Ancient Roman Temple Complex, with Ruins of Building Where Caesar Was Stabbed, Opens to Tourists 

Journalists visit the new walkways of the so-called "Sacred Area" where four temples, dating back as far as the 3rd century B.C., stand smack in the middle of one of modern Rome's busiest crossroads, Monday, June 19, 2023. (AP)
Journalists visit the new walkways of the so-called "Sacred Area" where four temples, dating back as far as the 3rd century B.C., stand smack in the middle of one of modern Rome's busiest crossroads, Monday, June 19, 2023. (AP)
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Ancient Roman Temple Complex, with Ruins of Building Where Caesar Was Stabbed, Opens to Tourists 

Journalists visit the new walkways of the so-called "Sacred Area" where four temples, dating back as far as the 3rd century B.C., stand smack in the middle of one of modern Rome's busiest crossroads, Monday, June 19, 2023. (AP)
Journalists visit the new walkways of the so-called "Sacred Area" where four temples, dating back as far as the 3rd century B.C., stand smack in the middle of one of modern Rome's busiest crossroads, Monday, June 19, 2023. (AP)

Four temples from ancient Rome, dating back as far as the 3rd century B.C. stand smack in the middle of one of the modern city’s busiest crossroads.

But until Monday, practically the only ones getting a close-up view of the temples were the cats that prowl the so-called “Sacred Area,” on the edge of the site where Julius Caesar was assassinated.

With the help of funding from Bulgari, the luxury jeweler, the grouping of temples can now be visited by the public.

For decades, the curious had to gaze down from the bustling sidewalks rimming Largo Argentina (Argentina Square) to admire the temples below. That’s because, over the centuries, the city had been built up, layer by layer, to levels several meters above the area where Caesar masterminded his political strategies and was later fatally stabbed in 44 B.C.

Behind two of the temples is a foundation and part of a wall that archaeologists believe were part of Pompey’s Curia, a large rectangular-shaped hall that temporarily hosted the Roman Senate when Caesar was murdered.

What leads archaeologists to pinpoint the ruins as Pompey’s Curia? “We know it with certainty because latrines were found on the sides” of Pompey’s Curia, and ancient texts mentioned the latrines, said Claudio Parisi Presicce, an archaeologist and Rome’s top official for cultural heritage.

The temples emerged during the demolition of medieval-era buildings in the late 1920s, part of dictator Benito Mussolini’s campaign to remake the urban landscape. A tower at one edge of Largo Argentina once topped a medieval palace.

The temples are designated A, B, C and D, and are believed to have been dedicated to female deities. One of the temples, reached by an imposing staircase and featuring a circular form and with six surviving columns, is believed to have been erected in honor of Fortuna, a goddess of chance associated with fertility.

Taken together, the temples make for “one of the best-preserved remains of the Roman Republic,″ Parisi Presicce said after the Mayor of Rome Roberto Gualtieri cut a ceremonial ribbon Monday afternoon. On display in a corridor near the temples is a black-and-white photograph showing Mussolini cutting the ribbon in 1929 after the excavated ruins were shown off.

Also visible are the travertine paving stones that Emperor Domitian had laid down after a fire in 80 A.D. ravaged a large swath of Rome, including the Sacred Area.

On display are some of the artifacts found during last century’s excavation. Among them is a colossal stone head of one of the deities honored in the temples, chinless and without its lower lip. Another is a stone fragment of a winged angel of victory.

Over the last decades, a cat colony flourished among the ruins. Felines lounged undisturbed, and cat lovers were allowed to feed them. On Monday, one black-and-white cat sprawled lazily on its back atop the stone stump of what was once a glorious column.

Bulgari helped pay for the construction of the walkways and nighttime illumination. A relief to tourists who step gingerly over the uneven ancient paving stones of the Roman Forum. The Sacred Area’s wooden walkways are wheelchair- and baby-stroller-friendly. For those who can’t handle the stairs down from the sidewalk, an elevator platform is available.

The attraction is open every day except for Mondays and some major holidays, with general admission tickets priced at 5 euros ($5.50).

Curiously, the square owes its name not to the South American country but to the Latin name of Strasbourg, France, which was the home seat of a 15th-century German cardinal who lived nearby and who served as master of ceremonies for pontiffs, including Alexander VI, the Borgia pope.



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.