Osaka Expo Opens in Japan Offering a Vision of the Future. Here’s What to Know 

People visit the US pavilion on the opening day of the Expo 2025 in Osaka, central Japan, Sunday, April 13, 2025. (AP)
People visit the US pavilion on the opening day of the Expo 2025 in Osaka, central Japan, Sunday, April 13, 2025. (AP)
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Osaka Expo Opens in Japan Offering a Vision of the Future. Here’s What to Know 

People visit the US pavilion on the opening day of the Expo 2025 in Osaka, central Japan, Sunday, April 13, 2025. (AP)
People visit the US pavilion on the opening day of the Expo 2025 in Osaka, central Japan, Sunday, April 13, 2025. (AP)

The Expo 2025 opened in Osaka on Sunday with more than 10,000 people singing Beethoven's Ninth Symphony to celebrate the start of the six-month event that Japan hopes will unite the world divided by tensions and wars.

Here is what to know about the Expo 2025 Osaka:

What is Expo 2025 Osaka about? The Osaka Expo is held at Yumeshima, which means "dream island," a reclaimed industrial waste burial site in the Osaka Bay, where participants from more than 160 countries, regions and organizations showcase their futuristic exhibits inside about 80 pavilions of unique architecture.

"Creating a future society for our lives" is the main theme. It is Osaka's second Expo after the hugely successful 1970 event that attracted 64 million visitors, a record until Shanghai in 2010.

Organizers expect 28 million visitors through mid-October, though ticket sales have been slow, with about 9 million sold in advance, short of an initial target of 14 million.

"It’s been 55 years since the last Expo in Osaka. I've been looking forward to it," said Daiki Chiba, who traveled from Sendai, about 900 kilometers (560 miles) northeast of Osaka.

Many visitors carried Myaku-Myaku mascots or wore clothes matching its colors — red, blue and white — to get in the mood.

What does it mean to hold Expo amid global tensions? The Expo comes only four years after Japan struggled to host the no-audience Tokyo Olympics during the coronavirus pandemic.

It opens in the wake of trade wars and fears of a global economic downturn sparked by US President Donald Trump's tariffs, the three-year Russian invasion of Ukraine and Middle East conflicts.

Prime Minister Shigeru Ishiba compared the global tensions to a "national crisis" and said that Trump's tariffs, especially the 25% duty on automobiles, would be a blow to all industries and Japan's economy.

Still, Japan wants to turn the pinch into a chance.

"I think the timing is actually quite fitting," said Sachiko Yoshimura, head of Expo 2025 global communications. "Holding the Expo now could eventually help to address the divisions in the world. ... I believe this Expo in Japan might actually lead to stronger international relationships and improvements."

What is the Grand Ring? The iconic ring, designed by architect Sou Fujimoto, is a lattice-like structure encircling the venue and recognized by the Guinness World Records as the largest wooden architecture. It is 20 meters (65 feet) high and has a 2-kilometer (1.2-mile) circumference.

The costly ring takes up more than 14% of the Expo's total spending of 235 billion yen ($1.64 billion) and has triggered public criticism.

The total cost nearly doubled from the initial estimate largely due to the weaker yen, causing construction delays. Several pavilions, including those of Nepal, India, Vietnam and Chile, were not ready for the opening.

The ring is supposed to be partially reusable, reflecting the theme of creating a sustainable future.

What are other highlights? Exhibits of cutting-edge technology, such as robots and flying cars, as well as pop culture like Hello Kitty and Gundam, are among the highlights.

"Pavilions all look amazing," said Laurel Sylvester from New Zealand, visiting with her husband and two children. Her family is interested in ocean sustainability and planned to visit the Blue Ocean Dome. She said the boys are "super excited to have their photo with the (big Gundam) robot and some of the interesting tech things that are going on."

A small artificial heart made from induced pluripotent stem cells, or iPS, demonstrated a heartbeat at a Japanese health care pavilion. At the Future of Life pavilion, visitors can interact with robots. A human washing machine that was a sensation at the 1970 expo returned with a high-tech makeover.

The US pavilion focuses on space travel. Its lunar stone from the Apollo 12 mission, a sensation at the 1970 expo, was back on display.

China, also highlighting space technology, exhibits soil samples from its lunar missions.

Carrying a "Not for sale" sign and decorated with its blue-and-yellow national flags, Ukraine attracted many visitors with a globe and other items carrying barcodes. By scanning them, visitors can see videos showing people's lives at war and their reconstruction effort.

Dymtro Liuyi, Ukrainian creative director, said his country's participation was undecided until December due to the war. The preparation was finished Sunday morning, he said, showing blue paint on his fingers.

What is Myaku-Myaku? With its blue face encircled by red balls, some of them eyeballs, the mysterious, smiley creature Myaku-Myaku welcomes visitors.

The imaginary creature was born from the fusion of cells and water in a small spring in the Kansai region, organizers say. The friendly but clumsy character can transform into various shapes and is good at finding a rainbow after the rain.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”