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Saudi Museums Commission Showcases Chinese Contemporary Art for 1st Time in Saudi Arabia

The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA
The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA
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Saudi Museums Commission Showcases Chinese Contemporary Art for 1st Time in Saudi Arabia

The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA
The exhibition draws fascinating parallels between Arab and Chinese traditions. SPA

The Museums Commission inaugurated on Thursday the exhibition "The Writings of Today Are a Promise for Tomorrow" at the Saudi Arabia Museum of Contemporary Art at Jax, introducing contemporary artists of Chinese origin to Saudi Arabia for the first time.
Bringing together over 30 artists of different generations and cultural backgrounds, the exhibition showcases a collection of over 50 art pieces, offering diverse and nuanced perspectives on the profound transformation of our contemporary society.
The exhibition draws fascinating parallels between Arab and Chinese traditions by exploring two central elements they have in common: calligraphy and the garden. The exhibition highlights the profound significance of calligraphy as a cultural and societal practice in both Arabic and Chinese cultures, in which the written word and script are revered not only as a form of communication but also as a spiritual endeavor.
The balance between discipline and naturalness, a requirement for masterful calligraphy, links the field of writing with the domain of the garden. By definition, the garden is nature in an arranged order, and it is considered in both cultures a representation of creation, designed for the appreciation of beauty and spirituality, and for contemplation and conviviality.
"The Writings of Today Are a Promise for Tomorrow" exhibition also reflects an aspiration towards future possibilities and ongoing dialogue, addressing the concepts of energy flow and synergy. Writing here is understood in a larger sense as the trace of a meaningful act of participation and communication.
The exhibition is designed as a stroll through a series of thematic stages, exploring the interplay between presence and absence, action and contemplation, memory and imagination
Visitors will have the opportunity to explore pieces from two notable Paris-based collections of contemporary Chinese art, the Donnersberg Collection and the dslcollection, as well as direct contributions from artists and site-specific works produced in Saudi Arabia for the exhibition. They will also see the works of a French-Algerian artist Adel Abdessemed and Taiwanese artist Michael Lin, showing for the first time in Saudi Arabia.
The exhibition showcases how the art of today continues to evolve, reflecting and reshaping the flow of cultural energy, connecting past and future, and embodying the promise of tomorrow.
The exhibition will run until January 18, 2025.

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Culture

Syria's Aleppo Set for Revival Despite War Scars to its Heritage

During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP
During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP
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Syria's Aleppo Set for Revival Despite War Scars to its Heritage

During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP
During the four years of fighting before Assad's forces recaptured Aleppo following a devastating siege, the city was virtually emptied - AFP

The historic Baron Hotel in Syria's Aleppo is dilapidated and damaged by years of war but still standing and ready for a revival, much like the city itself.

Aleppo's old city, designated a UNESCO World Heritage site, was ravaged by the conflict that erupted after a government crackdown on protests in 2011.

Between 2012 and 2016, it became a battleground between Syria's military and opposition factions.

The army of now-ousted president Bashar al-Assad shelled opposition fighters from the ground and struck them from the air, supported by Russian firepower.
Opposition groups, meanwhile, used mortars and artisanal rockets, as the fighting turned ancient streets into sniper alleys.

During the four years of fighting before the government recaptured Aleppo following a devastating siege, the city was virtually emptied.

Now, after Assad's fall following a lightning opposition offensive led by Hayat Tahrir al-Sham, residents are looking forward to reconstruction.

"Unfortunately, more than 60 percent of the edifices in the old city, monuments of the old city of Aleppo, were devastated to ground zero," said Georges Edleby, a tour guide in the city for 35 years.

"Hopefully there will be a day that we see them again restored."

The ancient souks where Aleppo's famed olive oil soap is piled up in stacks for sale has been reduced in many places to little more than rubble.

- 'Hope for a better life' -

Aleppo's medieval citadel, however, remains relatively intact.

Opposition fighters, one with a rose slipped into the barrel of his gun, stood guard outside the ancient ramparts, which Syria's army turned into a stronghold during the war.

Most of the damage in the citadel was caused by a 2023 earthquake, locals say.

Below in the old city, a few alleys of the souk -- once the largest in the world with 4,000 stalls -- have reopened after being restored, including with Saudi financial aid.

Jamal Habbal, 66, has spent all his life under the stone vaults of the old city and reopened his macrame and rope shop there a year ago.

"We have so many memories here. It was a big market that was vibrant and lively. Girls used to come to buy items for their trousseaus. They could find everything," he told AFP.

"And then suddenly, the crisis," he said, reluctant to even say the word war.

"We had to leave. I returned in 2018, but it's still difficult," he added, speaking in a dark and largely deserted alley.

Fadel Fadel has also reopened his shop offering souvenirs, soap and mother-of-pearl inlaid boxes.

"It was completely destroyed here," said the 51-year-old.

He is hoping to see Aleppo returned to its status as a "center of commerce, industry and tourism."

"We hope for a better life."

- Museum ready to reopen -

Outside, dusty streets wind between ruins that await reconstruction and revival.

The Baron Hotel once welcomed Agatha Christie, Egyptian president Gamal Abdel Nasser and France's Charles de Gaulle.

Visitors flocked to see the somewhat faded glory of its rooms, as well as its terrace and the unpaid bar bill belonging to one Lawrence of Arabia.

But now, several broken windows adorned with shutters hanging from a single hinge offer a view into a deserted building covered in dust.

The hotel's future is uncertain.

Its last owner, Armen Mazloumian, has passed away. He told AFP back in 2014 that he felt the hotel's glory days were behind it and it would "never be what it once was again".

Nearby, however, the National Museum of Aleppo is readying to reopen. Its courtyard was hit in shelling but its building and collection were spared.

Director Ahmed Othman said the museum "took lessons from the experience of our neighbours," including institutions in Iraq and Lebanon.

"We took the necessary measures to protect our collections," he said.

"The statues that were too heavy to move were encased in concrete and the smaller pieces were moved to safe places."

Treasures that trace nine millennia of history and the birth of writing in nearby Mesopotamia have been preserved unharmed as a result.

"We did many things in order to protect the museum as a whole," said Othman