said.

“My time spent with her was excellent,” he said of Streep. “She's smart. She knows how to learn things. There was a steady progress over three or four months. She did very well.”

Faking it just won't do for serious actors and film directors. It's like lip-syncing — the audience is going to tell the difference, and the characters will be less believable. That was especially true with Chalamet, who needed to sing and play at the same time for a character whose artistry is the centerpiece of the film.

“When the actors come to you, they're kind of vulnerable,” Saltzman said. “They want to do a great job.”

Saltzman had more than 50 sessions with Chalamet, starting in person and retreating to Zoom during the pandemic. It wasn't easy. Chalamet had to learn some 25 songs in the script.

“Sometime in 2018 I had my first lesson with this great guitar teacher named Larry Saltzman who at some point became less of a teacher and more a co-sanity artist through COVID,” Chalamet recalled during a recent interview with The Associated Press. “I think we were keeping each other sane. We would Zoom three, four times a week and doing songs that never made it into the movie.”

It helped that Saltzman is a Dylan buff. Focusing on imparting “the guitar playing of ‘pre-electric Bob,’” he taught his charge so well that Chalamet was a musical guest as well as host on “Saturday Night Live,” performing obscure Dylan cuts last month. Saltzman says, in the course of their sessions, Chalamet “went the extra mile” and unearthed “very early, obscure” Dylan songs that weren't even in the script.

Saltzman generally likes teaching actors more than common folk, in part because there's a specific goal: They need to learn certain songs to inhabit a particular character. When it's open-ended — someone just wants to learn the guitar — it can be more of a challenge, he said. Saltzman also believes that it's an advantage to not be a regular teacher, someone who may approach clients with a more rigid style.

Actor Johnny Cannizzaro said he appreciated Saltzman's calming “bedside manner” and felt welcome in an apartment filled with guitars. Cannizzaro has the role of E Street Band member “Little Steven” Van Zandt in the upcoming Bruce Springsteen biopic, “Deliver Me From Nowhere.”

“There was never really a moment where he expressed any sort of frustration or impatience with me during a session,” said Cannizzaro, who has background playing keyboards but not guitar. “If anything, he would express some excitement when you grasped something he was teaching. That put me at ease.”

Saltzman also studied film of Van Zandt so he wasn't just teaching Cannizzaro guitar — he was showing specifics of how Van Zandt plays, the actor said.

Beyond teaching, Saltzman's time is divided between studio work, playing in New York clubs accompanying different artists and Broadway — he's just about to begin “Smash.”

It's an eye-opening experience for him to later see his students on screen. That was particularly the case when he saw “A Complete Unknown” and marveled at Chalamet's ability as an actor.

All the more reason to watch the Oscars, and to take some pride in his own work.

“In my own humble way, I'm a small gear in that machinery,” he said. “What is rewarding is knowing that in some small way I'm contributing to making a better film.”



Livestream of Moose Migrating to Their Summer Pastures Fascinates Millions Across the Globe 

This undated photo, issued by SVT, shows Moose in Junsele, Sweden during preparations for the livestream "The Great Moose Migration" to document the annual Moose migration near Kullberg in northern Sweden. (SVT via AP)
This undated photo, issued by SVT, shows Moose in Junsele, Sweden during preparations for the livestream "The Great Moose Migration" to document the annual Moose migration near Kullberg in northern Sweden. (SVT via AP)
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Livestream of Moose Migrating to Their Summer Pastures Fascinates Millions Across the Globe 

This undated photo, issued by SVT, shows Moose in Junsele, Sweden during preparations for the livestream "The Great Moose Migration" to document the annual Moose migration near Kullberg in northern Sweden. (SVT via AP)
This undated photo, issued by SVT, shows Moose in Junsele, Sweden during preparations for the livestream "The Great Moose Migration" to document the annual Moose migration near Kullberg in northern Sweden. (SVT via AP)

Before Swedish slow TV hit “The Great Moose Migration” began airing Tuesday, Ulla Malmgren stocked up on coffee and prepared meals so she doesn't miss a moment of the 20-day, 24-hour event.

“Sleep? Forget it. I don’t sleep,” she said.

Malmgren, 62, isn't alone. The show, called “Den stora älgvandringen” in Swedish, and sometimes translated as “The Great Elk Trek” in English, began in 2019 with nearly a million people watching. In 2024, the production hit 9 million viewers on SVT Play, the streaming platform for national broadcaster SVT.

The livestream kicked off a week ahead of schedule due to warm weather and early moose movement. Malmgren was ready.

From now until May 4, the livestream's remote cameras will capture dozens of moose as they swim across the Ångerman River, some 300 kilometers (187 miles) northwest of Stockholm, in the annual spring migration toward summer grazing pastures.

Not much happens for hours at a time, and fans say that's the beauty of it.

“I feel relaxed, but at the same time I’m like, ‘Oh, there’s a moose. Oh, what if there’s a moose? I can’t go to the toilet!’” said William Garp Liljefors, 20, who has collected more than 150 moose plush toys since 2020.

Slow TV success “The Great Moose Migration” is part of a trend that began in 2009 with Norwegian public broadcaster NRK's minute-by-minute airing of a seven-hour train trip across the southern part of the country.

The slow TV style of programming has spread, with productions in the United Kingdom, China and elsewhere. The central Dutch city of Utrecht, for example, installed a “fish doorbell” on a river lock that lets livestream viewers alert authorities to fish being held up as they migrate to spawning grounds.

Annette Hill, a professor of media and communications at Jönköping University in Sweden, said slow TV has roots in reality television but lacks the staging and therefore feels more authentic for viewers. The productions allow the audience to relax and watch the journey unfold.

“It became, in a strange way, gripping because nothing catastrophic is happening, nothing spectacular is happening,” she said. “But something very beautiful is happening in that minute-by-minute moment.”

As an expert and a fan of “The Great Moose Migration,” Hill said the livestream helps her slow down her day by following the natural rhythms of spring.

“This is definitely a moment to have a calm, atmospheric setting in my own home, and I really appreciate it,” she said.

The calming effect extends to the crew, according to Johan Erhag, SVT's project manager for “The Great Moose Migration.”

“Everyone who works with it goes down in their normal stress,” he said.

The moose have walked the route for thousands of years, making it easy for the crew to know where to lay some 20,000 meters (almost 12 miles) of cable and position 26 remote cameras and seven night cameras. A drone is also used.

The crew of up to 15 people works out of SVT’s control room in Umeå, producing the show at a distance to avoid interfering with the migration.

SVT won't say how much the production costs, but Erhag said it's cheap when accounting for the 506 hours of footage aired last year.

Erhag said Swedes have always been fascinated by the roughly 300,000 moose roaming in their woods. The Scandinavian country's largest animal is known as “King of the Forest.” A bull moose can reach 210 centimeters (6 feet 10 inches) at shoulder height and weigh 450 kilograms (992 pounds).

Despite their size, the herbivores are typically shy and solitary.

“We actually don’t see it very often. You often see it when you’re out driving maybe once or twice in your life,” Erhag said. “I think that’s one thing why it has been so, so popular. And then you bring in the nature to everyone’s living room.”

Hanna Sandberg, 36, first began watching the show in 2019, though she didn't spot any moose. She tuned in the following year, finally saw some and got hooked.

“You can watch them and be a part of their natural habitat in a way that you could never be otherwise,” she said.

After hours of showing an empty forest, a camera captures footage of a moose approaching the riverbank. Suddenly, slow TV turns urgent.

The push alert hits SVT's app — “Första älgarna i bild!” which translates to “First moose on camera!” — as viewers worldwide tune in. The livestream's chat explodes as commenters type encouragement for the animal, now making its way into the water.

“I would actually like to be a little fly on the wall in every household that watches the moose migration. Because I think there are about a million people saying about the same thing: ‘Go on! Yes, you can do it!’” Malmgren said.

Mega-fans like Malmgren, who is in a Facebook group of 76,000-plus viewers, are committed to watching as many hours as possible.

“I was late to school because I saw moose and my teacher was like, ‘What, you saw moose in the city?’ And I was like, ‘No, it’s on the TV,’” Garp Liljefors said.

Malmgren said friends and family have learned not to bother her when the moose are on the move.

“When someone asks me, ‘What are you doing? Oh, never mind, it’s the great migration,’” she said. “They know.”