Renowned Artist Confronts Destruction of African Wildlife in Latest Art Show

"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)
"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)
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Renowned Artist Confronts Destruction of African Wildlife in Latest Art Show

"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)
"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)

Often depicted as an integral feature of the continent, African wildlife, from iconic big beasts to its vast array of species, continues to attract millions of foreign travelers every year.
But a new art exhibition in the heart of Johannesburg is questioning the relationship between humans and animals on the continent, which spans centuries and is often marked by the destruction and exploitation of African wildlife for commercial gain and recreational purposes.
From the killing of elephants in the 18th century to feed the ivory trade to decimating the rhino population through hunting, artist and photographer Roger Ballen argues — through provocative installations and multimedia works — that humans have been at the forefront of destroying African wildlife for around 200 years.
The exhibition, which opened in March this year, is titled ‘End of The Game.’ It explores how depictions of African wildlife, including in Hollywood films, were used to instill stereotypes about the continent that led to the ruin of its environment.
“Most people in the West had never been to Africa, so all they knew was what they saw in the movie posters and the films which portrayed Africa as a dark continent with savages and wild animals,” said Ballen.
Although hunting was practiced on the continent before the arrival of European colonists, the practice took on a different form, with the introduction of firearms, the commercial trade of materials like ivory and animal skins and the beginning of ‘trophy hunting’ of big game for sport.
The continent's wildlife continues to face threats today, as land is cleared for development or forests are cut down for fuel, squeezing natural habitats. Human-made climate change is also damaging the landscape, with parts of the continent suffering long periods of drought and other erratic weather including cyclones, heavy rainfall and dust storms.
Ballen used artefacts collected from metal scrap yards, hunting farms, pawn shops and roadsides on his local and international travels over a career of more than four decades to put together a collection of photographs, artworks and creative installations.
“It is about putting it together in an imaginative and creative way that still has an impact and challenges the viewer in all sorts of ways,” said Ballen.
The 73-year-old American-born photographer has lived and worked in Africa for more than 40 years and has developed a reputation for dark and abstract artworks, a consistency he appears to have kept with this most recent body of work.
One of the centerpieces of the exhibition is the documentary section which includes objects, texts, photographs and books documenting early years of hunting expeditions in Africa.
“That gives people sort of the objectification of the period that we are dealing with and when the destruction of game started in Africa," he said. “This is for the audience to discover and to come to terms with.”
Another display of early versions of weapons and ammunition used to kill bigger animals leads into the “Hunter’s Room” — a staged installation depicting archival photographs and items in a staged safari setting.
A hunter figure made from wax is the main character in the room, surrounded by his hunting memorabilia and collectibles.
Some of the photographs include archived pictures of former US president Theodore Roosevelt’s much publicized hunting expeditions in Kenya and Winston Churchill’s east African safari, both in the early 1900s.
A short film shown inside a curated cinema compiles clips from old Western movies depicting African wildlife, including video shot by European tourists who came to the continent for trophy hunting. Hunters can be seen on films towering victoriously over their trophies, mostly dead giraffes, elephants and rhino.
Others depict Indigenous Africans having conquered elephants, lions and leopards.
Trophy hunting is still legal in many countries across the continent, although it's typically regulated to ensure population numbers of animals can be sustained.
The exhibition continues to draw crowds to the Inside Out Center for the Arts in Johannesburg since it opened, and it will remain on display indefinitely, according to Ballen.



Saudi Arabia: King Abdulaziz Library to Launch 26th Free Reading Festival

The King Abdulaziz Public Library. SPA
The King Abdulaziz Public Library. SPA
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Saudi Arabia: King Abdulaziz Library to Launch 26th Free Reading Festival

The King Abdulaziz Public Library. SPA
The King Abdulaziz Public Library. SPA

The King Abdulaziz Public Library, in cooperation with the Riyadh Education Department, will launch its 26th annual Free Reading Festival for public school students on Sunday.

Running from May 10 to 14 in Riyadh, the festival will bring together more than 100 schools, over 1,550 students, and a number of educators and teachers.

It aims to foster a love of reading and learning, expand students’ literary, scientific, and cultural horizons, and encourage teachers to promote independent reading. It will also provide a platform to showcase student talents and strengthen Arabic language skills.

Through initiatives like this festival, the King Abdulaziz Public Library promotes reading through diverse programs and a wide range of books that foster pride in the Kingdom’s heritage.


Qassim's Monday Market Retains Heritage Role as Economic and Cultural Hub

The Monday market in the governorate of Uyun Al-Jiwa. (SPA)
The Monday market in the governorate of Uyun Al-Jiwa. (SPA)
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Qassim's Monday Market Retains Heritage Role as Economic and Cultural Hub

The Monday market in the governorate of Uyun Al-Jiwa. (SPA)
The Monday market in the governorate of Uyun Al-Jiwa. (SPA)

The Monday market in the governorate of Uyun Al-Jiwa, north of Qassim Region, stands as one of the oldest traditional weekly markets, enduring through changing times while maintaining its role as a vibrant economic and cultural hub.

The market draws a growing number of visitors from across Qassim and beyond, supported by the governorate’s strategic location.

During a field tour, the Saudi Press Agency observed lively activity throughout the market, with stalls displaying a diverse range of products. These include agricultural goods such as almonds and dried figs; animal products like ghee and milk, for which the region is renowned; as well as handicrafts and natural items such as henna and sidr.

Visitors noted that the market has retained its authentic character, continuing to serve as a vital source of income for small vendors and families working in the cottage industry, reinforcing its role as a key platform for preserving traditional culture while supporting the local rural economy.


Heritage Commission Revives Al-Nasb Heritage District as Abha Cultural Tourism Destination

The district’s significance lies in its unique architectural composition - SPA
The district’s significance lies in its unique architectural composition - SPA
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Heritage Commission Revives Al-Nasb Heritage District as Abha Cultural Tourism Destination

The district’s significance lies in its unique architectural composition - SPA
The district’s significance lies in its unique architectural composition - SPA

Al-Nasb Heritage District in Abha is one of the most prominent living examples of traditional architecture in Aseer Region, preserving its long history and architectural details that embody people’s connection to their local environment and document the social and cultural patterns that have shaped the identity of the place across generations.

The district’s significance lies in its unique architectural composition, where mud and stone buildings stand side by side in visual harmony. They were built using local materials such as stone, clay, and juniper trunks, while the narrow alleyways and closely set buildings give the district a cohesive social character that reflects the spirit of past communities in the region and the close relationship between people and place.

The Heritage Commission has revived the district through an integrated restoration and rehabilitation project aimed at preserving its original elements and enhancing its sustainability, as part of national efforts to protect urban heritage and highlight it as a cultural and tourism asset, SPA reported.

The site is also distinguished by its natural setting, as the district overlooks the banks of Abha Valley and surrounding farms, giving it a distinctive visual and aesthetic dimension. Its narrow passageways and closely set buildings illustrate a traditional urban pattern that strengthens ties among residents and captures the nature of social life in that era.

The district is now a growing destination for culture and tourism in Abha, attracting visitors and heritage enthusiasts who come to explore the details of authentic architecture and learn about the traditional ways of life that have shaped Aseer Region’s identity across generations. The project helps raise awareness of the importance of preserving archaeological sites as a key pillar in forming national memory.

The project is part of the Kingdom’s efforts to protect and effectively manage cultural heritage, in line with the targets of Saudi Vision 2030, which gives special attention to the cultural sector. It seeks to turn heritage sites into vibrant spaces that support cultural tourism and sustainable development while reconnecting society with its historical roots.