At Peru Temple Site, Archaeologists Explore 3,000-year-old 'Condor's Passageway'

FILE PHOTO: The archaeological site of Chavin de Huantar, which is a UNESCO World Heritage site, is seen some 155 miles (250 km) north of Lima July 18, 2008. A museum opened near the site with an exhibition of ceramic pieces and rock sculptures from a culture that flourished around 900 B.C. REUTERS/Enrique Castro-Mendivil (PERU)/File Photo
FILE PHOTO: The archaeological site of Chavin de Huantar, which is a UNESCO World Heritage site, is seen some 155 miles (250 km) north of Lima July 18, 2008. A museum opened near the site with an exhibition of ceramic pieces and rock sculptures from a culture that flourished around 900 B.C. REUTERS/Enrique Castro-Mendivil (PERU)/File Photo
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At Peru Temple Site, Archaeologists Explore 3,000-year-old 'Condor's Passageway'

FILE PHOTO: The archaeological site of Chavin de Huantar, which is a UNESCO World Heritage site, is seen some 155 miles (250 km) north of Lima July 18, 2008. A museum opened near the site with an exhibition of ceramic pieces and rock sculptures from a culture that flourished around 900 B.C. REUTERS/Enrique Castro-Mendivil (PERU)/File Photo
FILE PHOTO: The archaeological site of Chavin de Huantar, which is a UNESCO World Heritage site, is seen some 155 miles (250 km) north of Lima July 18, 2008. A museum opened near the site with an exhibition of ceramic pieces and rock sculptures from a culture that flourished around 900 B.C. REUTERS/Enrique Castro-Mendivil (PERU)/File Photo

Archaeologists working in Peru have uncovered a 3,000-year-old sealed corridor dubbed "the condor's passageway" that likely leads to other chambers inside what was once a massive temple complex pertaining to the ancient Chavin culture.
Located around 190 miles (306 km) northeast of Lima, the Chavin de Huantar archeological site is among the culture's most important centers, thriving from around 1,500-550 B.C.
The Chavin are well-known for their advanced art, often featuring depictions of birds and felines. They date back to the first sedentary farming communities in the northern highlands of the Peruvian Andes, more than 2,000 years before the Inca Empire rose to power.
The latest Chavin discoveries focus on a hallway inside a southern portion of the temple that was sealed due to what archaeologists believe was its structural weakness, but that now offers a glimpse into the earliest days of the Chavin.
"What we have here has been frozen in time," lead archeologist John Rick told Reuters.

A large ceramic piece weighing some 37 pounds (17 kg) decorated with what appears to be a condor's head and wings has been found in the passageway, along with a ceramic bowl, both unearthed in May 2022 when the entrance was uncovered.
The condor, one of the largest birds in the world, was associated with power and prosperity in ancient Andean cultures.
The temple complex features terraces as well as a network of passageways, which have only recently been discovered.
Rick, a Stanford University archeologist, has said much of the temple complex remains to be excavated.
The entrance to the "condor's passageway" was first explored by Rick's team using cameras mounted on robots, seeking to negotiate the debris that once filled it as well as avoiding the risk of further collapse of the ancient architecture.

The United Nations' educational, scientific and cultural arm UNESCO declared Chavin de Huantar a world heritage site in 1985.



Saudi Museums Commission Showcases Chinese Contemporary Art for 1st Time in Saudi Arabia

The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA
The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA
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Saudi Museums Commission Showcases Chinese Contemporary Art for 1st Time in Saudi Arabia

The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA
The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA

The Museums Commission inaugurated on Thursday the exhibition "The Writings of Today Are a Promise for Tomorrow" at the Saudi Arabia Museum of Contemporary Art at Jax, introducing contemporary artists of Chinese origin to Saudi Arabia for the first time.
Bringing together over 30 artists of different generations and cultural backgrounds, the exhibition showcases a collection of over 50 art pieces, offering diverse and nuanced perspectives on the profound transformation of our contemporary society.
The exhibition draws fascinating parallels between Arab and Chinese traditions by exploring two central elements they have in common: calligraphy and the garden. The exhibition highlights the profound significance of calligraphy as a cultural and societal practice in both Arabic and Chinese cultures, in which the written word and script are revered not only as a form of communication but also as a spiritual endeavor.
The balance between discipline and naturalness, a requirement for masterful calligraphy, links the field of writing with the domain of the garden. By definition, the garden is nature in an arranged order, and it is considered in both cultures a representation of creation, designed for the appreciation of beauty and spirituality, and for contemplation and conviviality.
"The Writings of Today Are a Promise for Tomorrow" exhibition also reflects an aspiration towards future possibilities and ongoing dialogue, addressing the concepts of energy flow and synergy. Writing here is understood in a larger sense as the trace of a meaningful act of participation and communication.
The exhibition is designed as a stroll through a series of thematic stages, exploring the interplay between presence and absence, action and contemplation, memory and imagination
Visitors will have the opportunity to explore pieces from two notable Paris-based collections of contemporary Chinese art, the Donnersberg Collection and the dslcollection, as well as direct contributions from artists and site-specific works produced in Saudi Arabia for the exhibition. They will also see the works of a French-Algerian artist Adel Abdessemed and Taiwanese artist Michael Lin, showing for the first time in Saudi Arabia.
The exhibition showcases how the art of today continues to evolve, reflecting and reshaping the flow of cultural energy, connecting past and future, and embodying the promise of tomorrow.
The exhibition will run until January 18, 2025.