Los Angeles Artists, Collectors Reel from Wildfires

An aerial view of the fire damage caused by the Palisades Fire is shown in the Pacific Palisades, California, US January 22, 2025. REUTERS/Mike Blake
An aerial view of the fire damage caused by the Palisades Fire is shown in the Pacific Palisades, California, US January 22, 2025. REUTERS/Mike Blake
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Los Angeles Artists, Collectors Reel from Wildfires

An aerial view of the fire damage caused by the Palisades Fire is shown in the Pacific Palisades, California, US January 22, 2025. REUTERS/Mike Blake
An aerial view of the fire damage caused by the Palisades Fire is shown in the Pacific Palisades, California, US January 22, 2025. REUTERS/Mike Blake

As the Los Angeles area begins the formidable task of rebuilding after the most destructive wildfires in its history, the city's artists and art collectors are mourning what could amount to billions of dollars in irreplaceable art that went up in flames.
The wildfires have altogether destroyed more than 13,000 structures, with many among those located in the affluent Palisades neighborhood -- home to many priceless art collections -- and the town of Altadena, which was home to a flourishing artist community.
Some of those art collectors likely lost many of their acquisitions as the fires burned out of control for weeks, while local artists have watched as their studios and homes burned, destroying their work and jeopardizing their livelihoods.
"There's part of me that's numb or in shock," said Brad Eberhard, an artist who ran Altadena's Alto Beta gallery, which also housed his own studio. Both burned down in the Eaton Fire. "Every half hour I remember another thing gone."
Alto Beta, a 550-square-foot (51-sq-meter) space in an Altadena shopping center, hosted exhibits focused on artists who had not had a showing in Los Angeles in the past three years.
Eberhard lost between 50 and 70 of his own sculptures as well as about two dozen pieces of art from his friends and colleagues.
When he returned to visit the gallery, "all I recognized was an aluminum door frame," he said.
Just days before the gallery burned down, Alto Beta had opened a show called "Quiver" exhibiting paintings from Mary Anna Pomonis, a Los Angeles-based artist. Pomonis described the work in the show as female-centered paintings rooted in devotional imagery.
"It felt like it was an appropriately dramatic response to work that I felt dealt on that scale of an epic narrative," Reuters quoted her as saying.
Many in the Los Angeles area have heard the fates of their homes but have been unable to return to see what's left, as tens of thousands of Angelenos remain under evacuation orders.
Kim McCarty, a watercolor painter and owner of the Michael's Santa Monica restaurant with her husband, lost her home to the Palisades fire. Like many, she has not been able to return to assess the damage in person.
Through their restaurant, which opened in 1979, the McCartys became acquainted with local artists and housed many pieces in their Malibu home from friends such as Roger Herman, a German-born artist who teaches at the University of California, Los Angeles, and Pippa Garner, an American artist who died in Los Angeles in December.
"(I'm) sad to lose that all because it's such a loving thing," said McCarty, who added she was not able to salvage any of her own artwork before she was forced to evacuate.
Experts have estimated that the LA wildfires could be the most expensive disaster in US history. AccuWeather has estimated at least $250 billion in losses due to the fires, although that figure could still change.
It is too early to estimate much of the losses that are art-related, but there were perhaps "billions" of dollars worth of fine art in properties in affected areas, said Christopher Wise, vice president at Risk Strategies, an insurance broker and risk management consultancy.
"If you take a look at the size of the areas that are under threat or have burned, the scale of it really is staggering," he said.
Still, Wise cautioned that the amount of losses remains unclear, as many collectors have yet to return to their homes.
Despite the uncertainty created by the wildfires, the organizers of Frieze Los Angeles made the decision last week to go ahead with the international art fair, scheduled for late February.
Frieze, which also holds annual fairs in London, New York and Seoul, has presented the Los Angeles edition since 2019, elevating the city's status as an art capital. The fair attracts galleries and collectors from around the world, especially those from the US West Coast.
"Since the fair's founding six years ago, Frieze has been proud to support and be part of this vibrant community," said a Frieze spokesperson. "The challenges the city is currently facing only strengthen our commitment to work alongside the community to rebuild and recover together."
Frieze Los Angeles, in conjunction with several smaller art fairs, aims to send a message to the local art community by going forward despite the fires, said Marc Selwyn, the owner of Marc Selwyn Fine Art in Los Angeles.
"I think it's important that people know that LA is open for business and art is something that can be a boost for people in these kinds of times," the gallery owner said. The world-famous Getty Museum, which survived the fires, led several major art organizations in standing up a $12 million LA Arts Community Fire Relief Fund, which is set to provide emergency relief to artists and others who work in the arts.
If there is a silver lining to be found in the disaster it may lie in how the Los Angeles artistic community has pulled together to help one another, said Eberhard. He has already been able to find homes in other galleries for most of the shows that Alto Beta was set to exhibit this year.
"I didn't know that the artist community was this caring. I really didn't, because artists are notoriously, and accurately, independent, self-reliant, like little islands," he said.



Saudi Culture Ministry Issues Guide on Ethical Use of AI in Cultural Sector

Saudi Culture Ministry Issues Guide on Ethical Use of AI in Cultural Sector
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Saudi Culture Ministry Issues Guide on Ethical Use of AI in Cultural Sector

Saudi Culture Ministry Issues Guide on Ethical Use of AI in Cultural Sector

The Ministry of Culture has issued a guide on the ethics of using artificial intelligence in the cultural sector, one of the products of the Cultural Policy Lab.

The guide aims to promote informed, responsible and fair practices in using AI technologies across the creative industries and mitigate the risks of misuse. It balances harnessing AI’s potential with preserving the authenticity of Saudi creativity and culture.

The guide can be downloaded through the ministry’s website.

The guide covers 11 cultural sectors and targets cultural institutions and practitioners, as well as AI technology developers. It outlines potential forms of misuse in each sector and provides guidance to help cultural-sector workers keep pace with emerging technologies and use them responsibly. It also seeks to promote innovation that supports the sector’s development and growth and raise awareness of ethical and unethical practices related to AI use.

The guide is based on seven guiding principles: cultural safety and authenticity; ownership and attribution of creative works; transparency, explainability and lawful data use; ethical and fair use of AI; AI as a tool to empower creativity; enhancing access to cultural content; and protecting data privacy and security.

The guide stresses that humans remain responsible for the creative vision and final artistic output, while AI should serve as a supporting tool that enhances creators’ capabilities. It calls for disclosure of AI use, obtaining the necessary approvals, verifying the integrity of data and outputs, and respecting copyright and intellectual property rights.

The guide aligns with guidelines issued by the Saudi Authority for Intellectual Property (SAIP) and is consistent with UNESCO’s Recommendation on the Ethics of Artificial Intelligence, as well as relevant frameworks issued by the Saudi Data & AI Authority (SDAIA).

The guide is a non-binding document, with applicable laws and regulations in Saudi Arabia remaining the overriding reference.


Brazil is in Fashion, as Brazilians Like to Say. Here’s Why

A tourist wearing a jersey in Brazilian colors poses for photos on a terrace at the Rocinha favela in Rio de Janeiro, on Sept. 2, 2026. (AP Photo/Silvia Izquierdo)
A tourist wearing a jersey in Brazilian colors poses for photos on a terrace at the Rocinha favela in Rio de Janeiro, on Sept. 2, 2026. (AP Photo/Silvia Izquierdo)
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Brazil is in Fashion, as Brazilians Like to Say. Here’s Why

A tourist wearing a jersey in Brazilian colors poses for photos on a terrace at the Rocinha favela in Rio de Janeiro, on Sept. 2, 2026. (AP Photo/Silvia Izquierdo)
A tourist wearing a jersey in Brazilian colors poses for photos on a terrace at the Rocinha favela in Rio de Janeiro, on Sept. 2, 2026. (AP Photo/Silvia Izquierdo)

Brazil is having a moment. Celebrities and record numbers of tourists donning green, yellow and blue are flooding into the country. Brazilian culture — from its Oscar-nominated films to funk music — is taking the world by storm. Global fashion brands and influencers are leaning into the hype.

For decades, Brazilians have lamented that the country and its cultural makeup and output have long gone under-appreciated in what has become known as the “mongrel complex”, The Associated Press said.

But as attention from abroad pours in and consolidates itself in 2026, some say a shift may be underway with the rise of “caramelo pride” — a ubiquitous celebration by Brazilians of caramel-colored street mutts that have come to represent the country.

Here’s a look at the phenomenon.

Brazilcore kicks off the trend

Brazil has captured the world’s attention and admiration before, and Brazilians cyclically observe that “Brasil está na moda,” or Brazil is in fashion.

Many trace the current popularity of the phase to 2023, when Brazilcore, a fashion trend featuring the colors of the Brazilian flag and inspired by Brazilian culture, gained widespread global traction. Celebrities including Bad Bunny, Emily Ratajkowski, Hailey Bieber, Tina Kunakey, Sabrina Carpenter, Alex Consani and Addison Rae have all participated in the trend.

Fashion was “very rigid, with many uniformized clothes. Suddenly came this wave from Brazil showing more skin, using more color,” said Néli Pereira, a PhD candidate at the University of Sao Paulo in cultural studies who specializes in Brazil. The spontaneity and vivid color palettes resonated amid a craving for more light-heartedness.

Recently, the popularity of Brazilcore has morphed into a massive, multi-faceted global phenomenon that celebrates “brasilidade,” or Brazilianness, moving beyond fashion to include music, dance, cinema and sport.

Trend seen in fashion, increased tourism and star power

Brazilcore can be spotted on high streets around the world and takes the forms of bikinis, micro-shorts, crochet pieces, soccer shirts and accessories. Brands including fast fashion giants, such as Zara and H&M, have put out tops in green and yellow or emblazoned with Rio de Janeiro, while Chanel, Jil Sander and Schiaparelli have all made references to Brazil’s national colors.

The hype around Brazil has also translated into record numbers of tourists visiting the country. More than 9 million tourists came to Brazil last year, a 37% increase compared with 2024. Jokes on the internet abound about the CPF — an individual’s fiscal identity in Brazil — being the new sought-after green card.

In Rio, visitors head to Rocinha favela, kitted out in Brazilcore, and pay for footage of themselves striding out onto a terrace, plonking themselves down as a drone captures the scene before panning out to capture Rio’s stunning urban landscape. These videos have gone viral in recent months.

“If you don’t do the video with the drone, it’s as if you didn’t come to the favela,” said Eduardo Maristany, a 30-year-old tourist from Barcelona, who recently partook in a tour of Rocinha. Like many others, he chose the country as a destination after seeing an influx of videos on social media about Brazil’s famed favelas, beaches and parties.

It’s not just tourists who are engaging with Brazil. Madonna, Lady Gaga and Shakira performed free shows on Copacabana Beach in 2024, 2025 and 2026 respectively, drawing at least a million concert-goers each time, according to Rio City Hall numbers.

And in 2024, Bruno Mars posted a video of himself dancing to funk music, seemingly getting a Christ the Redeemer tattoo on his chest and posing with a caramelo dog. With more than 13 million likes on Instagram, the video ends with the words: “I love you Brazil.” Rosalia and Dua Lipa have also professed their love for Brazil online.

Meanwhile, Brazilian culture — from Anitta’s funk music to Academy Award-nominated films such as ‘I’m Still Here’ and ‘The Secret Agent’ — is being celebrated on the world’s biggest stages and across the internet, turbocharging Brazil’s soft power.

Brazil is renowned for its complexity and online presence It's frequently said about the country that “Brazil is not for amateurs.” The oft-repeated phrase taps into the complexity of the continental-sized country, where exuberant celebrations of life – epitomized by Carnival — coexist alongside violence, poverty and political scandals reminiscent of telenovelas.

Brazil’s ambiguities “make sense in a world filled with conflicts, inequalities and scarcity,” said Bruno Pompeu, a professor at the University of Sao Paulo’s school of communications and arts.

The country’s formidable presence online is also contributing to the current wave of interest in Brazil. Brazil — with a population of over 200 million — is one of the most connected countries in the world and social media users are showcasing the country’s seemingly infinitely multilayered culture.

“Brazil pulsates creativity and has this very particular characteristic of interacting on the internet in a collective manner. It’s common for content to be quickly transformed into memes and cultural references,” said Eduardo Lorenzi, general director of operations for Latin America at TikTok.

Brazilians are known for their high engagement, a much-sought-after characteristic in the attention economy.

Courtney Henning Novak, a Californian and prolific reader and writer, developed an online community composed mostly of Brazilian followers after her rave review of a 1881 book by Brazilian author Joaquim Maria Machado de Assis went viral.

“Brazilians love to comment. I get more messages than I can keep up with, and there’s a lot of positive energy,” she said.

For the global entertainment industry, brands, event organizers, businesses and influencers, Brazil represents a key market and an exceptionally valuable fan base.

Vitor Oliveira, a 36-year-old tour guide from Rocinha, credits social networks for the explosion of tourism in his neighborhood. “Influencers coming here were a game changer and primordial to the increase of tourism in Rio and especially in Rocinha,” he said.

Beyond digital engagement, Brazil’s current moment in the spotlight is the result of a confluence of factors involving politics, diplomacy, culture and economics, said Pereira, pointing to policies that support the showcasing of Brazilian culture and a huge effort to attract tourists by Embratur, Brazil’s government tourism agency.

Brazil's popularity might begin to fade

Like all trends, this one is likely to fade, experts say, predicting that the upcoming election and the return of political polarization may diminish the association of yellow and green with joy.

French comedian Paul Cabannes, who is based in Sao Paulo and has millions of followers across different platforms, posts humorous content about Brazil and has watched as the number of foreigners producing content almost exclusively about Brazil soared.

“It’s a formula that’s getting a bit tired. I think it’s harder to succeed doing this than before,” he said.

In an increasingly multipolar world, many Brazilians believe that the country’s soft power is here to stay. But Pereira predicts that Brazil’s “mongrel complex” will resurface if the current attention from abroad fades. “Once people stop giving us those little pats on the head, it’ll all come back," she said.


AlUla Skies, Rock Formations Attract Visitors, Photographers

AlUla's skies and rock formations create striking natural scenes that attract visitors and astrotourism enthusiasts. (SPA)
AlUla's skies and rock formations create striking natural scenes that attract visitors and astrotourism enthusiasts. (SPA)
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AlUla Skies, Rock Formations Attract Visitors, Photographers

AlUla's skies and rock formations create striking natural scenes that attract visitors and astrotourism enthusiasts. (SPA)
AlUla's skies and rock formations create striking natural scenes that attract visitors and astrotourism enthusiasts. (SPA)

AlUla's skies and rock formations create striking natural scenes that attract visitors and astrotourism enthusiasts, as its diverse landscapes blend with the stars and night sky, offering an experience that combines nature, celestial observation, and astrophotography, the Saudi Press Agency reported on Sunday.
These scenes become particularly striking after nightfall and away from light sources, when the distinctive rock formations serve as visual elements for photographing the Milky Way, stars, and the movement of celestial bodies. The scene varies depending on location, timing, and camera angle.
Several sites across AlUla attract visitors, stargazers, and night photography enthusiasts from the Kingdom of Saudi Arabia and abroad, drawn by the expansive horizons, diverse terrain, and open desert landscapes.

Gharameel Nature Reserve stands out as a destination where rock formations meet the night sky, giving visitors opportunities for stargazing and astrophotography amid a distinctive desert landscape.