Renowned Artist Confronts Destruction of African Wildlife in Latest Art Show

"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)
"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)
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Renowned Artist Confronts Destruction of African Wildlife in Latest Art Show

"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)
"The Hunter's Room", an installation by artist and photographer Roger Ballen at his Inside Out Center for the Arts in Johannesburg, South Africa, Wednesday, May 31, 2023. (AP Photo/Themba Hadebe)

Often depicted as an integral feature of the continent, African wildlife, from iconic big beasts to its vast array of species, continues to attract millions of foreign travelers every year.
But a new art exhibition in the heart of Johannesburg is questioning the relationship between humans and animals on the continent, which spans centuries and is often marked by the destruction and exploitation of African wildlife for commercial gain and recreational purposes.
From the killing of elephants in the 18th century to feed the ivory trade to decimating the rhino population through hunting, artist and photographer Roger Ballen argues — through provocative installations and multimedia works — that humans have been at the forefront of destroying African wildlife for around 200 years.
The exhibition, which opened in March this year, is titled ‘End of The Game.’ It explores how depictions of African wildlife, including in Hollywood films, were used to instill stereotypes about the continent that led to the ruin of its environment.
“Most people in the West had never been to Africa, so all they knew was what they saw in the movie posters and the films which portrayed Africa as a dark continent with savages and wild animals,” said Ballen.
Although hunting was practiced on the continent before the arrival of European colonists, the practice took on a different form, with the introduction of firearms, the commercial trade of materials like ivory and animal skins and the beginning of ‘trophy hunting’ of big game for sport.
The continent's wildlife continues to face threats today, as land is cleared for development or forests are cut down for fuel, squeezing natural habitats. Human-made climate change is also damaging the landscape, with parts of the continent suffering long periods of drought and other erratic weather including cyclones, heavy rainfall and dust storms.
Ballen used artefacts collected from metal scrap yards, hunting farms, pawn shops and roadsides on his local and international travels over a career of more than four decades to put together a collection of photographs, artworks and creative installations.
“It is about putting it together in an imaginative and creative way that still has an impact and challenges the viewer in all sorts of ways,” said Ballen.
The 73-year-old American-born photographer has lived and worked in Africa for more than 40 years and has developed a reputation for dark and abstract artworks, a consistency he appears to have kept with this most recent body of work.
One of the centerpieces of the exhibition is the documentary section which includes objects, texts, photographs and books documenting early years of hunting expeditions in Africa.
“That gives people sort of the objectification of the period that we are dealing with and when the destruction of game started in Africa," he said. “This is for the audience to discover and to come to terms with.”
Another display of early versions of weapons and ammunition used to kill bigger animals leads into the “Hunter’s Room” — a staged installation depicting archival photographs and items in a staged safari setting.
A hunter figure made from wax is the main character in the room, surrounded by his hunting memorabilia and collectibles.
Some of the photographs include archived pictures of former US president Theodore Roosevelt’s much publicized hunting expeditions in Kenya and Winston Churchill’s east African safari, both in the early 1900s.
A short film shown inside a curated cinema compiles clips from old Western movies depicting African wildlife, including video shot by European tourists who came to the continent for trophy hunting. Hunters can be seen on films towering victoriously over their trophies, mostly dead giraffes, elephants and rhino.
Others depict Indigenous Africans having conquered elephants, lions and leopards.
Trophy hunting is still legal in many countries across the continent, although it's typically regulated to ensure population numbers of animals can be sustained.
The exhibition continues to draw crowds to the Inside Out Center for the Arts in Johannesburg since it opened, and it will remain on display indefinitely, according to Ballen.



AlUla World Archaeology Conference to Explore Challenges, Future of Nomadic Societies

The conference will bring together researchers and experts in archaeology and cultural heritage from around the world. SPa
The conference will bring together researchers and experts in archaeology and cultural heritage from around the world. SPa
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AlUla World Archaeology Conference to Explore Challenges, Future of Nomadic Societies

The conference will bring together researchers and experts in archaeology and cultural heritage from around the world. SPa
The conference will bring together researchers and experts in archaeology and cultural heritage from around the world. SPa

The Royal Commission for AlUla will host a global archaeology conference addressing the future of archeology and the heritage of nomadic societies on October 30-31.
The conference, set to alternate with the AlUla World Archaeology Summit year after year, will bring together researchers and experts in archaeology and cultural heritage from around the world.
At the Maraya mirrored wonder nestled amidst the captivating landscape of AlUla, the event will consist of presentations, dialogues, workshops, and case studies, and will showcase a collection of archaeological artifacts discovered in AlUla by archaeological missions.
The conference will highlight the essential role of mobility in shaping the world we know today. Since prehistoric times, mobility has been the means to access new opportunities, improve living conditions, explore, and address environmental challenges, natural disasters, and social and political instabilities, among others.
While mobility remains challenging for some, especially in the wake of the COVID-19 pandemic's movement restrictions at the time, the conference provides an opportunity to shed light on various aspects of mobility and nomadic societies, challenging traditional assumptions about mobility in the past and present.
The conference will focus on the fundamental role of prehistoric mobility, when movement was the primary means to reach areas with new opportunities and seek life chances. Caravan mobility served as a means to address environmental challenges and natural disasters.
At a time when mobility remains a challenge, the conference offers an opportunity to illuminate different facets of mobility and nomadic societies.
Royal Commission for AlUla Vice President of Culture Abdulrahman Alsuhaibani said in a statement issued Tuesday that the conference aims to provide an advanced and pioneering platform for dialogue and collaboration, and that it will alternate with the summit the following year.
The commission, he said, seeks to maintain the momentum generated by the summit last year through the conference, while preparing for AlUla World Archaeology Summit in 2025.
Alsuhaibani said today AlUla is one of the most active regions in the world regarding archaeological exploration, with over 30,000 archaeological sites identified, and 12 ongoing search projects in its rich cultural landscape.
“AlUla has held a unique position for thousands of years as a crossroads for civilizations, serving as a beacon for cultural and intellectual exchange,” Alsuhaibani said.
Key speakers at the conference include Professor Willeke Wendrich from the Department of Near Eastern Languages and Cultures at the University of California, Los Angeles, archaeology Professor Stefano Biagetti from the Pompeu Fabra University in Barcelona, Spain, and Peter Debrine, leader of Sustainable Tourism Programme at UNESCO World Heritage Centre in Paris.
Research overseen by the Royal Commission for AlUla by Saudi and international archaeologists has shed light on various wonders of AlUla's history through the ages, including the massive stone structures known as “mustatil” (rectangle, in Arabic).
Among the discovered wonders are also the ancient stone-built traps for animals, known as “desert kites,” the long “funerary avenues” that connected oases and pastures through corridors lined with tombs, and the dwellings known as the “standing stone circles.”
Studies indicate that early societies in northwestern Arabian Peninsula were more complex and interconnected with the broader region than previously believed.
The conference is anticipated to host the first-ever global exhibition featuring archaeological pieces from the National Archaeological Museum of Naples in Italy. The agenda also includes field visits to prominent archaeological sites in AlUla and surrounding areas of note, including Tayma and Khaybar.