Dutch Museums Will Return Art and Artifacts that Were Looted from Sri Lanka and Indonesia

FILE - A Scythian gold helmet from the fourth century B.C. is displayed as part of the exhibit called The Crimea - Gold and Secrets of the Black Sea, at Allard Pierson historical museum in Amsterdam on April 4, 2014. (AP Photo/Peter Dejong, File)
FILE - A Scythian gold helmet from the fourth century B.C. is displayed as part of the exhibit called The Crimea - Gold and Secrets of the Black Sea, at Allard Pierson historical museum in Amsterdam on April 4, 2014. (AP Photo/Peter Dejong, File)
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Dutch Museums Will Return Art and Artifacts that Were Looted from Sri Lanka and Indonesia

FILE - A Scythian gold helmet from the fourth century B.C. is displayed as part of the exhibit called The Crimea - Gold and Secrets of the Black Sea, at Allard Pierson historical museum in Amsterdam on April 4, 2014. (AP Photo/Peter Dejong, File)
FILE - A Scythian gold helmet from the fourth century B.C. is displayed as part of the exhibit called The Crimea - Gold and Secrets of the Black Sea, at Allard Pierson historical museum in Amsterdam on April 4, 2014. (AP Photo/Peter Dejong, File)

Two Dutch museums are handing hundreds of cultural artifacts back to Indonesia and Sri Lanka — from a richly decorated cannon to precious metals and jewelry — that were taken, often by force, in the colonial era.
The government announced the planned restitution of 478 “cultural objects” Thursday. Some Western nations are returning looted artifacts and other objects as part of a reckoning with their often brutal colonial histories, The Associated Press said.
A Berlin museum announced in January it is ready to return hundreds of human skulls from the former German colony of East Africa. In 2021, France said it was returning statues, royal thrones and sacred altars taken from the West African nation of Benin. And last year, Belgium returned a gold-capped tooth belonging to the slain Congolese independence hero Patrice Lumumba.
“This is a historic moment. It is the first time that, based on the advice of the Advisory Committee on the Return of Cultural Objects from Colonial Context, we are returning objects that should never have been in the Netherlands," said State Secretary for Culture and Media Gunay Uslu.
The committee was set up in 2022 to assess requests by countries for restitution of artifacts in state museums. It is considering more restitution requests from Indonesia, Sri Lanka and Nigeria.
One of the highlights of the looted objects being returned to Sri Lanka is the Cannon of Kandy, a ceremonial weapon made of bronze, silver and gold, and inlaid with rubies. The barrel is decorated with the symbols of the King of Kandy: a sun, a half-moon and a Sinhalese lion.
The cannon has been in the collection of the Rijksmuseum, the national museum of art and history, since 1800. The museum said it was looted by Dutch East India Company troops during the siege and plunder of Kandy in 1765.
The museum's director, Taco Dibbits, called the decision to return the cannon and five other pieces “a positive step in cooperation with Sri Lanka.”
A ceremony is planned for July 10 to officially hand over looted artifacts to Indonesia at the Museum Volkenkunde in Leiden, including a collection of jewels known as the Lombok Treasure looted from Lombok island.



Alwan: Riyadh Int’l Book Fair is a Cultural Icon, Top Arab Book Seller

Over ten days, the book fair events will adorn the Saudi capital (Literature Commission)
Over ten days, the book fair events will adorn the Saudi capital (Literature Commission)
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Alwan: Riyadh Int’l Book Fair is a Cultural Icon, Top Arab Book Seller

Over ten days, the book fair events will adorn the Saudi capital (Literature Commission)
Over ten days, the book fair events will adorn the Saudi capital (Literature Commission)

The Riyadh International Book Fair kicked off this year with over 2,000 local, Arab, and international publishers, offering a rich cultural program.

The event continues to be a major platform for top thinkers, authors, and publishers, showcasing Saudi Arabia’s cultural heritage and leadership in the publishing world.

Dr. Mohammed Hassan Alwan, CEO of the Literature, Publishing, and Translation Commission, said the fair has been a symbol of Saudi Arabia's cultural leadership for nearly five decades.

He noted that it consistently achieves the highest book sales among Arab fairs and draws large crowds from inside and outside the Kingdom.

Speaking to Asharq Al-Awsat, Alwan emphasized that the Riyadh fair, along with other book events in the Kingdom, supports the Ministry of Culture’s goal to grow the cultural sector’s contribution to 3% of the GDP by 2030.

Five Decades of Cultural Leadership in Saudi Arabia

Alwan highlighted that Saudi Arabia has been a cradle of civilizations and a center for scientific, literary, and artistic revival, attracting scholars and students from around the globe.

“Today, Saudi Arabia is rich in cultural elements, historical treasures, and a legacy that strengthens its status as a leading hub of Arab and international culture. This is supported by various initiatives and major cultural and artistic events,” affirmed Alwan.

He also acknowledged the continuous support from Saudi leadership for the cultural sector, noting the close attention from top authorities and the Ministry of Culture’s ongoing development efforts.

Alwan stressed that this commitment underscores the Kingdom’s belief in the vital role of culture in national progress, enhancing quality of life, and supporting economic and social development.

The CEO said that the Ministry of Culture, led by Prince Badr bin Abdullah bin Farhan Al Saud, is essential in shaping Saudi Arabia's cultural landscape.

The ministry is focused on building a comprehensive cultural system to achieve several goals: promoting culture as a lifestyle, using culture to boost economic growth, enhancing the Kingdom's global standing, and strengthening national identity through cultural initiatives. It also aims to develop a vibrant cultural sector that showcases Saudi Arabia’s rich heritage and traditions to the world.

Alwan highlighted a notable increase in cultural activities in recent years. He pointed to a 150% rise in the establishment of amateur cultural clubs last year, which indicates a thriving cultural scene among creatives and cultural entrepreneurs.

This growth reflects the ongoing support for the cultural sector and aligns with various positive cultural indicators.

Cultural Leadership in Saudi Arabia

Alwan discussed the importance of cultural events in Saudi Arabia and the region, highlighting the Riyadh International Book Fair.

Since its launch nearly 50 years ago, the fair has become a symbol of the Kingdom’s cultural leadership.

It is also a part of an initiative aimed at empowering the publishing industry, raising cultural awareness, improving quality of life, and supporting national economic growth in line with Saudi Vision 2030.

He noted that the fair is economically significant, generating the highest book sales among Arab book fairs and attracting large numbers of visitors from within and outside the Kingdom.

Alwan concluded that the commission, with support from the Minister of Culture, is committed to enriching the cultural scene in Saudi Arabia and encouraging community engagement.

He emphasized that supporting culture is a shared responsibility among individuals and institutions, and through collaboration, challenges can be addressed to achieve cultural sustainability and enhance Saudi Arabia's cultural leadership in the region and the world.