Ancient Roman Temple Complex, with Ruins of Building Where Caesar Was Stabbed, Opens to Tourists 

Journalists visit the new walkways of the so-called "Sacred Area" where four temples, dating back as far as the 3rd century B.C., stand smack in the middle of one of modern Rome's busiest crossroads, Monday, June 19, 2023. (AP)
Journalists visit the new walkways of the so-called "Sacred Area" where four temples, dating back as far as the 3rd century B.C., stand smack in the middle of one of modern Rome's busiest crossroads, Monday, June 19, 2023. (AP)
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Ancient Roman Temple Complex, with Ruins of Building Where Caesar Was Stabbed, Opens to Tourists 

Journalists visit the new walkways of the so-called "Sacred Area" where four temples, dating back as far as the 3rd century B.C., stand smack in the middle of one of modern Rome's busiest crossroads, Monday, June 19, 2023. (AP)
Journalists visit the new walkways of the so-called "Sacred Area" where four temples, dating back as far as the 3rd century B.C., stand smack in the middle of one of modern Rome's busiest crossroads, Monday, June 19, 2023. (AP)

Four temples from ancient Rome, dating back as far as the 3rd century B.C. stand smack in the middle of one of the modern city’s busiest crossroads.

But until Monday, practically the only ones getting a close-up view of the temples were the cats that prowl the so-called “Sacred Area,” on the edge of the site where Julius Caesar was assassinated.

With the help of funding from Bulgari, the luxury jeweler, the grouping of temples can now be visited by the public.

For decades, the curious had to gaze down from the bustling sidewalks rimming Largo Argentina (Argentina Square) to admire the temples below. That’s because, over the centuries, the city had been built up, layer by layer, to levels several meters above the area where Caesar masterminded his political strategies and was later fatally stabbed in 44 B.C.

Behind two of the temples is a foundation and part of a wall that archaeologists believe were part of Pompey’s Curia, a large rectangular-shaped hall that temporarily hosted the Roman Senate when Caesar was murdered.

What leads archaeologists to pinpoint the ruins as Pompey’s Curia? “We know it with certainty because latrines were found on the sides” of Pompey’s Curia, and ancient texts mentioned the latrines, said Claudio Parisi Presicce, an archaeologist and Rome’s top official for cultural heritage.

The temples emerged during the demolition of medieval-era buildings in the late 1920s, part of dictator Benito Mussolini’s campaign to remake the urban landscape. A tower at one edge of Largo Argentina once topped a medieval palace.

The temples are designated A, B, C and D, and are believed to have been dedicated to female deities. One of the temples, reached by an imposing staircase and featuring a circular form and with six surviving columns, is believed to have been erected in honor of Fortuna, a goddess of chance associated with fertility.

Taken together, the temples make for “one of the best-preserved remains of the Roman Republic,″ Parisi Presicce said after the Mayor of Rome Roberto Gualtieri cut a ceremonial ribbon Monday afternoon. On display in a corridor near the temples is a black-and-white photograph showing Mussolini cutting the ribbon in 1929 after the excavated ruins were shown off.

Also visible are the travertine paving stones that Emperor Domitian had laid down after a fire in 80 A.D. ravaged a large swath of Rome, including the Sacred Area.

On display are some of the artifacts found during last century’s excavation. Among them is a colossal stone head of one of the deities honored in the temples, chinless and without its lower lip. Another is a stone fragment of a winged angel of victory.

Over the last decades, a cat colony flourished among the ruins. Felines lounged undisturbed, and cat lovers were allowed to feed them. On Monday, one black-and-white cat sprawled lazily on its back atop the stone stump of what was once a glorious column.

Bulgari helped pay for the construction of the walkways and nighttime illumination. A relief to tourists who step gingerly over the uneven ancient paving stones of the Roman Forum. The Sacred Area’s wooden walkways are wheelchair- and baby-stroller-friendly. For those who can’t handle the stairs down from the sidewalk, an elevator platform is available.

The attraction is open every day except for Mondays and some major holidays, with general admission tickets priced at 5 euros ($5.50).

Curiously, the square owes its name not to the South American country but to the Latin name of Strasbourg, France, which was the home seat of a 15th-century German cardinal who lived nearby and who served as master of ceremonies for pontiffs, including Alexander VI, the Borgia pope.



Second Islamic Arts Biennale Set to Open in Saudi Arabia in January

Featuring the contributions of over 30 artists, the artworks will be on display in both indoor and outdoor exhibition spaces. SPA
Featuring the contributions of over 30 artists, the artworks will be on display in both indoor and outdoor exhibition spaces. SPA
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Second Islamic Arts Biennale Set to Open in Saudi Arabia in January

Featuring the contributions of over 30 artists, the artworks will be on display in both indoor and outdoor exhibition spaces. SPA
Featuring the contributions of over 30 artists, the artworks will be on display in both indoor and outdoor exhibition spaces. SPA

The Diriyah Biennale Foundation said that the second edition of the Islamic Arts Biennale is scheduled to open on January 25 at the Western Hajj Terminal of King Abdulaziz International Airport in Jeddah.
The biennale aims to present a captivating blend of timeless treasures of Islamic civilization and contemporary artistic creations, offering visitors a journey through the artistic heritage of Islam that engages senses, intellect, and creativity.
Featuring the contributions of over 30 artists from Saudi Arabia and beyond, the artworks will be on display in both indoor and outdoor exhibition spaces.
Saudi artist Muhannad Shono will lead the curation of contemporary art, supported by associate curators Joanna Chevalier and Amina Diab.
Shono, alongside artistic directors Julian Raby, Amin Jaffer, and Abdul Rahman Azzam, has tasked the participating artists with creating new pieces that complement historical Islamic artifacts.
The theme of this biennale, "And all that is in between,” encapsulates the essence of the contemporary artworks, transcending simplistic notions and cultural dialogues to foster a collective understanding, imagination, and interpretation.
Many artists have found inspiration in timeless elements, seeking to captivate visitors with themes like space, time, and light. The artworks offer insight into ways of preserving and nurturing culture by exploring the evolving landscape in Saudi Arabia.
The new art pieces will be showcased alongside historical artifacts, including religious relics, maps, and jewelry, in five indoor exhibition halls and various outdoor spaces under the canopy of the Hajj Terminal.
The works are inspired by the concept of the garden in Islamic civilization, blending nature and traditional design while tackling contemporary environmental and social issues.
The 2025 Islamic Arts Biennale will be held in seven sections: AlBidaya (the beginning), AlMadar (the orbit), AlMuqtani (homage), AlMathala (the canopy), Makkah al-Mukarramah, Al-Madinah al-Munawwarah, and AlMusalla (the prayer hall), spread throughout various galleries and outdoor areas, on 100,000 square meters of dedicated exhibition space.