Renowned Artist Confronts Destruction of African Wildlife in Latest Art Show

"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)
"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)
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Renowned Artist Confronts Destruction of African Wildlife in Latest Art Show

"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)
"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)

Often depicted as an integral feature of the continent, African wildlife, from iconic big beasts to its vast array of species, continues to attract millions of foreign travelers every year.
But a new art exhibition in the heart of Johannesburg is questioning the relationship between humans and animals on the continent, which spans centuries and is often marked by the destruction and exploitation of African wildlife for commercial gain and recreational purposes.
From the killing of elephants in the 18th century to feed the ivory trade to decimating the rhino population through hunting, artist and photographer Roger Ballen argues — through provocative installations and multimedia works — that humans have been at the forefront of destroying African wildlife for around 200 years.
The exhibition, which opened in March this year, is titled ‘End of The Game.’ It explores how depictions of African wildlife, including in Hollywood films, were used to instill stereotypes about the continent that led to the ruin of its environment.
“Most people in the West had never been to Africa, so all they knew was what they saw in the movie posters and the films which portrayed Africa as a dark continent with savages and wild animals,” said Ballen.
Although hunting was practiced on the continent before the arrival of European colonists, the practice took on a different form, with the introduction of firearms, the commercial trade of materials like ivory and animal skins and the beginning of ‘trophy hunting’ of big game for sport.
The continent's wildlife continues to face threats today, as land is cleared for development or forests are cut down for fuel, squeezing natural habitats. Human-made climate change is also damaging the landscape, with parts of the continent suffering long periods of drought and other erratic weather including cyclones, heavy rainfall and dust storms.
Ballen used artefacts collected from metal scrap yards, hunting farms, pawn shops and roadsides on his local and international travels over a career of more than four decades to put together a collection of photographs, artworks and creative installations.
“It is about putting it together in an imaginative and creative way that still has an impact and challenges the viewer in all sorts of ways,” said Ballen.
The 73-year-old American-born photographer has lived and worked in Africa for more than 40 years and has developed a reputation for dark and abstract artworks, a consistency he appears to have kept with this most recent body of work.
One of the centerpieces of the exhibition is the documentary section which includes objects, texts, photographs and books documenting early years of hunting expeditions in Africa.
“That gives people sort of the objectification of the period that we are dealing with and when the destruction of game started in Africa," he said. “This is for the audience to discover and to come to terms with.”
Another display of early versions of weapons and ammunition used to kill bigger animals leads into the “Hunter’s Room” — a staged installation depicting archival photographs and items in a staged safari setting.
A hunter figure made from wax is the main character in the room, surrounded by his hunting memorabilia and collectibles.
Some of the photographs include archived pictures of former US president Theodore Roosevelt’s much publicized hunting expeditions in Kenya and Winston Churchill’s east African safari, both in the early 1900s.
A short film shown inside a curated cinema compiles clips from old Western movies depicting African wildlife, including video shot by European tourists who came to the continent for trophy hunting. Hunters can be seen on films towering victoriously over their trophies, mostly dead giraffes, elephants and rhino.
Others depict Indigenous Africans having conquered elephants, lions and leopards.
Trophy hunting is still legal in many countries across the continent, although it's typically regulated to ensure population numbers of animals can be sustained.
The exhibition continues to draw crowds to the Inside Out Center for the Arts in Johannesburg since it opened, and it will remain on display indefinitely, according to Ballen.



Saudi Heritage Commission Unveils Evidence of Human Activity Dating Back 125,000 Years at Mundafan Palaeolake

Saudi Heritage Commission Unveils Evidence of Human Activity Dating Back 125,000 Years at Mundafan Palaeolake
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Saudi Heritage Commission Unveils Evidence of Human Activity Dating Back 125,000 Years at Mundafan Palaeolake

Saudi Heritage Commission Unveils Evidence of Human Activity Dating Back 125,000 Years at Mundafan Palaeolake

Saudi Arabia’s Heritage Commission has unveiled the findings of an archaeological and environmental study conducted at the Uruq Al-Julaybah site, located along the shores of the ancient Mundafan Palaeolake in the Empty Quarter of Najran Region, reported the Saudi Press Agency on Friday.

Carried out in collaboration with Australia's Griffith University, King Abdullah University of Science and Technology (KAUST), and several national and international research institutions, the study revealed evidence of human activity dating back 125,000 years during a humid period in the Arabian Peninsula, evidenced by stone tools as well as animal and plant remains along the ancient shoreline.

Published in Science journal, the study indicates that Mundafan Palaeolake spanned approximately 340 square kilometers and reached a maximum depth of about 29 meters. Sedimentary and geomorphological data, alongside aquatic organism remains, point to a relatively stable freshwater body surrounded by open grasslands and vegetation that sustained diverse human and animal populations.

Across more than 130 locations at the site, researchers documented over 500 vertebrate and invertebrate fossils, including hippopotamuses, extinct long-horned buffalo, camels, Arabian oryx, gazelles, ostriches, mollusks, and freshwater crustaceans (ostracods), reflecting the rich ecological diversity of Mundafan Palaeolake during the humid periods of the Pleistocene epoch.

Researchers recovered 5,511 stone artifacts, each exceeding two centimeters in size, from the primary study area, more than 98% of which were crafted from flint. Analyses confirmed the use of the Levallois technique, an advanced core-preparation method characteristic of Middle Paleolithic toolmaking used to control the shape and size of resulting flakes and points, demonstrating that these implements were both manufactured and utilized on-site.

Despite surface erosion over time, the spatial distribution of the stone tools alongside fossil deposits and preserved organic remains indicates repeated, cumulative human habitation over an extended period. Microscopic, chemical, and use-wear analyses identified preserved organic residues, including plant fibers, wood, resins, fats, and collagen, as well as traces of palm and woody plant processing, pointing to diverse daily activities around the palaeolake.

Several stone points displayed impact fractures and traces of hafting onto handles. Chemical testing also detected plant-derived compounds associated with Acokanthera schimperi, a species traditionally used in hunting, suggesting the possible use of composite hunting technologies, though researchers noted that current evidence is insufficient to determine exact preparation methods, concentrations, or efficacy.

Director General of the Antiquities Sector at the Heritage Commission Dr. Ajab Alotaibi noted that fieldwork continued throughout the 2023 season under the commission's mandate to oversee and fund archaeological surveys and excavations. He underscored the commission's commitment to fostering multidisciplinary research partnerships bringing together Griffith University, KAUST, King Saud University, and specialized international centers.

Dr. Abdullah Alsharekh of the Department of Archaeology at King Saud University's College of Tourism and Archaeology affirmed that the shores of Mundafan Palaeolake provided an ideal habitat roughly 125,000 years ago, where the convergence of fresh water, wildlife, flora, and raw materials supported stone-tool production, hunting-gear preparation, resource processing, and fiber working.

Professor Michael Petraglia of Griffith University stated that the discovery significantly advances understanding of early human settlement across the Arabian Peninsula, highlighting the role of sites like Uruq Al-Julaybah in documenting human habitation during past humid phases.

Dr. Frans van Buchem of KAUST noted that collaboration across diverse scientific disciplines yielded a comprehensive portrait of ancient human behavior and prehistoric environments.

The research forms part of the Heritage Commission's broader efforts to leverage advanced scientific methodologies and global partnerships to illuminate the history of human settlement and environmental transformation in the Kingdom.


King Salman Global Academy for Arabic Language, ALECSO Launch Unified Arabic Terminology Dictionary Platform

The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures - SPA
The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures - SPA
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King Salman Global Academy for Arabic Language, ALECSO Launch Unified Arabic Terminology Dictionary Platform

The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures - SPA
The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures - SPA

The King Salman Global Academy for Arabic Language (KSGAAL), in partnership with the Arab League Educational, Cultural and Scientific Organization (ALECSO), launched the Unified Arabic Terminology Dictionary platform during the 28th regular session of the ALECSO General Conference, held in Muscat, Oman.

The session saw the adoption of resolutions concerning two projects submitted by Saudi Arabia and implemented by the academy in cooperation with ALECSO and in coordination with the Saudi National Commission for Education, Culture and Science.

The launch coincides with Saudi Arabia’s presidency of the ALECSO Executive Council and comes within the framework of a memorandum of understanding (MoU) signed to strengthen joint Arab action and develop linguistic, knowledge-based, and digital resources, according to SPA.

The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures, which has made it difficult to search their contents collectively or link them to digital applications. To address this, data from these dictionaries has been restructured in accordance with international standards, enabling instant searches across all their contents through a single interface. Application programming interfaces (APIs) have also been developed to connect the unified dictionary with external systems.

The conference also adopted the “Language Policy System in Arab Countries” project, which is intended to serve as an Arab reference supporting research, planning, and linguistic policymaking. The project includes data, studies, and reports documenting the state of linguistic policies in Arab countries and analyzing their impact.

The ALECSO General Conference commended Saudi Arabia’s efforts to serve the Arabic language and strengthen its regional and international presence. It also praised KSGAAL’s contributions to developing linguistic policies, indicators, and standards; building databases, corpora, dictionaries, and Arabic language processing tools; and harnessing scientific and technological capabilities to support joint projects.

The conference also commended Saudi Arabia, represented by KSGAAL, for implementing the two projects and supporting joint Arab efforts in the field of Arabic language. It called on linguistic, scientific, and academic institutions in Arab countries to benefit from the projects’ outcomes, contribute to enriching their content, update their data, and strengthen cooperation with the academy in related fields.

The launch of the platform and the adoption of the two project decisions mark a continuation of KSGAAL’s efforts to build strategic partnerships, develop digital language solutions, and strengthen integration among institutions concerned with the Arabic language. These efforts reinforce Saudi Arabia’s contribution to supporting joint Arab initiatives and providing scientific and knowledge-based references that serve the Arabic language and keep pace with its development.


India to Build Mega-Museum with World’s ‘Largest Display Area’

 Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)
Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)
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India to Build Mega-Museum with World’s ‘Largest Display Area’

 Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)
Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)

India's cabinet approved on Wednesday a mega-museum showcasing the country's history and civilization, which the government said will cost around $340 million and have the largest display area in the world.

First announced in 2023, the project received approval as Prime Minister Narendra Modi's Hindu nationalist government renewed its emphasis on the country's pre-colonial cultural identity.

The museum's name, Yuge Yugeen Bharat, translates roughly as "India through the ages" and invokes the country's ancient Sanskrit name, Bharat.

It will occupy former civil service offices in New Delhi, known as North and South Blocks, which were designed by British architects Edwin Lutyens and Herbert Baker in the 1920s.

In a statement, the cabinet said the museum will be "spread over a proposed built-up area of approximately 178,509 square meters".

"Benchmarked against major international museums, Yuge Yugeen Bharat Museum is going to be the museum (with) the largest display area in the world," it added.

India's cabinet said the Yuge Yugeen Bharat is "envisaged as a landmark civilizational museum showcasing the continuity, diversity and richness of Bharat's (India's) civilizational heritage".

The first gallery is expected to open to the public by the end of 2027, with project completion scheduled for financial year 2030-31.

Modi came to national power in May 2014, and has since taken multiple steps to glorify the country's heritage and culture.

His government built the world's tallest statue, a 182-meter (597-foot) monument to Vallabhbhai Patel, for his role in bringing princely states into India.

Modi also backed the revamp of New Delhi's historic administrative district in his second term and moved lawmakers to a new parliament building in 2023.

"The Museum is envisaged as a national public cultural institution... it will provide opportunities for learning, research, cultural engagement and appreciation of India's civilizational heritage," the government statement said on Wednesday.

Around 1.8 million objects have been identified from national and state museums, archaeological collections and private holdings for potential display.

The museum is designed to accommodate up to 10 million visitors a year.