Alwan: Riyadh Int’l Book Fair is a Cultural Icon, Top Arab Book Seller

Over ten days, the book fair events will adorn the Saudi capital (Literature Commission)
Over ten days, the book fair events will adorn the Saudi capital (Literature Commission)
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Alwan: Riyadh Int’l Book Fair is a Cultural Icon, Top Arab Book Seller

Over ten days, the book fair events will adorn the Saudi capital (Literature Commission)
Over ten days, the book fair events will adorn the Saudi capital (Literature Commission)

The Riyadh International Book Fair kicked off this year with over 2,000 local, Arab, and international publishers, offering a rich cultural program.

The event continues to be a major platform for top thinkers, authors, and publishers, showcasing Saudi Arabia’s cultural heritage and leadership in the publishing world.

Dr. Mohammed Hassan Alwan, CEO of the Literature, Publishing, and Translation Commission, said the fair has been a symbol of Saudi Arabia's cultural leadership for nearly five decades.

He noted that it consistently achieves the highest book sales among Arab fairs and draws large crowds from inside and outside the Kingdom.

Speaking to Asharq Al-Awsat, Alwan emphasized that the Riyadh fair, along with other book events in the Kingdom, supports the Ministry of Culture’s goal to grow the cultural sector’s contribution to 3% of the GDP by 2030.

Five Decades of Cultural Leadership in Saudi Arabia

Alwan highlighted that Saudi Arabia has been a cradle of civilizations and a center for scientific, literary, and artistic revival, attracting scholars and students from around the globe.

“Today, Saudi Arabia is rich in cultural elements, historical treasures, and a legacy that strengthens its status as a leading hub of Arab and international culture. This is supported by various initiatives and major cultural and artistic events,” affirmed Alwan.

He also acknowledged the continuous support from Saudi leadership for the cultural sector, noting the close attention from top authorities and the Ministry of Culture’s ongoing development efforts.

Alwan stressed that this commitment underscores the Kingdom’s belief in the vital role of culture in national progress, enhancing quality of life, and supporting economic and social development.

The CEO said that the Ministry of Culture, led by Prince Badr bin Abdullah bin Farhan Al Saud, is essential in shaping Saudi Arabia's cultural landscape.

The ministry is focused on building a comprehensive cultural system to achieve several goals: promoting culture as a lifestyle, using culture to boost economic growth, enhancing the Kingdom's global standing, and strengthening national identity through cultural initiatives. It also aims to develop a vibrant cultural sector that showcases Saudi Arabia’s rich heritage and traditions to the world.

Alwan highlighted a notable increase in cultural activities in recent years. He pointed to a 150% rise in the establishment of amateur cultural clubs last year, which indicates a thriving cultural scene among creatives and cultural entrepreneurs.

This growth reflects the ongoing support for the cultural sector and aligns with various positive cultural indicators.

Cultural Leadership in Saudi Arabia

Alwan discussed the importance of cultural events in Saudi Arabia and the region, highlighting the Riyadh International Book Fair.

Since its launch nearly 50 years ago, the fair has become a symbol of the Kingdom’s cultural leadership.

It is also a part of an initiative aimed at empowering the publishing industry, raising cultural awareness, improving quality of life, and supporting national economic growth in line with Saudi Vision 2030.

He noted that the fair is economically significant, generating the highest book sales among Arab book fairs and attracting large numbers of visitors from within and outside the Kingdom.

Alwan concluded that the commission, with support from the Minister of Culture, is committed to enriching the cultural scene in Saudi Arabia and encouraging community engagement.

He emphasized that supporting culture is a shared responsibility among individuals and institutions, and through collaboration, challenges can be addressed to achieve cultural sustainability and enhance Saudi Arabia's cultural leadership in the region and the world.



Germany and Last Kaiser’s Heirs Agree to Keep Treasures on Display

German State Culture Minister Wolfram Weimer attends a press conference following a meeting with EU Culture Ministers and cultural figures in Ministry of Culture in Paris, France, 11 June 2025. (EPA)
German State Culture Minister Wolfram Weimer attends a press conference following a meeting with EU Culture Ministers and cultural figures in Ministry of Culture in Paris, France, 11 June 2025. (EPA)
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Germany and Last Kaiser’s Heirs Agree to Keep Treasures on Display

German State Culture Minister Wolfram Weimer attends a press conference following a meeting with EU Culture Ministers and cultural figures in Ministry of Culture in Paris, France, 11 June 2025. (EPA)
German State Culture Minister Wolfram Weimer attends a press conference following a meeting with EU Culture Ministers and cultural figures in Ministry of Culture in Paris, France, 11 June 2025. (EPA)

The heirs of the former Prussian monarchy and Germany's state-run cultural foundations on Friday announced a deal that will allow thousands of the family's treasures and artefacts to remain on public display.

The agreement ends a century-old dispute between the state and the Hohenzollern family, descendants of the last German emperor and king of Prussia, Kaiser Wilhelm II, who abdicated after World War I.

"After 100 years, we have amicably resolved a dispute dating back to the transition from the monarchy to the republic," said Culture Minister Wolfram Weimer, hailing the "historic success".

The collection reportedly covers 27,000 objects including paintings, sculptures, coins, books and furniture.

"Countless works of art that are of great importance to the history of Brandenburg, Prussia, and thus Germany will now be permanently accessible to the public and continue to form the centerpieces of our museums and palaces," said Weimer.

Prince Georg Friedrich of Prussia said in a statement that "it has always been my goal to permanently preserve our shared cultural heritage for art-loving citizens and to make it publicly accessible".

"The solution now found provides an excellent basis for a new partnership between the state cultural foundations and my family."

Under the agreement, previously disputed objects will be transferred to a non-profit Hohenzollern Art Heritage Foundation, with two thirds of the board made up of public sector representatives, and one third by the aristocratic family.

The ancient House of Hohenzollern ruled the German Empire from its establishment in 1871 until Wilhelm II was forced to abdicate in 1918, going into exile after Germany's defeat in World War I.

The Prussian royals were initially to be stripped of their properties, but a deal was later worked out under a 1926 law.

The imperial family received millions of Deutschmarks and kept dozens of castles, villas and other properties, mainly in and around Berlin but also as far away as today's Namibia.

However, after Nazi Germany's World War II defeat, Soviet occupation of eastern Germany and communist rule led to additional expropriations.

The riches lost behind the Iron Curtain only came back into reach for the Hohenzollern family with the 1989 fall of the Berlin Wall.

Under a 1994 law, people whose property was expropriated by the Soviets have a right to claim compensation, but only if they did not "lend considerable support" to the Nazi regime.

The family fought for years to recover the treasures but dropped the bid in 2023 when a family representative acknowledged that Kaiser Wilhelm II "sympathized with the Nazis at times".

The deal announced on Friday was sealed after the German Historical Museum Foundation gave its approval, following the Prussian Cultural Heritage Foundation and the Prussian Castles and Gardens Foundation in Berlin-Brandenburg.