Renowned Artist Confronts Destruction of African Wildlife in Latest Art Show

"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)
"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)
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Renowned Artist Confronts Destruction of African Wildlife in Latest Art Show

"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)
"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)

Often depicted as an integral feature of the continent, African wildlife, from iconic big beasts to its vast array of species, continues to attract millions of foreign travelers every year.
But a new art exhibition in the heart of Johannesburg is questioning the relationship between humans and animals on the continent, which spans centuries and is often marked by the destruction and exploitation of African wildlife for commercial gain and recreational purposes.
From the killing of elephants in the 18th century to feed the ivory trade to decimating the rhino population through hunting, artist and photographer Roger Ballen argues — through provocative installations and multimedia works — that humans have been at the forefront of destroying African wildlife for around 200 years.
The exhibition, which opened in March this year, is titled ‘End of The Game.’ It explores how depictions of African wildlife, including in Hollywood films, were used to instill stereotypes about the continent that led to the ruin of its environment.
“Most people in the West had never been to Africa, so all they knew was what they saw in the movie posters and the films which portrayed Africa as a dark continent with savages and wild animals,” said Ballen.
Although hunting was practiced on the continent before the arrival of European colonists, the practice took on a different form, with the introduction of firearms, the commercial trade of materials like ivory and animal skins and the beginning of ‘trophy hunting’ of big game for sport.
The continent's wildlife continues to face threats today, as land is cleared for development or forests are cut down for fuel, squeezing natural habitats. Human-made climate change is also damaging the landscape, with parts of the continent suffering long periods of drought and other erratic weather including cyclones, heavy rainfall and dust storms.
Ballen used artefacts collected from metal scrap yards, hunting farms, pawn shops and roadsides on his local and international travels over a career of more than four decades to put together a collection of photographs, artworks and creative installations.
“It is about putting it together in an imaginative and creative way that still has an impact and challenges the viewer in all sorts of ways,” said Ballen.
The 73-year-old American-born photographer has lived and worked in Africa for more than 40 years and has developed a reputation for dark and abstract artworks, a consistency he appears to have kept with this most recent body of work.
One of the centerpieces of the exhibition is the documentary section which includes objects, texts, photographs and books documenting early years of hunting expeditions in Africa.
“That gives people sort of the objectification of the period that we are dealing with and when the destruction of game started in Africa," he said. “This is for the audience to discover and to come to terms with.”
Another display of early versions of weapons and ammunition used to kill bigger animals leads into the “Hunter’s Room” — a staged installation depicting archival photographs and items in a staged safari setting.
A hunter figure made from wax is the main character in the room, surrounded by his hunting memorabilia and collectibles.
Some of the photographs include archived pictures of former US president Theodore Roosevelt’s much publicized hunting expeditions in Kenya and Winston Churchill’s east African safari, both in the early 1900s.
A short film shown inside a curated cinema compiles clips from old Western movies depicting African wildlife, including video shot by European tourists who came to the continent for trophy hunting. Hunters can be seen on films towering victoriously over their trophies, mostly dead giraffes, elephants and rhino.
Others depict Indigenous Africans having conquered elephants, lions and leopards.
Trophy hunting is still legal in many countries across the continent, although it's typically regulated to ensure population numbers of animals can be sustained.
The exhibition continues to draw crowds to the Inside Out Center for the Arts in Johannesburg since it opened, and it will remain on display indefinitely, according to Ballen.



Saudi Arabia: Ship of Tolerance Initiative Promotes Cultural Dialogue in Jeddah

The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA
The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA
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Saudi Arabia: Ship of Tolerance Initiative Promotes Cultural Dialogue in Jeddah

The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA
The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA

The Saudi Ministry of Culture, in collaboration with the "Lenobadir" volunteer and community partnership program and the Athr Foundation, has launched the Ship of Tolerance initiative in Historic Jeddah during Ramadan.

The initiative aims to enhance shared human values through arts, and promote tolerance and coexistence among children and families. It provides an educational and cultural experience aligned with the area’s unique character as a UNESCO World Heritage site.

As part of this global art project, children will create artworks that represent acceptance and dialogue.

The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan, linking the initiative's values with local heritage and enriching visitors' connection to the region's identity.

This effort supports cultural programs with educational and social dimensions in Historic Jeddah, activating local sites for experiences that combine art, crafts, and community participation. It aligns with the National Strategy for Culture under Saudi Vision 2030, focusing on heritage preservation and expanding culture's impact on daily life.


Oscar Contender ‘Hamnet’ Boosts Tourism at Shakespeare Heritage Sites 

A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)
A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)
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Oscar Contender ‘Hamnet’ Boosts Tourism at Shakespeare Heritage Sites 

A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)
A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)

On a cloudy winter's day, visitors stream into what was once William Shakespeare's childhood home in Stratford-upon-Avon and the nearby Anne Hathaway's cottage, family residence of the bard's wife.

Hathaway's cottage is one of the settings for the BAFTA and Oscar best film contender "Hamnet", and the movie's success is drawing a new wave of tourists to Shakespeare sites in the town in central England.

Shakespeare's Birthplace is the house the young William once lived in and where his father worked as a glove maker, while Hathaway's cottage is where he would have visited his future wife early in their relationship.

Typically, around 250,000 visitors, from the UK, Europe, the United States, China and elsewhere, walk through the locations each year, according to the Shakespeare Birthplace Trust. ‌The charity looks after ‌Shakespeare heritage sites, which also include Shakespeare's New Place, the site of ‌the ⁠Stratford home where the ⁠bard died in 1616.

Visitors are flocking in this year thanks to "Hamnet", the film based on Maggie O'Farrell's 2020 novel, which gives a fictional account of the relationship between Shakespeare and Hathaway, also known as Agnes, and the death of their 11-year-old son Hamnet in 1596.

"Visitor numbers have increased by about 15 to 20% across all sites since the film was released back in January. I think that will only continue as we go throughout the year," Richard Patterson, chief operating officer for the Shakespeare Birthplace Trust, said.

"They particularly want ⁠to look (at) Anne Hathaway's cottage and the specifics around how the family ‌engaged in the spaces and the landscape in and around ‌the cottage... you can see why he would have been inspired."

NEW ACCESS TO SHAKESPEARE

"Hamnet" has 11 nominations at ‌Sunday's British BAFTA awards, including best film and leading actress for Jessie Buckley, who plays Agnes. It ‌also has eight Oscar nominations, with Buckley seen as the frontrunner to win best actress.

"Hamnet" is set in Stratford-upon-Avon and London although it was not filmed in Stratford.

It sees Paul Mescal's young Shakespeare fall for Agnes while teaching Latin to pay off his father's debts. The drama, seen mainly through Agnes' eyes, focuses on their ‌life together and grief over Hamnet's death, leading Shakespeare to write "Hamlet".

"Shakespeare... is notoriously enigmatic. He writes about humanity, about feeling, about emotion, about conflict, ⁠but where do we understand ⁠who he is in that story?" said Charlotte Scott, a professor of Shakespeare studies and interim director of collections, learning and research at the Shakespeare Birthplace Trust.

"And that's driven people creative and otherwise for hundreds and hundreds of years. Where is Shakespeare's heart? And this is what the film I think has so beautifully opened up."

Little is known about how the couple met. Shakespeare was 18 and Hathaway 26 when they married in 1582. Daughter Susanna arrived in 1583 and twins Judith and Hamnet in 1585.

The film acknowledges the names Hamnet and Hamlet were interchangeable back then. While grief is a dominant theme, audiences also see Shakespeare in love and as a father.

"A lot of people will see this film not necessarily having... had any kind of relationship with Shakespeare," Scott said.

"So people will come to this film, I hope, and find a new way of accessing Shakespeare that is about creativity, that is about understanding storytelling as a constant process of regeneration, but also crucially, looking at it from that kind of emotive angle."


Culture Ministry Continues Preparations in Historic Jeddah to Welcome Visitors during Ramadan 

Historic Jeddah has emerged as a leading cultural tourism destination during Ramadan. (SPA)
Historic Jeddah has emerged as a leading cultural tourism destination during Ramadan. (SPA)
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Culture Ministry Continues Preparations in Historic Jeddah to Welcome Visitors during Ramadan 

Historic Jeddah has emerged as a leading cultural tourism destination during Ramadan. (SPA)
Historic Jeddah has emerged as a leading cultural tourism destination during Ramadan. (SPA)

The Saudi Ministry of Culture is continuing its efforts to revitalize Historic Jeddah in preparation for welcoming visitors during the holy month of Ramadan, offering cultural programs, events, and heritage experiences that reflect the authenticity of the past.

The district has emerged as a leading cultural tourism destination at this time of year as part of the “The Heart of Ramadan” campaign launched by the Saudi Tourism Authority.

Visitors are provided the opportunity to explore the district’s attractions, including archaeological sites located within the geographical boundaries of the UNESCO World Heritage-listed area, which represent a central component of the Kingdom’s urban and cultural heritage.

The area also features museums that serve as gateways to understanding the city’s rich heritage and cultural development, in addition to traditional markets that narrate historical stories through locally made products and Ramadan specialties that reflect authentic traditions.

These initiatives are part of the ministry’s ongoing efforts to revitalize Historic Jeddah in line with the objectives of Saudi Vision 2030 and aiming to transform it into a vibrant hub for arts, culture, and the creative economy, while preserving its tangible and intangible heritage.