Village Bin Man Helped Unearth Ancient Bronze Statues in Tuscany 

A general view of the ruins of an ancient spa where around 20 Etruscan and Roman bronze statues were discovered in San Casciano dei Bagni, a hilltop village in southern Tuscany still home to popular thermal baths, Italy, May 29, 2023. (Reuters)
A general view of the ruins of an ancient spa where around 20 Etruscan and Roman bronze statues were discovered in San Casciano dei Bagni, a hilltop village in southern Tuscany still home to popular thermal baths, Italy, May 29, 2023. (Reuters)
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Village Bin Man Helped Unearth Ancient Bronze Statues in Tuscany 

A general view of the ruins of an ancient spa where around 20 Etruscan and Roman bronze statues were discovered in San Casciano dei Bagni, a hilltop village in southern Tuscany still home to popular thermal baths, Italy, May 29, 2023. (Reuters)
A general view of the ruins of an ancient spa where around 20 Etruscan and Roman bronze statues were discovered in San Casciano dei Bagni, a hilltop village in southern Tuscany still home to popular thermal baths, Italy, May 29, 2023. (Reuters)

One of Italy's most remarkable archaeological finds in decades goes on show this month - Etruscan and Roman statues pulled from the mud in Tuscany thanks in part to the intuition of a retired garbage man.

About two dozen bronze statues from the third century BC to the first century AD, extracted from the ruins of an ancient spa, will go on display in Rome's Quirinale Palace from June 22, after months of restoration.

When the discovery was announced in November, experts called it the biggest collection of ancient bronze statues ever found in Italy and hailed it as a breakthrough that would "rewrite history".

The statues were found in 2021 and 2022 in the hilltop village of San Casciano dei Bagni, still home to popular thermal baths, where archaeologists had long suspected ancient ruins could be discovered.

Initial attempts to locate them, however, were unsuccessful.

Digging started in 2019 on a small plot of land next to the village's Renaissance-era public baths, but weeks of excavations revealed "only traces of some walls", San Casciano Mayor Agnese Carletti said.

Then former bin man and amateur local historian Stefano Petrini had "a flash" of intuition, remembering that years earlier he had seen bits of ancient Roman columns on a wall on the other side of the public baths.

The columns could only be seen from an abandoned garden that had once belonged to his friend, San Casciano's late greengrocer, who grew fruit and vegetables there to sell in the village shop.

When Petrini took archaeologists there, they knew they had found the right spot.

"It all started from there, from the columns," Petrini said.

‘Scrawny boy’ pulled from mud

Emanuele Mariotti, head of the San Casciano archaeological project, said his team was getting "quite desperate" before receiving the tip that led to the discovery of a shrine at the center of the ancient spa complex.

The statues found there were offerings from Romans and Etruscans who looked to the gods for good health, as were the coins and sculptures of body parts like ears and feet also recovered from the site.

One of the most spectacular finds was the "scrawny boy" bronze, a statue about 90 cms (35 inches) high, of a young Roman with an apparent bone disease. An inscription has his name as "Marcius Grabillo".

"When he appeared from the mud, and was therefore partially covered, it looked like the bronze of an athlete ... but once cleaned up and seen properly it was clear that it was that of a sick person," said Ada Salvi, a Culture Ministry archaeologist for the Tuscan provinces of Siena, Grosseto and Arezzo.

Salvi said traces of more unusual offerings were also recovered, including egg shells, pine cones, kernels from peaches and plums, surgical tools and a 2,000-year-old lock of curly hair.

"It opens a window into how Romans and Etruscans experienced the nexus between health, religion and spirituality," she said. "There's a whole world of meaning that has to be understood and studied."

More treasures to be found

The shrine was sealed at the beginning of the fifth century AD, when the ancient spa complex was abandoned, leaving its statues preserved for centuries by the warm mud of the baths.

Excavation will resume in late June. Mariotti said "it is a certainty" that more will be found in the coming years, possibly even the other six or 12 statues that an inscription says were left behind by Marcius Grabillo.

"We've only just lifted the lid," he said.

After the Rome exhibition, the statues and other artefacts are to find a new home in a museum that authorities hope to open in San Casciano within the next couple of years.

Petrini hopes the treasures will bring "jobs, culture and knowledge" to his 1,500-strong village, which is struggling with depopulation like much of rural Italy.

But he is reluctant to take credit for their discovery.

"Important things always happen thanks to several people, never thanks to only one," he said. "Never."



Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
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Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP

Kosovo's oldest cinema has been dark and silent for years as the famous theater slowly disintegrates under a leaky roof.

Signs warn passers-by in the historic city of Prizren that parts of the Lumbardhi's crumbling facade could fall while it waits for its long-promised refurbishment.

"The city deserves to have the cinema renovated and preserved. Only junkies gathering there benefit from it now," nextdoor neighbor butcher Arsim Futko, 62, told AFP.

For seven years, it waited for a European Union-funded revamp, only for the money to be suddenly withdrawn with little explanation.

Now it awaits similar repairs promised by the national government that has since been paralyzed by inconclusive elections in February.

And it is anyone's guess whether the new government that will come out of Sunday's snap election will keep the promise.

'Collateral damage'

Cinema director Ares Shporta said the cinema has become "collateral damage" in a broader geopolitical game after the EU hit his country with sanctions in 2023.

The delayed repairs "affected our morale, it affected our lives, it affected the trust of the community in us," Shporta said.

Brussels slapped Kosovo with sanctions over heightened tensions between the government and the ethnic Serb minority that live in parts of the country as Pristina pushed to exert more control over areas still tightly linked to Belgrade.

Cultural institutions have been among the hardest-hit sectors, as international funding dried up and local decisions were stalled by the parliamentary crisis.

According to an analysis by the Kosovo think tank, the GAP Institute for Advanced Studies, sanctions have resulted in around 613 million euros ($719 million) being suspended or paused, with the cultural sector taking a hit of 15-million-euro hit.

'Ground zero'

With political stalemate threatening to drag on into another year, there are warnings that further funding from abroad could also be in jeopardy.

Since February's election when outgoing premier Albin Kurti topped the polls but failed to win a majority, his caretaker government has been deadlocked with opposition lawmakers.

Months of delays, spent mostly without a parliament, meant little legislative work could be done.

Ahead of the snap election on Sunday, the government said that more than 200 million euros ($235 million) will be lost forever due to a failure to ratify international agreements.

Once the top beneficiary of the EU Growth Plan in the Balkans, Europe's youngest country now trails most of its neighburs, the NGO Group for Legal and Political Studies' executive director Njomza Arifi told AFP.

"While some of the countries in the region have already received the second tranches, Kosovo still remains at ground zero."

Although there have been some enthusiastic signs of easing a half of EU sanctions by January, Kurti's continued push against Serbian institutions and influence in the country's north continues to draw criticism from both Washington and Brussels.

'On the edge'

Across the river from the Lumbardhi, the funding cuts have also been felt at Dokufest, a documentary and short film festival that draws people to the region.

"The festival has had to make staff cuts. Unfortunately, there is a risk of further cuts if things don't change," Dokufest artistic director Veton Nurkollari said.

"Fortunately, we don't depend on just one source because we could end up in a situation where, when the tap is turned off, everything is turned off."

He said that many in the cultural sector were desperate for the upcoming government to get the sanctions lifted by ratification of the agreements that would allow EU funds to flow again.

"Kosovo is the only one left on the edge and without these funds."


Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa
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Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

The Saudi Ministry of Culture concluded the project to survey, document, and archive intangible cultural heritage in Al-Ahsa Governorate by holding a workshop in the governorate, attended by stakeholders and relevant entities, as part of the ministry’s efforts to preserve national cultural heritage and strengthen Saudi cultural identity, reported the Saudi Press Agency on Thursday.

The project included a field survey covering various cities and villages across Al-Ahsa, during which diverse elements of intangible cultural heritage were identified and documented. These included oral traditions, performing arts, skills associated with traditional cultural crafts, social practices, and knowledge related to nature and the local environment.

The work was carried out in cooperation with concerned entities, specialized experts, and local practitioners.

The workshop reviewed the project’s final outcomes and presented reports on documentation and digital archiving activities.

It discussed mechanisms to ensure the sustainability of these efforts and the transmission of this cultural legacy to future generations, contributing to greater community awareness of the value and importance of intangible cultural heritage.


Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA
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Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA

Hail Region pavilion at the Ministry of Interior’s Security Oasis exhibition, part of the 10th King Abdulaziz Camel Festival in Al-Sayahid, features heritage artifacts that reflect the region's renowned hospitality.

The display includes ancient trays and copperware from nearly seventy years ago.

According to SPA, these traditional food preparation and serving vessels have garnered significant interest from visitors. They document daily life in old Hail and its deep-rooted social traditions, particularly in gatherings and special occasions.

The pavilion aims to connect visitors to Hail's history and social legacy, fostering appreciation for national heritage and ensuring cultural preservation for future generations.