Village Bin Man Helped Unearth Ancient Bronze Statues in Tuscany 

A general view of the ruins of an ancient spa where around 20 Etruscan and Roman bronze statues were discovered in San Casciano dei Bagni, a hilltop village in southern Tuscany still home to popular thermal baths, Italy, May 29, 2023. (Reuters)
A general view of the ruins of an ancient spa where around 20 Etruscan and Roman bronze statues were discovered in San Casciano dei Bagni, a hilltop village in southern Tuscany still home to popular thermal baths, Italy, May 29, 2023. (Reuters)
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Village Bin Man Helped Unearth Ancient Bronze Statues in Tuscany 

A general view of the ruins of an ancient spa where around 20 Etruscan and Roman bronze statues were discovered in San Casciano dei Bagni, a hilltop village in southern Tuscany still home to popular thermal baths, Italy, May 29, 2023. (Reuters)
A general view of the ruins of an ancient spa where around 20 Etruscan and Roman bronze statues were discovered in San Casciano dei Bagni, a hilltop village in southern Tuscany still home to popular thermal baths, Italy, May 29, 2023. (Reuters)

One of Italy's most remarkable archaeological finds in decades goes on show this month - Etruscan and Roman statues pulled from the mud in Tuscany thanks in part to the intuition of a retired garbage man.

About two dozen bronze statues from the third century BC to the first century AD, extracted from the ruins of an ancient spa, will go on display in Rome's Quirinale Palace from June 22, after months of restoration.

When the discovery was announced in November, experts called it the biggest collection of ancient bronze statues ever found in Italy and hailed it as a breakthrough that would "rewrite history".

The statues were found in 2021 and 2022 in the hilltop village of San Casciano dei Bagni, still home to popular thermal baths, where archaeologists had long suspected ancient ruins could be discovered.

Initial attempts to locate them, however, were unsuccessful.

Digging started in 2019 on a small plot of land next to the village's Renaissance-era public baths, but weeks of excavations revealed "only traces of some walls", San Casciano Mayor Agnese Carletti said.

Then former bin man and amateur local historian Stefano Petrini had "a flash" of intuition, remembering that years earlier he had seen bits of ancient Roman columns on a wall on the other side of the public baths.

The columns could only be seen from an abandoned garden that had once belonged to his friend, San Casciano's late greengrocer, who grew fruit and vegetables there to sell in the village shop.

When Petrini took archaeologists there, they knew they had found the right spot.

"It all started from there, from the columns," Petrini said.

‘Scrawny boy’ pulled from mud

Emanuele Mariotti, head of the San Casciano archaeological project, said his team was getting "quite desperate" before receiving the tip that led to the discovery of a shrine at the center of the ancient spa complex.

The statues found there were offerings from Romans and Etruscans who looked to the gods for good health, as were the coins and sculptures of body parts like ears and feet also recovered from the site.

One of the most spectacular finds was the "scrawny boy" bronze, a statue about 90 cms (35 inches) high, of a young Roman with an apparent bone disease. An inscription has his name as "Marcius Grabillo".

"When he appeared from the mud, and was therefore partially covered, it looked like the bronze of an athlete ... but once cleaned up and seen properly it was clear that it was that of a sick person," said Ada Salvi, a Culture Ministry archaeologist for the Tuscan provinces of Siena, Grosseto and Arezzo.

Salvi said traces of more unusual offerings were also recovered, including egg shells, pine cones, kernels from peaches and plums, surgical tools and a 2,000-year-old lock of curly hair.

"It opens a window into how Romans and Etruscans experienced the nexus between health, religion and spirituality," she said. "There's a whole world of meaning that has to be understood and studied."

More treasures to be found

The shrine was sealed at the beginning of the fifth century AD, when the ancient spa complex was abandoned, leaving its statues preserved for centuries by the warm mud of the baths.

Excavation will resume in late June. Mariotti said "it is a certainty" that more will be found in the coming years, possibly even the other six or 12 statues that an inscription says were left behind by Marcius Grabillo.

"We've only just lifted the lid," he said.

After the Rome exhibition, the statues and other artefacts are to find a new home in a museum that authorities hope to open in San Casciano within the next couple of years.

Petrini hopes the treasures will bring "jobs, culture and knowledge" to his 1,500-strong village, which is struggling with depopulation like much of rural Italy.

But he is reluctant to take credit for their discovery.

"Important things always happen thanks to several people, never thanks to only one," he said. "Never."



Diriyah Art Futures, Schiattarella Associati Inaugurate 'The Light Footprint' Exhibition in Venice

The Light Footprint exhibition is hosted at Venice's Querini Stampalia Foundation. (SPA)
The Light Footprint exhibition is hosted at Venice's Querini Stampalia Foundation. (SPA)
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Diriyah Art Futures, Schiattarella Associati Inaugurate 'The Light Footprint' Exhibition in Venice

The Light Footprint exhibition is hosted at Venice's Querini Stampalia Foundation. (SPA)
The Light Footprint exhibition is hosted at Venice's Querini Stampalia Foundation. (SPA)

The Saudi Arabia’s Diriyah Art Futures (DAF), the MENA region's first New Media Arts hub, inaugurated on Thursday "The Light Footprint," an exhibition in collaboration with Italian architecture studio Schiattarella Associati.

The exhibition's launch, which runs until June 15, coincides with the opening of the Venice Biennale of Architecture 2025 and explores the architectural development of DAF's groundbreaking headquarters in Riyadh, said DAF in a statement.

The Light Footprint exhibition is hosted at Venice's Querini Stampalia Foundation and presents architectural models, sketches, videos, drawings, photographs, and archival objects to highlight the development process of DAF's remarkable headquarters.

The opening event brought together Advisor to Saudi Arabia's Ministry of Culture Mona Khazindar, Director of DAF Haytham Nawar, and Principal Architects of Schiattarella Associati Amedeo and Andrea Schiattarella for a guided curator-led tour of the exhibition, highlighting the building's architectural and conceptual vision.

Designed by Schiattarella Associati, the DAF hub sets a new benchmark for developing technologically advanced cultural landmarks that integrate historical context with forward-thinking architectural design. Carved into the escarpment of Diriyah, the design draws on Najdi traditions, local materials, and a philosophy that prioritizes sustainability, cultural resonance, and human connection.

Khazindar stated: "We are pleased to present our vision for Diriyah Art Futures alongside the launch of the Venice Biennale of Architecture 2025. This project embodies our efforts to develop forward-looking cultural institutions that foster bold experimentation and new forms of creative expression rooted in our distinct heritage."

"Through projects like Diriyah Art Futures, we are establishing new benchmarks for contemporary cultural institutions while transforming the Kingdom into a leading global capital for cultural exchange," she added.

Amedeo and Andrea Schiattarella said: "Our work begins with the belief that architecture must resist the global flattening of cultural identity by embracing the uniqueness of place. With Diriyah Art Futures, we sought to create something deeply rooted in the local context, which draws on natural materials, historical continuity, and the values of the Najdi tradition to build a contemporary language tied to its environment."

Developed by the Museums Commission, one of the 11 sector-specific commissions of the Saudi Ministry of Culture, DAF is an arts, research, and education hub driven by a belief in the power of interdisciplinary creative practice at the intersection of science and technology.

DAF's 6,550-square-meter hub is equipped with state-of-the-art facilities, symbolizing Saudi Arabia's efforts to develop forward-looking institutions, with strong roots in the nation's unique cultural heritage.